On Reconciling Epistemic Enclosures

Epistemology Lecturing

Democracy depends on the negotiation of common ground

I’ve spent most of my life as a connector. I’ve always been something of a bridge-builder. Someone who can ‘see both sides’ (sometimes to a fault). I’m forgiving, even when I might vehemently disagree with someone, and am generally able to admit that my way of perceiving the world is no more than just that: my way. Anyone else’s is only an equal and complimentary contribution to the sum of views that accounts for our socialized reality.

In the opening lines of my Master‘s, I cite a few lines of Nabokov’s that I’ve carried with me through much of my adult life (a longer excerpt of this idea is included in the very first post on this blog, as well; certainly, it is a foundational idea in my thinking about life and learning):

“The only way back to objective reality is the following one: we can take these several individual worlds, mix them thoroughly together, scoop up a drop of that mixture, and call it objective reality.”

Of course there are limits to the idea that all perspectives are rendered equal, and I would admit the maxim that one is “entitled to their own opinion, but not their own facts.” There is a hierarchy of (variously informed) opinions, (variously true or provable) beliefs, and what we might consider to be truly known (though even this empirical knowledge often offers a less complete picture than many ideologies would readily accept).

In basing our social reality (democratic politics) on such a humble view of what is known, and basing our decision-making processes on the limitations of that knowledge, we can hope to create the most just world possible. But this potential will remain as mere hope if we do not resolve to wrestle with democracy’s limitations; and if we believe in the potential of democracy to create such a just representation of human views, we must fight to be inclusive of diverse views that may offend our existing paradigm(s), while at the same time be able to reject that which is based in dubious claims to knowledge or reality.

Galileo to Descartes to Canadian Multiculturalism

By one reading, it was the destruction of the epistemological paradigm of the Middle Ages that brought about the west’s democratic revolutions in the first place. It is the scientific revolution which enables the social, and precedes the political, as Galileo and Newton create the necessity of Descartes’ ultimate scepticism that leads him to outline his knowledge beginning from only true beliefs, and the notion that the sole certainty is that “I am a thing that thinks.”

From here the technological advancements in printing technology and the cultural revolutions of the Protestant Reformation bring about the realignment of the knowledge-creating bodies of the western world. Where before the one word of god and Pope and king defined the parameters of the social experience, as it became clear that a polyphony of voices was just as capable of advocating for a truly collective perspective, it similarly became apparent that the political structures governing that society would be in need of significant renovation.

The initial forces exerting this seminal democratic will are with us today, and we see in the evolution of the causes of civil rights and social justice in countries continuing to strive toward these Enlightenment ideals. In its Multiculturalism policy, the Government of Canada sets the lofty goal for itself to

“promote the full and equitable participation of individuals and communities of all origins in the continuing evolution and shaping of all aspects of Canadian society and assist them in the elimination of any barrier to that participation”.

So radical does the statement strike me every time I read it that I cannot help but emphasize the scope of what such a policy might genuinely aspire toward. To promote the “full and equitable participation of individuals and communities of all origins in the continuing evolution and shaping of all aspects of Canadian society.”

In a seeming nod to Nabokov, Canada holds as an official view that each of our responses to the question, What does it mean to be a Canadian? must be counted as equal. Not only that, however, but also that it is the role of government (and citizen alike, by extension), to “assist them in the elimination of any barrier to that participation.”

How we intend to arrive at the notion of what it means to be Canadian, and what this vision of nationhood implies of what it means to be human, then, exists on an epistemological foundation which values bridge-and-consensus-building, on creating spaces for dialogue and disagreement, and on reconciliation of the myriad different ways we each experience the world.

Engaging the deplorables

I’ve always had a lot more fun exploring my thinking on issues I’m passionate about with folks of differing opinions; even with my more liberal friends, the conversations I learn the most from are where we are able to highlight minute disagreements that help shed light on the contours of an issue or event. Fortunately in this regard I’ve been able to make social connections with a range of sharply opinionated conservative coworkers and teammates over the years: I spent five years living in Arkansas, two of which saw me working at a Boy Scouts of America summer camp in the Ozark Mountains; and I’ve shared a lunchroom back in suburban Vancouver with passionately libertarian male Baby Boomers (a relationship I’ve explored at some length here before).

