On other new beginnings and other new beginnings’ ends…

Howe Sound

“Every man moves on,” says my father quietly, and I think he speaks of Santa Claus, “but there is no need to grieve. He leaves good things behind.”

From Alistair Macleod’s “To Everything There is a Season

At certain times in life, there is too much to rightly say – too much felt, experienced, too many lives intersected, relationships fostered, or memories shared. Attempts to set down thoughts and feelings at a time like this obscure anything that falls outside that declaration; people, sentiments, scenes, and places are erased not for their lack of importance, but because in trying to describe the wholewe inevitably lose sight of the infinite complexities that compose it.

That said, there are the statements of fact to be reckoned with, and with that in mind I do want to share that as of next year I will undertake a secondment as a Faculty Associate at Simon Fraser University, working as part of their professional programs to certify new teachers. For the first time in ten years I will be starting a new job, moving beyond the home and students and role I’ve known for the near-entirety of my professional career, and becoming again the New Guy, an apprentice green and young among my more seasoned colleagues.

These last few years I’ve found myself an experienced member of my school community: confident to speak up, take on leadership roles, experiment with pedagogy and assessment, to fight for my vision of equity and justice for my students and colleagues. But with this confidence I’ve also been struck with a sense of wanderlust. As nice as it has been to feel as though I have a handle on what I’m doing, a part of me has longed to leap into the unknown.

Firm in the belief that we are growing most when we are forced beyond our comfort zones, I began to feel that I had been pushing hard in a host of professional directions – union activism, curriculum development, professional collaboration – and that, in time, this pushing would take me somewhere beyond my local school community. Indeed I had enrolled in and completed a master’s program over the last few years so that such future doors might be open to me, should I seek them out, even without a firm idea of what these new adventures might entail.

To be sure, my work with the TALONS is and has been too good to be true. In its every iteration it is education as it could and should be: community-focused, experiential, authentic, and personal for teachers and students alike. Our students and their families are deeply supportive and committed to making our program reach ever more daring heights and achievements, and celebrate each cohort’s learning with enthusiasm and love that is infectious and inspiring. I have been fortunate beyond words to call this program home these last ten years, and have not taken the opportunity to step away lightly. No small part of me worries that I will never have it so good; but I know that such fears can too often get in the way of stepping out into those new frontiers that we will come to call home.

It is time to scare myself with uncertainty, lean into the discomfort of unfamiliarity, and know again the work that comes with breaking trail.

I would be remiss however if in this time of looking forward I did not look back at a few of the people and places that have given shape to my last decade, without whom whatever lies ahead would not be possible. Without whom the perspective that writes these words would not have come into being.

JAM #SQUAD

Q and Andy

Though they each deserve their own novels of gratitude and attempts to describe what it means to be both colleagues and family, a few words here must be devoted to my TALONS teaching partners, Quirien Mulder ten Kate and Andy Albright.

For her part, TALONS would not exist without Q. In the first it would not be a program in our district for gifted high school students; and in the second it would most certainly not exist in any of its current or future iterations without her superlative energy and devotion to students, learning, the natural world, and the purest ideals of public service.

Since I have known her (with every indication that the trend was established long before), Q has done the work of several people: teaching courses within and beyond the regular timetable, supporting extra-curricular events and activities on evenings and weekends, attending musical and dramatic performances without fail, completing a PhD while she taught summer and night school, volunteering at Wildlife Rescue, and working to support her parents, niece and nephew, as well as a host of godchildren. She is a paragon of productivity, cutting to-do lists to smithereens in the service of others to an extent I have trouble understanding, even while I’ve been able to study her at close proximity for a decade.

Team TeachingFew of us will do so much in our lives to improve the state of our communities or the lives of others as Q does in a month. It has been a densely packed, invigorating, evolving, reflective and critically educational ten years working alongside her, forcing me to stretch my weaker areas as well as to know my own strengths and how better to positively impact my communities of practice both within and beyond the school. Ours has been a relationship of compliments, where each of us has owned the skills and dispositions lacking in the other, and where a state of fluidity and trust has enabled us to grow a program and working relationship that pushes us each to become bigger than we are. I owe every moment of my TALONS experience to her superlative tenacity and devotion to making our program a reality, as do every one of the TALONS, past and future.

And where Q might exude a life lived to its full depth – with singular obsessions explored to their very essences and marrow – Andy joined our program for four years before retiring this winter to lend a sense of life’s breadth. Having come to teaching in his thirties, Andy had previously worked for years in group homes for people living with disabilities, played in bands in the British Columbian Kootenays, and travelled across Canada as a high school senior in a yellow school bus researching the heights of the rock era. He’s sipped Italian wine in Italy, slept under the stars in Oregon, and spent a good amount of his twenties in the Vancouver counterculture-enclaves of Kitselano, Squamish, and North Van before they were millionaire retreats and lucrative offshore investments.

Andy has read the “good” books, can quote Dylan (Thomas, or Bob), loves Monty Python, and frequently recites long passages of The Further Adventures of Nick Danger, Third Eye. He and I spent a lot of time on busses, around campfires, and laughing at the stupendous incompetence of the local compliment of moving truck companies. We told one another stories, remembered old friends, and shared much of the time we were able to have with one another with a similar purpose: to let what would be emerge, and to determine its meaning and significance afterwards. Ever a calm and articulate force, Andy brought an intentionality and thoughtfulness to TALONS that balanced Q and I, and couldn’t help but influence my life outside of school.

Often in our talks late at night around the campfire – ostensibly keeping watch for TALONS wanderers who might be looking for some teenaged evening freedom – we would lie under the stars and Andy would remember stories about his long-passed friend, Mark, someone I never met but who infused our relationship with the knowledge that even once these moments were no longer – once we had retired, or moved onto other gigs, or whatever would yet transpire – our friendship and the memories of these golden, glowing years would continue.

Where each of my colleagues is concerned, they will be carried with me for the rest of my days. We’ve stood around many a smouldering campfire late at night, debriefing and discussing the day’s events, hiked mountainsides in torrential rain, and chased bears from our campsites together, all of which – and much more between – can only be known by those who will work with the TALONS.

