As I mentioned in a brief thank you to Alec at our last class meeting, in many ways it feels as though I’ve been taking his course on The Blended Classroom for a few years now. When I joined Twitter back in… can it really have been 2009? Alec was one of the first people I […]Read more "Adventures in Blended Learning"
This is the sort of thing that might otherwise be relegated to an aggregated Storify or series of screenshots. But as this afternoon’s series of Tweets was intended to partially sketch out the main ideas in what will be a much larger – Master’s thesis-sized – work, expanding on some of these points seems well-suited […]Read more "Lit Review Twitter Essay"
The performing arts are made of fleeting moments of genius. Whether on nights under the lights on the school stage, or transcendent travels among musicians from different places and cultures, I’ve been fortunate to spend time basking in the magic created by our school’s musicians for a few years now. As a newly minted […]Read more "My Life as the Music Department Digital Archivist"
While I’ve been out of the #tiegrad loop with the FitBit frenzy, I am a devotee to employing a good bit of technology in my own fitness regime of late, and wanted to collect a few thoughts on how the phenomenon relates to digital storytelling and learning. Having received a Garmin GPS watch for […]Read more "The Quantified Self"
In addition to more critical efforts to conduct inquiries into history as it intersects with our present landscape, the TALONS class has come to embrace dramatic efforts to enact and recreate history in their social(s) learning. Whether engaging in a mock trial of King Charles II, or making impassioned speeches as characters in the French […]Read more "Social Media/Studies"
Italy, Spain, Cuba – half the world is filled with the places that he appropriated simply by mentioning them. In Cojimar, a little village near Havana where the solitary fisherman of ”The Old Man and the Sea” lived, there is a plaque commemorating his heroic exploits, with a gilded bust of Hemingway. In Finca […]Read more "With Hemingway"
Hey (#IntroGuitar) folks! Here’s a brief example of how you might contribute a course introduction during our first few weeks of class this semester. You can see many others here. While open online participants are free to jump in and begin on any particular assignment they like, even a short video introduction to yourself and […]Read more "#IntroGuitar Course Welcome & Introduction"
“…ds106 is not just ‘on’ the web—it is ‘of’ the web.” Alan Levine The advent of the web enables a type of individual inquiry and collective synthesis that makes new experiments in constructivism possible. But creating the conditions for such epistemological emergence can be a challenging possibility to consider. As Osberg and Biesta note, “…if […]Read more "Learning on (and of) the Web"
In an essay collected in Rethinking Freire: Globalization and the Environmental Crisis, Derek Rasmussen introduces Paulo Freire and those who would introduce his critical praxis to victims of oppression in foreign countries as “rescuers” attempting “to ameliorate the conditions of the oppressed.” This is, Rasmussen admits, “certainly a worthy aim.” However, the blind spot in this well-intentioned […]Read more "Pedagogy for the Oppressor: Cease to do Evil, then Learn to do Good"
I have to thank TALONS (and #introguitar) alum Clayton for recommending the MelodyLab app that allows you to make multi-part video-harmonies with your phone. It might be a ways from replicating Matt Mulholland’s epic multi-part Ghostbusters theme song, but the free app introduces aspects of the loop pedal to video editing, offering this semester’s #introguitar crowd an exciting way […]Read more "Split-Screen Storytelling"