In both of these cases, I’ve worked to represent the liberal values espoused earlier here, and attempted to represent and reconcile our differing views on a range of contemporary events and issues fairly and as dispassionately as possible (not that this has always been possible). I make a point of being overly cordial, friendly, and make explicit the idea that it is important for us to respect one another and our perspectives despite our divergent views about the state of the world. Reasonable people are free to disagree, after all, if we are each able to present our view of the facts as best as we are able and come to our own conclusions from there. It is through this process that respect and reconciliation of our differing views become possible.

But I wonder if we aren’t living through a time which makes this hope a fragile and idealistic possibility, as the advent of “alternative facts” and a pervasive distrust of there being any common reality for us to point to being dispelled through more and more normalized channels. How can we be expected to arrive at a collective interpretation of reality with such nihilistic views of facts or the truth circulating in such broad swaths of the population?

I’ve taken the opportunity of late to engage some of my southern friends and former neighbours in dialogue on social media over the last few weeks. I’ve attempted to dispel disproven facts, or to inquire as to the origins of what I perceive as xenophobic views.

“These refugees are getting ready for a war,” one of my Facebook friends writes, prompting me to offer an exceedingly polite summary of the process through which refugees must pass through before entering the United States or Canada. Over the course of a dialogue that lasts through the weekend, I am told that President Obama is a Muslim, and worked tirelessly throughout his presidency against American interests. I am told that his efforts as president were intended to weaken America such that the invading hoards of refugees could “make America Muslim.” This friend was proud to tell me that they knew of terrorist training camps throughout America, and that the fact that there was no evidence to support this claim was only more proof that vigilance is needed.

I’ve been down this road before: arguments about the “disastrous” Obama economy (despite 75 consecutive months of job creation; record high stock markets; auto-industry recovery; tens of millions insured); the validity of climate data (“scientists who study climate change’s funding depends on them making conclusions the politicians like”); and even the very existence of racism in America (what with the election of the nation’s first African American to its highest office).

“We can’t know any of the real story,” this friend informed me when I asked if there were any sources to their horrifying claims. It is a startling (and somewhat ironic) admission from someone positing their own reading of the available facts, but also a distressingly bleak prospect for deliberative democracy. It is little wonder that people with so little faith in the democratic system elected a man who campaigned on the rhetoric that he, “alone,” could fix what ailed America (even if by many demonstrable metrics the country had been progressing). There can be no truth under authoritarianism but what the authorities say it is; the consensus of the public ceases to matter, and like that we have undone the promise of the Enlightenment, the necessity of democracy, and the hope for justice that comes with it.

If nothing can be known – or if enough people in a democracy believe that nothing can be known – what is the point of discussing anything? Why ought there be a democratic process at all?

On Playing Guitar

Brian and Bryan Jam

Photo courtesy of Alan Levine

As a sort of follow-up to my last post, I wanted to share some responses I had for a few questions one of the TALONS asked me as part of his own In-Depth Study Research.

1. How long have you been playing the guitar?

About thirteen years… I think.

2.At what age did you first start playing?

I first borrowed a friend’s guitar in the spring of 2003, I guess. So I would have been 22, or thereabouts.

3. Do you believe learning to play the guitar has benefited your life socially / physically / mentally?

Absolutely socially and mentally.

There are probably physical benefits – better hand-eye coordination or dexterity with my fingers and such – though I don’t know if these are beneficial other than in playing guitar.

As for socially, I’ve made a lot of great friends and shared a lot of interesting experiences with people I wouldn’t have found myself connected to if not for having been what can be called in some ways a musician. Beyond personalities, or senses of humour, or our unique interests, upbringings, or even the music we like, I’ve always found people who play music – whatever kind of music it is – easy to talk to, hang out with, and – naturally – play music with. I’ve played music with strangers on the street in Cuba, Croatia, and France, talked for hours about favourite guitars with friends of my parents, and spent weekends improvising with people I’d just met without so much as a word having to be spoken.

Even when I was just starting out, I’ve found that once you have enough skill to participate in communal music-making (even if it’s just plucking the same note or strumming the same chord along with a few friends), you have been allowed into some other plane of conversation with people – a conversation without words, but also a conversation without distinct points of view. In a verbal conversation, one person talks, then another, then the other again, and in doing so their unique perspectives are shared; but in music, the two ‘perspectives’ are essential components of the other, if that makes sense? My guitar solo cannot exist without the underlying chords, whose pacing and volume are reacting moment-by-moment to the energy, tones and volume of the solo. And that’s just with two people: as drums, or bass, or vocals or other instruments are added to the fray, this sense of a collective voice only becomes richer.