DSC02137

The Woods

A good deal of my professional life since university has transpired in the woods. In fact, my first legitimate educational work was teaching swimming and canoeing, lifeguarding and sailing, as well as what might have been called outdoor leadership in the Ozark Mountains in Arkansas at a summer camp for Boy Scouts. Having been awarded an internship to study the Scouts organization by working at the Gus Blass Scout Reservation in 2003, I returned in ’04 and ’05, and gained the teaching experience and other prerequisites to enter the PDP Program and obtain my teaching certification (without ever explicitly pursuing education as a career path).

I had always enjoyed camping, skiing, and swimming in lakes and rivers, of course. But partway through my time in Arkansas I began to take weekend adventures with a teammate (from Prince George, BC) into the southern wilds, and similarly started to lustily plan my summers home in BC with an extra fervour for the oceanside mountains of the coastal range. I started to read Walden, and Jack Kerouac, and non-fiction tomes by Sebastian Junger and John Krakaur while I starting to reach toward what lessons that the wildernesses of my two homes might have to teach me.

In a way, it was how I connected to British Columbia, even while living far from home: what makes the left coast special, to my mind, will always be the unique collision of mountains and the sea. And so while I roamed the south I kept an eye out for the woods and forests on the edges of town: my roommates and I took canoe trips on the White and Buffalo Rivers, we explored the Ozark National Forest, and made regular trips to the top of Pinnacle Mountain just outside of Little Rock.

Eventually I would be working for the Boy Scouts, and not long after that be in PDP, and then teaching the TALONS program, getting the job on the heels of volunteering on the program’s first adventure trip in 2006. The following year, I became a TALONS teacher and our classroom took to the hillsides of Eagle Ridge, and Buntzen Lake, the Fraser River and Harrison Hot Springs. Squamish. The Gulf Islands. The Sunshine Coast.

In our work, Q and Andy, and now Dave and I have been fortunate to act as ambassadors for the natural world, tour guides into botany, natural history, wilderness survival, and leave-no-trace camping. Our jobs take us into the backcountry, down rivers and over mountains, engage us in the most unique collaborations and problem solving situations. We have met the most wonderful people, and been involved in the most challenging pedagogies out of doors. And we have been fortunate to share our joy in living in BC with young people, who leave our program with a raft of experiential memories created in the magic of the coastal wilds: having learned, as one does, the most authentic lessons about life and the self that Mother Nature makes available to us.

TALONS Grade Nine Retreat

The Precious

“It’s not the end of anything: now you get to go out into the world and recreate this, whatever you think this is.”

TALONS grade twelve peer tutor Katie F, speaking to grade tens on the last night of the Adventure Trip in 2012.

There are a lot of educational buzz words the TALONS program has recognized in its evolving embrace of 21st century learning these last many years: place-based, inquiry, experiential, collaborative or community-based, as well as a host of others. There are myriad ways in which the Betts’ Autonomous Learner Model has bent and evolved to contain multitudes, and as I am fond of quoting Emerson, has proven time and again that “At the periphery there is infinite complexity, while at the centre there is simplicity of cause.”

The simplicity of cause that we have lived by these last ten years, which has infused the TALONS program and the lives of those who have passed through its two year cycle, has been the idea that while we all take part in the same basic structures and contexts of learning, what is learned is up to the individual. It is a prerequisite of emergent learning that what is learned arises from the uniquely individual contributions and perspectives of those involved, and cannot be predetermined.

We cannot know from year to year or cohort to cohort what will come about through the traditional pillars of a given TALONS year. The themes, jokes, stories, and lessons of each group are created and held onto by the individuals that pass through the classroom and our community; and while there are rhymes or echoes of the years gone by, each year has brought about completely new iterations of the TALONS community. No two experiences, individual or collective, has yet to be the same.

But there is something that runs through: a simplicity of unspoken cause that keeps our alumni coming back to our Night of the Notables or InDepth Celebrations, maintains friendships across university educations, and keeps us committed as teachers to sleepless nights in May and June, and tearful conclusions at the end of the year. A few years back this unnamed entity started being referred to as The Precious: that unknowable essence that first arises on the Fall Retreat, and fuels the enthusiasm of the Eminent Person Study, and culminates in the storm of April, May, and June (always pronounced Aprilmayjune). It is that feeling, known to those who have felt it, but which they cannot describe to outsiders. It is the reason that the frenzy of what may appear from the outside to be too much, too taxing, or too strenuous, is never worthy of regret.

As I began this post, I can still only admit that there is too much to say, really. There have been too many experiences, memories, and lessons along the way. Arguably it has been something that few will be able to relate to, but that those who know will understand without explanation.

I will defer here to a joke made of the attempt to sum up what TALONS means to those on their way out, and in addition to these near-twenty four hundred words, offer the reflections of our alumni, Liam, who said simply, “It was good.”

So good.

Learning On the Road: NYC Edition

Brooklyn Bridge

Just back from a whirlwind six-day sojourn in New York City, I’ve been thinking about the thread that runs the breadth of the learning I have been fortunate to join in on the road. In the British Columbia backcountryCuban fine arts classroomsbackstage tours of Disneylandweekends at local ski resorts, and now the Big Apple, I’ve shared a love for adventure and travel with students across a wide variety of multi-day excursions. However the contexts of these adventures may vary from urban jungles to deserted forests or Gulf Island beaches, there is a unifying element in the experiences they offer.

“At the periphery there is infinite complexity; at the centre there is simplicity of cause.”

Emerson

Invariably, there is the ostensible purpose of the trip at hand: to hike the length of a coastal backcountry trek; to experience the interior powder and slope-side hot tubs on an escape to a local ski community; or to experience the mecca of American musical theatre on Broadway. But it is often the time and energy spent journeying to these locations, or the unexpected side trips and adaptations in these original intentions that create the most memorable moments and experiences. It is in accounting for subway travel in a group of thirty through Manhattan rush hour, or the rowdy long-weekenders encroaching on our evening campfires, that a trip becomes more than its slated itinerary, and an adventure engaged in whole-heartedly by its participants.

“We do not take a trip; a trip takes us.”

Steinbeck

A few weeks ago four of us (our theatre teacher and trip organizer, one of our vice-principals, myself and the lovely Mrs. Jackson) accompanied twenty six of our school’s musical theatre students to New York City. Our purpose was explicitly trained on Broadway, and seeing a trio of musicals (Miss Saigon, The Lion King, and Wicked), as well as a backstage tour at the Gershwin Theatre and a coupe of workshops and Q&A’s with working broadway choreographers, stage combat specialists, and performers. But the trip was also an encounter with one of the world’s Great Cities, a brief but immersive dip into the mythical city of Gotham, with the wonder of Times Square, the Empire State Building, Greenwich Village, and the Brooklyn Bridge.

So we attended our shows and workshops. The students were guided through the subways to Harlem, and Central Park, and grew to know their ways around Times Square and the midtown blocks surrounding our hotel. But as ever there was much more that created profound meaning and memories for our chaperones and students.

On a mad dash through the financial district, we huddled around the bronzed girl standing down the Wall Street Bull, traversed the cemetery where Alexander and Eliza Hamilton are laid to rest, and stood somber at the reflecting pools at the World Trade Centre, all in less than half an hour.

In the East Village outside the Upright Citizens Brigade Theatre, we paused the assembled students on the curb while my wife and I negotiated with our real estate agent back in Vancouver over the final details of an offer we were making on a town house.

Stonewall

And the next morning, we wound our way underground to the monument at Stonewall not far from Washington Square Park with a handful of students for whom the whitened statues of gay liberation activists represented a unmissable pilgrimage.

Stonewall

The sun was bright and we had a little more than an hour to visit the area around Washington Square Park, navigating quickly through the East Village streets with the help of Google Maps and nine students. Arriving above ground not far from Gay Street, there was a sense of approaching holy ground – holy for the unholy, perhaps: those left out of the almighty’s light for too long – a giddiness of self-recognition, of connection to those whose struggle made these lives – still difficult, still too often disregarded, to be sure – possible.

There was a sense of standing at a different kind of ground zero.

A few days earlier we’d been in Strawberry Fields, the John Lennon memorial just inside the gates to Central Park, and another ode to the mad ones who have made New York the mecca of America’s wildest minds, from Hamilton, to Lou Reed, to the men and women who fought at Stonewall to create a broader representation of what it means to be human, to be acceptable, to be seen in the national narrative.

In New York you can be a new man,” the song says. And maybe that’s true. With seven short days in the city under my belt it is impossible for me to say.

But perhaps the lesson and the inspiration of New York is that you can be yourself, as bright and blazing as can be. Perhaps the canvas is as wide and as tall as we can make it, to be celebrated or condemned, attacked or revered.

Perhaps the lesson is as yet unlearned, and has only just begun to be scratched.

As with the best of learning in the wild, and on the road, the lessons go on being written for years after the adventure concludes.

The story continues to unfold.

On Reconciling Epistemic Enclosures

Epistemology Lecturing

Democracy depends on the negotiation of common ground

I’ve spent most of my life as a connector. I’ve always been something of a bridge-builder. Someone who can ‘see both sides’ (sometimes to a fault). I’m forgiving, even when I might vehemently disagree with someone, and am generally able to admit that my way of perceiving the world is no more than just that: my way. Anyone else’s is only an equal and complimentary contribution to the sum of views that accounts for our socialized reality.

In the opening lines of my Master‘s, I cite a few lines of Nabokov’s that I’ve carried with me through much of my adult life (a longer excerpt of this idea is included in the very first post on this blog, as well; certainly, it is a foundational idea in my thinking about life and learning):

“The only way back to objective reality is the following one: we can take these several individual worlds, mix them thoroughly together, scoop up a drop of that mixture, and call it objective reality.”

Of course there are limits to the idea that all perspectives are rendered equal, and I would admit the maxim that one is “entitled to their own opinion, but not their own facts.” There is a hierarchy of (variously informed) opinions, (variously true or provable) beliefs, and what we might consider to be truly known (though even this empirical knowledge often offers a less complete picture than many ideologies would readily accept).

In basing our social reality (democratic politics) on such a humble view of what is known, and basing our decision-making processes on the limitations of that knowledge, we can hope to create the most just world possible. But this potential will remain as mere hope if we do not resolve to wrestle with democracy’s limitations; and if we believe in the potential of democracy to create such a just representation of human views, we must fight to be inclusive of diverse views that may offend our existing paradigm(s), while at the same time be able to reject that which is based in dubious claims to knowledge or reality.

Galileo to Descartes to Canadian Multiculturalism

By one reading, it was the destruction of the epistemological paradigm of the Middle Ages that brought about the west’s democratic revolutions in the first place. It is the scientific revolution which enables the social, and precedes the political, as Galileo and Newton create the necessity of Descartes’ ultimate scepticism that leads him to outline his knowledge beginning from only true beliefs, and the notion that the sole certainty is that “I am a thing that thinks.”

From here the technological advancements in printing technology and the cultural revolutions of the Protestant Reformation bring about the realignment of the knowledge-creating bodies of the western world. Where before the one word of god and Pope and king defined the parameters of the social experience, as it became clear that a polyphony of voices was just as capable of advocating for a truly collective perspective, it similarly became apparent that the political structures governing that society would be in need of significant renovation.

The initial forces exerting this seminal democratic will are with us today, and we see in the evolution of the causes of civil rights and social justice in countries continuing to strive toward these Enlightenment ideals. In its Multiculturalism policy, the Government of Canada sets the lofty goal for itself to

“promote the full and equitable participation of individuals and communities of all origins in the continuing evolution and shaping of all aspects of Canadian society and assist them in the elimination of any barrier to that participation”.

So radical does the statement strike me every time I read it that I cannot help but emphasize the scope of what such a policy might genuinely aspire toward. To promote the “full and equitable participation of individuals and communities of all origins in the continuing evolution and shaping of all aspects of Canadian society.”

In a seeming nod to Nabokov, Canada holds as an official view that each of our responses to the question, What does it mean to be a Canadian? must be counted as equal. Not only that, however, but also that it is the role of government (and citizen alike, by extension), to “assist them in the elimination of any barrier to that participation.”

How we intend to arrive at the notion of what it means to be Canadian, and what this vision of nationhood implies of what it means to be human, then, exists on an epistemological foundation which values bridge-and-consensus-building, on creating spaces for dialogue and disagreement, and on reconciliation of the myriad different ways we each experience the world.

Engaging the deplorables

I’ve always had a lot more fun exploring my thinking on issues I’m passionate about with folks of differing opinions; even with my more liberal friends, the conversations I learn the most from are where we are able to highlight minute disagreements that help shed light on the contours of an issue or event. Fortunately in this regard I’ve been able to make social connections with a range of sharply opinionated conservative coworkers and teammates over the years: I spent five years living in Arkansas, two of which saw me working at a Boy Scouts of America summer camp in the Ozark Mountains; and I’ve shared a lunchroom back in suburban Vancouver with passionately libertarian male Baby Boomers (a relationship I’ve explored at some length here before).

In both of these cases, I’ve worked to represent the liberal values espoused earlier here, and attempted to represent and reconcile our differing views on a range of contemporary events and issues fairly and as dispassionately as possible (not that this has always been possible). I make a point of being overly cordial, friendly, and make explicit the idea that it is important for us to respect one another and our perspectives despite our divergent views about the state of the world. Reasonable people are free to disagree, after all, if we are each able to present our view of the facts as best as we are able and come to our own conclusions from there. It is through this process that respect and reconciliation of our differing views become possible.

But I wonder if we aren’t living through a time which makes this hope a fragile and idealistic possibility, as the advent of “alternative facts” and a pervasive distrust of there being any common reality for us to point to being dispelled through more and more normalized channels. How can we be expected to arrive at a collective interpretation of reality with such nihilistic views of facts or the truth circulating in such broad swaths of the population?

I’ve taken the opportunity of late to engage some of my southern friends and former neighbours in dialogue on social media over the last few weeks. I’ve attempted to dispel disproven facts, or to inquire as to the origins of what I perceive as xenophobic views.

“These refugees are getting ready for a war,” one of my Facebook friends writes, prompting me to offer an exceedingly polite summary of the process through which refugees must pass through before entering the United States or Canada. Over the course of a dialogue that lasts through the weekend, I am told that President Obama is a Muslim, and worked tirelessly throughout his presidency against American interests. I am told that his efforts as president were intended to weaken America such that the invading hoards of refugees could “make America Muslim.” This friend was proud to tell me that they knew of terrorist training camps throughout America, and that the fact that there was no evidence to support this claim was only more proof that vigilance is needed.

I’ve been down this road before: arguments about the “disastrous” Obama economy (despite 75 consecutive months of job creation; record high stock markets; auto-industry recovery; tens of millions insured); the validity of climate data (“scientists who study climate change’s funding depends on them making conclusions the politicians like”); and even the very existence of racism in America (what with the election of the nation’s first African American to its highest office).

“We can’t know any of the real story,” this friend informed me when I asked if there were any sources to their horrifying claims. It is a startling (and somewhat ironic) admission from someone positing their own reading of the available facts, but also a distressingly bleak prospect for deliberative democracy. It is little wonder that people with so little faith in the democratic system elected a man who campaigned on the rhetoric that he, “alone,” could fix what ailed America (even if by many demonstrable metrics the country had been progressing). There can be no truth under authoritarianism but what the authorities say it is; the consensus of the public ceases to matter, and like that we have undone the promise of the Enlightenment, the necessity of democracy, and the hope for justice that comes with it.

If nothing can be known – or if enough people in a democracy believe that nothing can be known – what is the point of discussing anything? Why ought there be a democratic process at all?

Teaching to Resist

Sea Lion

Where did everybody go?

Is it just me, or has it been a minute?

Did we turn a corner? Or have we ascended some ultimate peak to only be careening out of control these last how many months?

Did things online not seem to move so fast, previously? Or were they just less likely to see us preoccupied and frantic with the escapades of the new American world order?

…or is it not just online that this has been happening?

If it’s only been me who’s been feeling this way: I’m sorry to have deserted you, friends. We probably used to talk about other things. We used to share music, books. Used to browse each others’ photos over stories of where the “real world” had taken us. Lately it’s as though the noise of the world has been taking up more and more space, and those opportunities to ruminate in thinking about things frivolous or fleeting are losing out to the latest press release, analysis or interpretation, this or that comedic riff, or the public stands taken by individuals and groups that provide momentary bulwarks against bottomless negativity.

Perhaps it’s coming to grips with life as an act of resistance, and the need to keep one’s eye on the advancing shadows of authoritarianism, hatred, and white supremacy that the last eight years might have calmed us into thinking were in their deathly rattles. Perhaps it’s the shock that precedes the types of upheaval the likes of Steve Bannon and the newly orange-coloured president seem intent upon wreaking.

Whatever its cause or wherever its origins, I’m writing here to acknowledge that something has changed, rather than to pin down anything of substance that might explain it.

How to teach and learn now?

Last year our school began a pilot process of professional development based on a collaborative inquiry model. We begin the year with individual questions that lead us into small groups that meet over the course of the year to investigate the unique conundrums and inquiries we are each facing in our classrooms and teaching lives beyond (I’ve written about this here, if you’d like to hear more about the origins of this project).

This year we met for our second instalment and meeting in our small groups, and revised and re-entered the questions and inquiries that we had begun in September. A few of us had missed that initial day for trips or illness, and a few others besides had seen their questions change or become irrelevant in the meantime. A few more student-teachers and new staff had been added to our school as well, and so among the splinter cells of inquiry a smaller group was struck that I found myself in despite it not having a banner or direction under which to organize ourselves.

The conversation quickly turned to whatever latest outrage had been announced south of the border, and how the general mean-spiritedness of so many of the new administration’s initial policy announcements were affecting anxieties in both our students, and ourselves.

“How do I model coping with a world like this for my students when I am at an utter loss myself?” one of my colleagues asked.

“What can we do or say, especially in subject areas that aren’t directly related to current events, oppressive structures, or political goings on?” wondered another.

There is a line, we agreed, between acknowledging the panic that comes with witnessing preposterous cruelty on such a grand scale as the new government has sought to impose on the most vulnerable members of its society – from LGBTQ+ kids’ rights to safe schools, to green card holders and visiting scholars turned away at borders, to hate crimes erupting in the light of day echoing the new administration’s language, ideology, and intent – and modelling hope and perseverance for our young charges.

But as to where we might garner and gather that hope and perseverance is a query we have not yet seemed to solve, either around that little table, or in the larger culture of which we feel a part.

Don’t go away.

What seems clear is that we must stay present, and available to one another. That we stay trained on the creeping tide of hatred and fear that threatens the values of inclusion and progress that our societies and schools are based on. And that we fight alongside and for those who are most threatened.

We must admit that we each are struggling to find our feet as agents of resistance against an emerging institution that seems bent on keeping us off balance, and create balance and stability for one another in the minute ways we might be able.

#Eminent2016: Why Bob? Why Now?

My goal is to try and stick to some sort of chronological ordering of the aging of Dylan in the images used in the creation of this project. Hence, this young shot of Dylan in his Greenwich Village folk days here at the outset of the project, moving toward his more current iterations as the study progresses.

Image courtesy of Rolling Stone.

After almost ten years at the helm of the TALONS annual Eminent Person Study, I decided to conduct my own study alongside this year’s classes. These posts will be collected here. 

Why Bob?

They say everything can be replaced

That every distance is not near

So I remember every face

Of every man that brought me here. 1

For a brief moment when I first thought that I would take on the Eminent Person Study, I initially declared my intentions to study Bruce Springsteen. In recent years my musical tastes and affection has leaned heavily toward the Boss, and I would relish the opportunity to delve deeper into his life and rock catalogue. But with Dylan’s recent Nobel Prize win I’ve been hearing a lot more Bob, reading various responses to his inclusion as the first musician to be awarded with the literary honour, and been coming reacquainted with my first true love (and one of Bruce’s, to boot).

Before Bruce, and Josh, and even Gabriel Garcia Marquez, there was always only Bob.

Why Now?

Image courtesy of Consequence of Sound

An artist has to be careful never to really arrive at a place where he thinks he’s at somewhere. You always have to realize that you’re constantly in a state of becoming, and as long as you’re in that realm, you’ll sort of be all right. 2

Back when I was a student in an older version of our district’s gifted program – the forerunner to TALONS that operated at Dr. Charles Best Junior High back as far as the late-nineteen seventies – our teachers would occasionally participate in the major projects with us: studying eminent people, or engaging in-depth studies to sing or sew, and creating their own inquiries, findings and meaning alongside us. This always seemed an exceptional example to me of what life might be as an adult: that we might go on, continuing to strive, and learn, and change markedly into our middle and advanced ages. But Q and I, as well as the other TALONS teachers, haven’t much made or had the time to engage in these sorts of pursuits as TALONS teachers in recent years.

It’s true, two of us have completed advanced degrees, a PhD and an MEd between us, and we regularly share our personal and professional struggles and triumphs in blog posts and classroom conversations about the nature of lifelong learning and aspiration. But engage in a project directly alongside our students, we have not.

Additionally, TALONS seems to stand somewhat perched at a crossroads in its continued evolution. Having doubled a few years into our run as a two-teacher, twenty eight student cohort, there are now four teachers and nearly sixty students these days, two of those teachers new to the program this fall; we’ve added courses in the senior grades, and are breaking new trails in Adventure Trips, and other aspects of our learning and organization all the time.

As well, I find myself nearly ten years into my career, with just shy of that time spent facilitating the TALONS learning across a variety of subjects. And with so much change arriving in the TALONS world, I feel compelled this year to strike out a little beyond my own comfort zone as an act of solidarity not only with my grade nine and ten students, but my new teaching partners. Our program is a place where adults as well as adolescents are challenged to grow and develop beyond what they may have previously thought  possible, and to be joining such a juggernaut of an ecosystem as ours must be an intimidating prospect.

Hopefully some of this process extends an invitation to them to join the ranks of public learning that makes our program unique, both for what it teaches the young people among us as well as those of us beyond the school.

But… why Bob?

It’s not a good idea and it’s bad luck to look for life’s guidance to popular entertainers. 3 

Around the time I was graduating from university, I had begun to play guitar with the idea that I might be able to expand the scope of my expressive capabilities into music. I would be earning my degree in Creative Writing (with a minor in French and an additional honours thesis on civil society and ideology around a Boy Scout summer camp that I had spent two summers interning for), and had written a roughshod novel during school, along with hundreds of other essays, newspaper columns, letters, and stories. But like Kurt Vonnegut wrote once, “virtually every writer I know would rather be a musician,” I had always been drawn to music, to the images and melodies that lit fires in undiscovered places in myself. And so I set about exploring my existing taste and experience in music through a borrowed acoustic guitar; when I moved home to Vancouver I bought my own and started unpacking the history of popular music from Elvis on forward.

I listened to the Beatles incessantly, and in chronological order. I watched the Anthology documentaries and began to untangle the thread of blues and rock that ran through Elvis, and Chuck Berry, and Johnny Cash. I began to see the tightly woven threads of the culture that connected Jack Kerouac and Alan Ginsberg to Jim Morrison, and back to Robert Johnson. I’d had some experience with each of these threads in isolation: I’d studied the Beats ravenously as an undergraduate; that hasty youthful novel written in my third year bore an inscription from one of Jim Morrison’s poems; and I could talk for hours about the complimentary and divergent aspects of the Beatles and the Rolling Stones’ early aesthetics.

Untitled

Then my dad bought the Martin Scorsese documentary on Dylan, No Direction Home, and everything became obsolete. Here was the Rosetta Stone to synthesize and decode the American spirit that unified the story I’d been untangling for years. Here was an artist who defied category or classification, who by the time you had decided what to call him had morphed into something else entirely, who seemed to know his own voice and gifts so well for never claiming to understand them so much as the fact that he would never cease to explore their potential. With Dylan there were no lines, no titles, no boundaries, and I wanted that for myself.

I wanted, as I still do, to find what my vision and voice can see and say: to expand beyond what I’ve previously thought possible, and to create new ways of being for others to follow, which is Why Bob, Why Now.

  1.  “I Shall Be Released”
  2. No Direction Home
  3. Songwriters on Songwriting

Scenes in Adventure Learning (Part II): Reconnaissance

Juan de Fuca Recon w/ DSIt is the second day of spring, earlier the same year, and a colleague and I are shivering in soaking clothes in a damp ring of protective salal and cedar above Chin Beach. We are conducting reconnaissance on the Juan de Fuca Trail, assessing its relative difficulty, subjective and objective risks and hazards, and gauging the potential for the route to serve as a challenging option for the annual TALONS Adventure Trip.

Despite arriving on Vancouver Island in full sunshine yesterday, and beginning our hike under clear skies, the rain moved in on us last night and has yet to let up through the day’s first ten kilometres. We left Bear Beach at just before ten this morning and arrived at the emergency shelter above Chin Beach on the afternoon high tide, cutting us off from where the trail resumes at the western end. With an hour of slack tide to wait out we’ve hung our wet shirts on the lines in the front of the shelter to drip dry in the spring humidity and make warm lunches of hummus, bagels, and multiple cups of tea. We laugh at the accumulated years of graffiti adorning the walls.

Eventually we shudder back into our shirts and make our way down to the beach, where we’re waiting now for the tide to recede enough that we might gain the rocky bluff back up into the woods where the trail continues. Mist hangs in the air between the trees and gusts up the beach as the waves crash and rinse between the rocks. A group of five or six sea lions slithers toward the horizon beyond the breakers, and we wait, jogging on the spot, stepping up and down from a log by a sodden fire circle, and wandering through the prospective campsite.

When the tide falls we head back into the woods, tackling the second 10K section of steep, muddy, and root-laden walking between Chin and Sombrio Beach. The trail climbs, then descends, crosses swollen creeks that soak our boots and gaiters, then climbs again. All throughout the afternoon the rain continues to fall, but we don’t wear our rain gear because with our exertion the insides would be as wet as the outside; besides, we will surely need them come the evening.

The lightheartedness of our adventure yesterday has evapourated, or perhaps more appropriately been washed away, and we hike in relative silence: grunting, breathing heavily, laughing incredulously at the ferocity of the weather and the roughness of the trail. We are out here two months before the hiking season has properly begun, and many of the winter’s deadfall sitka spruces, calamitous landslides, and broken boardwalks have yet to be cleared or repaired. Later in the day we are ankle deep in muddy bogs on the ridgeline above Sombrio Point and the forest canopy blocks out the five o’clock light, making it horror-movie dark as the rain increases above our heads. In the next moment it is hailing angrily down through the cedar boughs and we are resigned to digging through our packs for jackets as the pellets sting our shoulders and frigid forearms.

Juan de Fuca Recon w/ DS

On Sombrio we fight back the first effects of hypothermia while we attempt to set the tarp and pitch our tent. My sleeping bag is soggy and our fingers ache working with the lightweight tarpline. We are on pace to complete the trail in three days – two days faster than our prospective trip with the teens later in the spring – and we are each unbelievably spent.

Tomorrow we will shuffle off the western terminus of the trail in Port Renfrew and ravenously inhale chicken wings and two beers before hitchhiking back to our car at China Beach before dark. I am almost thirty five and no stranger to challenging adventures in the woods, nor is Dave: even with our aching feet and blistering toe-nail beds, soaked gear and thousand-yard stares as we sit over ferry burgers on our way home, we are giddy and proud of our adventure.

But tonight, shivering in my sleeping bag while the rain blasts at the salal and sitka shelter beyond our tent, and throughout our encounters with knee-deep bogs, hundred metre cliffs above the Pacific, and the perilously slick log bridges and creek beds (one of which claims my sunglasses on the second morning of our adventure), I am struck with the magnitude of the trip seen through the eyes of my grade nine students. The thought that the trip may be beyond the capabilities of our group – or for one reason or another one or more of our student group will not complete the trail – becomes a focal point of the preparations to come.

“Let’s think about it,” Dave says sometime the next day while we take water and a break deep in the woods west of Sombrio Beach. “What are the snags, injuries or anxieties – reasons you’d need to stop or evacuate someone – and where are they going to happen out here?”

“If and when they walk off the end of this trail,” he adds. “They are going to be hardened warriors.”

We climb through the soaking rainforest, sweating in our rotten, muddy clothes, brainstorming various emergencies and evacuation procedures, as well as how to minimize our risks.

“Exactly,” I tell him, and set about making plans for the coming months and making that potential a reality.

Scenes in Adventure Learning (Part I): Over, Under, Through

Arch

Aligning our departure from Chin Beach to the 8am low tide, our group of seventeen grade nine and ten students and four adult leaders set out around the rocky bluff at the western edge of the beach, walking in the shadow of towering sandstone cliffs. Groundwater drips down mossy walls and splatters on the slick boulders we navigate to the tune of clattering hiking poles and the gasps of narrowly avoided falls. To the west the bright blue sea is visible through the window of a dramatic granite arch extending from the forest.

One of our volunteer leaders and one of the grade tens ventures under the arch to assess the possibility of avoiding the abrupt headland interrupting our beach route, to no avail. Even with the low tide, the route under the arch runs out into shallow seawater and the threat of being surprised by rogue waves on the exposed point; we will have to go over.

It is the second morning we’ve woken up on the beach, having set out just after lunch from the China Beach parking lot at the eastern end of the Juan de Fuca Trail Saturday afternoon. We have hiked more than twenty kilometres with tents and food and water purification tablets, and as we set out onto the third day of the five-day trek, the most difficult sections of trail are behind us. Having surmounted the endless switchbacks and headlands of the merciless stretch between Bear Beach and Chin, the group is strong and confident, and sets about scaling the rocky archway without a break in collective stride. 

Arch BypassThe first few who make it up onto the bluff deposit their packs and hiking poles on the far side, and return to help others gain the ledge with encouraging words, outstretched hands, and assurances that what looms on the other side is “no worse than we’ve done so far.”

On the other side, the route descends sharply to the boulder-strewn beach over a five foot ledge that offers only an awkward bum-shuffle as a way down. Here, too, bags are shuttled briskly through helping hands; a guide line is set to balance reluctant shufflers;  encouragement and spotters collect on the beach to catch us as we resume the trail on the other side. A waist-height waterfall pours out of the sandstone onto the beach where we wet our faces and cool ourselves before continuing into the morning. A hundred other challenges will arise before the day is out, but no matter. The group is operating with a heightened focus on the goal at hand: to safely reach the end of the trail together.

Less than a kilometre down the rocky beach, we meet the buoys hanging in a tree that signal the trail ‘s shift inland, and clamour in a rough single file up and over the twisted roots of a sitka spruce hanging over the edge of a creek. For the next three days we will continue in this manner, immersed in the boundary between forest and sea, with everything we need to survive stowed away in brightly coloured packs and the awestruck glances of our teammates.

Singing Taylor Swift Songs

Introductions, Gender, and Amplification

Every year in #introguitar (an open online guitar class I teach at my school, and which you should totally enrol in as a non-credit participant) I ask my students and our open learners to introduce themselves and their intentions to the group in a brief video. And rather than rehash a template video of my own from ages ago, I appreciate the opportunity as a student of music to focus my learning about guitar from semester to semester in new video introductions.

In past years I’ve worked to learn skills and techniques around lead playing, band-leading, and performing, documenting my growth in subsequent videos and reflections throughout the year.

This year, I’m taking my work in guitar in a direction slightly away from the guitar itself, and toward the conversation about gender, inequality, and diversity in the wider culture of popular music; I’ve resolved to only play songs written by women.

A while back I read about journalist Anil Dash’s experiment to only ReTweet women for a year, an experience that made him more mindful of the voices he amplified on social media:

Based on my experiences, my recommendation to others is simple: Give it a try. If you’re inclined, try being mindful of whose voices you share, amplify, validate and promote to others. For me, it was giving a platform to women where I wasn’t able to mansplain the things they were already saying, but instead just sharing out their own thoughts in their own words. It may be by issue, or by identity, or by community, or some other consideration.

Troubadours and Teen Idols

Caption courtesy of RadioTexasLive.com

Along with inspiring the mournful western aesthetic of my university days, Ryan Adams wrote some of the first songs I learned on guitar (he also inspired the bad versions of Wonderwall I still play around campfires), and has been an artist that I’ve grown alongside for more than ten years as we’ve each experimented with bands, folk music, and life beyond our devil-may-care early twenties. His work of late has been especially sharp, I think, too; “Gimme Something Good,” and the rest of his self-titled album last year contain layers of guitar excellence and timeless hooks that are among his best.

Last year, word began to spread that Adams had set to recording a cover of Taylor Swift’s recent blockbuster, 1989; my worlds were colliding.

As a guitar teacher in a high school the last six years, I’ve been no stranger to the evolving songwriting career of Ms. Swift. Seldom in my tenure in #introguitar have I walked past an interesting turn of phrase, guitar riff, or chord progression to not be told upon inquiring, “That’s Taylor Swift.” Around campfires and in the park behind my parents house during the summer, the choruses of “Love Story,” and “You Belong with Me” have become generational anthems that are tattooed on suburban boys and girls alike.

There is doubtless something there.

Exhibit A in why I want to start calling #introguitar “Campfire Practice”

A video posted by Bryan Jackson (@bryanjack) on

Pronouns and Performing Gender

As long as I’ve enjoyed Taylor Swift’s tunes – and I have quite earnestly enjoyed them, making them a staple of class guitar playing and pieces to deconstruct as exemplars of composition – I’ve never truly played or performed any on my own. There have always been reasons for this, but I can’t say as though very many are very good.

Sometimes the key is too high, or the melody too…something. Sometimes the dance beat is too difficult to recreate on a single guitar. Sometimes they’re written too explicitly from a female or feminine perspective. None of which in itself is a big deal, but contributes to enough awkwardness that I don’t wind up learning the songs to a degree where I play them for other people.

Historically this has been true nearly across the board, with a few pop songs by female artists making ironic appearances alongside Notorious BIG covers once it’s late enough into the night or the jam. The list of songs written by women that are part of my repertoire is pretty weak, if not non-existant.

On a certain level, this is a matter of taste, sure. Why shouldn’t I play what I like to play? What’s easy to play? That feels like me? However, on another, I share the songs I play with a lot of people; I teach young people about the culture of musicianship, songwriting, and developing one’s own voice, both as an interpreter of other people’s songs, and a writer of originals. To present only my own perspective, or one which makes me comfortable, seems unfair to the myriad ways my students perceive and approach the world, and their music.

This is why I’ve decided to spend my time playing music for school this semester playing and performing songs written by women. I’m not play it ironically, insulating myself from whatever vulnerabilities arise in the performances with humour or distance.

And I’m going to leave the pronouns the same, because if it makes me uncomfortable to sing about Taylor’s “Stephen,” or about “his hands [being] in my hair,” I do enjoy the ability (one might say privilege) of challenging that discomfort so that it’s more acceptable for young men who know all the words to Taylor Swift, or Beyonce, or Lady Gaga’s songs to take the stage and belt it out.

Because these songs weren’t written as larks, or trivial, or silly: they were and are manifestations of tone,  character, and theme. They are expressions of an aesthetic in the tradition of songsmiths, where male voices have been disproportionately taken seriously as a matter of course by virtue of arising from male mouths.

Even Taylor Swift’s own songs became more highly regarded by critics once Mr. Adams had sung them. Ian Crouch at the New Yorker (which reviewed Adams’ record, but not Swift’s) wrote:

If anything, Adams’s version of “1989” is more earnest and, in its way, sincere and sentimental than the original.

There are a bunch of men’s songs I’ve shared and performed and taught the class in the past, and no doubt there will be in future semesters. But not because they’re any more sincere, authentic, or otherwise superior to any woman’s music.

And if that’s the case, I’d like to work to balance my catalogue of songs accordingly.

A Unit Plan of One’s Own: References

MEd Final Presentation

This post is part of a serialized collection of chapters composing my recently completed Master’s of Education degree at the University of Victoria. You can access the other chapters on this site here, and access a pdf of the completed paper on the University of Victoria library space here

Ball, S. J., Thrupp, M., & Forsey, M. (2010). Hidden markets: the new education privatization. New York: Routledge, Taylor and Francis.

Bateson, G. (1972). Steps to an ecology of mind: Collected essays in anthropology, psychiatry, evolution, and epistemology. Chicago: University of Chicago Press.

Ben‐Porath, S. (2012). Citizenship as shared fate: Education for memebership in a diverse democracy Educational theory, 62(4), 381-395. doi: 10.1111/j.1741-5446.2012.00452.x

Berry, D. (2011). The computational turn: Thinking about the digital humanities. Culture Machine(Spec. Issue).

Biesta, G., Lawy, R., & Kelly, N. (2009). Understanding young people’s citizenship learning in everyday life the role of contexts, relationships and dispositions. Education, Citizenship and Social Justice, 4(1), 5-24.

Calhoun, C. (2013). Occupy wall street in perspective. The British journal of sociology, 64(1), 26-38.

Campbell, G. (2009). A personal cyberinfrastructure. EducausE review, 44(5), 58-59.

Canadian Multiculturalism Act, c 24 (4th Supp). (1985). Retrieved from http://laws-lois.justice.gc.ca/eng/acts/C-18.7/page-1.html.

Della Porta, D. (2015). Social movements in times of austerity: bringing capitalism back into protest analysis.

Foucault, M. (1984). What is Enlightenment? In P. Rabinow (Ed.), The Foucault Reader. NewYork: Pantheon Books.

Freire, P. (1970). Pedagogy of the Oppressed (M. B. Ramos, Trans. 30th Anniversary Edition ed.). New York: The Continuum International Publishing Group Inc.

Gilens, M., & Page, B. I. (2014). Testing theories of American politics: Elites, interest groups, and average citizens. Perspectives on Politics, 12(03), 564-581.

Groom, J., & Lamb, B. (2014). Reclaiming Innovation. EducausE review, Online. http://www.educause.edu/visuals/shared/er/extras/2014/ReclaimingInnovation/default.html

Habermas, J. (1991). The structural transformation of the public sphere: An inquiry into a category of bourgeois society. Cambridge, Massachusetts: MIT press.

Howe, P. (2007). The electoral participation of young Canadians: Elections Canada.

Jobs, S., & Sheff, D. (1985). Playboy interview with Steve Jobs. Playboy, Interviewer Retrieved from http://www.scribd.com/doc/43945579/Playboy-Interview-With-Steve-Jobs.

Johnson, L., & Morris, P. (2010).Towards a framework for critical citizenship education. The Curriculum Journal, 21(1), 77-96.

Kant, I., & Ellington, J. W. (1993). Grounding for the Metaphysics of Morals: On a supposed right to lie because of philanthropic concerns. Indianapolis: Hackett Publishing.

Kellner, D. (2000). Habermas, the public sphere, and democracy: A critical intervention. Perspectives on Habermas, 259-287.

Kiss, J. (2014, March 12, 2014). An online Magna Carta: Berners-Lee calls for bill of rights for web. The Guardian.

Klein, N. (2008). The shock doctrine: the rise of disaster capitalism. Toronto: Vintage.

Lee, T. B. (2013). Here’s everything we know about PRISM to date. Washington Post, 12.

MacKinnon, M. P., Pitre, S., & Watling, J. (2007). Lost in translation:(Mis) Understanding youth engagement. CPRN Democratic Renewal Series: Charting the Course for Youth Democratic and Political Participation.

May, C. (2013). The Global Political Economy of Intellectual Property Rights: The New Enclosures? (Vol. 3). New York: Routledge.

McKibben, B. (2013). The case for fossil-fuel divestment. Rolling Stone, 22.

Nabokov, V. (1980). The metamorphosis. Lectures on Literature, 251-284. San Diego: Harcourt.

Osberg, D., & Biesta, G. (2008). The emergent curriculum: navigating a complex course between unguided learning and planned enculturation. Journal of Curriculum Studies, 40(3), 313-328.

Shirky, C. (2008). Here comes everybody: The power of organizing without organizations. New York: Penguin.

Sidorkin, A. M. (2000). Toward a pedagogy of relation. Faculty Publications. http://digitalcommons.ric.edu/facultypublications/17

Simsek, E., & Simsek, A. (2013). New literacies for digital citizenship. Online Submission, 4(3), 126-137.

Tosey, P. (2006). Bateson’s hierarchy of learning: a Framework for transformative learning. Paper presented at the Universities’ Forum for Human Resource Development, University of Tilburg.

A Unit Plan of One’s Own: Recommendations

November

This post is part of a serialized collection of chapters composing my recently completed Master’s of Education degree at the University of Victoria. You can access the other chapters on this site here, and access a pdf of the completed paper on the University of Victoria library space here

This project has allowed me to make the following recommendations to others who might consider conducting a similar course of study or practice. In each, the common thread is an emphasis on striving to better realize our collective democratic potential in our own learning as teachers, and looking to provide the same experiences for our students.

Structure with Space

In striving to create emergent possibilities, it is important to cultivate space wherein the unexpected can occur. Democracy itself is a framework to produce outcomes much more than it is an outcome itself; and once it becomes concerned with replication and the preservation of stasis, the ends it is intended to produce slip out of grasp. In the pursuit of emergence, both in democracy and in our classrooms, it is important to create the opportunity – and in doing so the habits of mind in young people – for grassroots expression and experience in collective meaning-making. In considering the adoption of the unit framework provided here, or work conceived in a similar spirit, look to present students with the opportunity to populate the educational space with their own expressions and explorations.

Everything is a Prototype

To engage in authentic learning of this kind, teachers and students must work toward viewing potential setbacks and failures as opportunities to reflect and move forward in their work as individuals and in groups. Central to the notion of learning as an ongoing process is that nothing is a final iteration, and that “everything is a prototype,” 1

 and as such is an opportunity to learn from and integrate into future growth and success. While educators may be quick to encourage our students toward this realization, we can be less forgiving of our own struggles toward an integration of our theory and practice in pedagogy, and it is important for us to model this willingness to adapt, act, and reflect if we wish for these attributes to be acquired by the young people in our classrooms.

In all things, Be open

Wherever teaching and learning takes you, one recommendation above all else is to compel those who are interested in this and other similar learning to work diligently and vigilantly to share it all. Make your process and learning transparent, both in your own emergent view of pedagogy and curriculum, as well as your life as a citizen and educator. Seek out practices which make the act of opening, and allowing others to view, engage, and participate with your investigations a part of your daily work. Delivering upon the promise of the digital age relies on this ability to share and construct our shared spaces, physically as well as online, and educators are central in this struggle to reclaim innovation, as well as the public sphere.

References

  1. Zack Dowell used this expression in an interview with some of my students in 2011.