I think this sense of communication I’m trying to describe benefits both the social and the mental, though, because these experiences not only forge deep connections with the folks I’ve shared them with, but also have opened my mind to what it means to listen, and interact, and communicate with other people. Once you’ve experienced these sorts of things – an epic jam session, or a memorable performance, or just creating something out of nothing, even by yourself with your guitar – it is impossible to go back to having ‘un-experienced’ them; each leaves you fundamentally changed, however minimally, and changes the course you might take going into the future. I’ve left a lot of different sessions of playing with people thinking, “Why don’t I do *that* more?” And I always rededicate myself to finding more places and people to play with – it never stops.

4. What are some of the skills developed from playing guitar?

Listening is a big one, whether it’s to the people you’re playing with, or even songs you’re hearing for the first time or the millionth. It’s fun when you start to realize what’s going on ‘inside’ some of your favourite songs, and why it is you like them – a chord change, perhaps, or the way the lyrics fall across the rhythm of the song; and similarly, sometimes songs you thought were catchy fall apart when you learn how to play them, which can be disappointing, but leads you to other, more interesting music hopefully.

Beyond listening, I am also able to hear better, which is actually different than listening. I can hear subtle differences between notes and chords, can tell when things are out of tune – and even which string it is, generally – which I couldn’t do back when I began. I’m also able to distinguish what singers are saying now that I know how to breathe and sing and strum as the same time, and how the different instruments are interacting in ensembles.

5. How do these skills/benefits benefit/apply to your everyday life?

I think quite a few of these skills transfer over to everyday life, both in tangible, specific ways: I know a lot about different songs, how they are put together, and the people that made them, for instance, which finds its way into a lot of my work at school (and not just in guitar class); and my relationship with language has changed I think, as well, and I unconsciously try to make things more musical, direct, or poetic when I write or speak, perhaps.

But I think the benefit of playing music that most broadly transfers over into ‘real’ life is the sensibility that goes along with many different aspects of music. In looking over my answer to your third question, I like to think that this constructive sense of conversation or working with others influences every aspect of my life and relation to other people: everything one does with other people is an opportunity to build something – a conversation, a relationship, a professional project, or piece of art. And so because I know that these types of interactions are possible, I find myself approaching almost everything I do with the same sense of experimentation and expression.

6. Any other habits/effects that came from guitar?

The guitar is a dangerous tool for relaxation and procrastination, so not all of the habits and effects it yields are necessarily positive! I’m sure there are plenty of things I could or should have done some days than play guitar for half an hour (or three hours), and that’s not always the best thing to do. But I am glad every day that I stuck out those first few months (or years, if you ask my roommates or family members who heard me back then), until guitar became the thing I wanted to do when I got home from school or work. Once it became The Thing I wanted to do to unwind, or have fun, or challenge myself, I don’t think I could have ever gone back to being someone who doesn’t play guitar.

Hopefully you find the same soon enough.

Why Collaborative Inquiry?

Puzzled

In a facilitator’s guide for Collaborative Inquiry for Educators, Jenni Donohoo presents the formation of professional learning communities as a means of addressing “adaptive challenges,” or those “for which the necessary knowledge to solve the problem do not yet exist” (Vander Ark, 2006 p 10). Many aspects of professional development seeks to approach these types of adaptive challenges, as many aspects of teaching and learning presently find themselves in flux.

With increasing classroom needs, revolutionary changes in technology and information literacies, in an evolving culture dealing with widespread anxiety and mental health concerns, classroom teachers and extended school communities confront diverse language language needs and an increased awareness around gender and sexual identity, among other unique challenges. In British Columbia, public schools face the additional challenge of an ongoing and tempestuous negotiation between different stakeholders over curricular reform, teacher-contracts, and the role of education in society.

The convergence of these myriad adaptive challenges – “for which the necessary knowledge [does] not yet exist.” – seem an appropriate place to engage a process of collaborative inquiry which allows participants to “adopt new values and beliefs.”

In such times, Levin notes that “the challenge of change is compounded by pressure from others to remain the same” (Levin, 2008 p 81), but that “change in schools come from ‘thoughtful application of effective practices in particular contexts” (p 81).

“When members of professional learning communities (PLCs) engage together in investigating challenges of practice, their understanding of these challenges grows deeper and is more unified, practice grows more sophisticated and powerful, and the group develops a tighter sense of camaraderie and common purpose.”

This type of cultural cultivation allows teams to “construct common understanding, share knowledge and experience, and develop common goals.” Developing a culture of inquiry enables sustainable change and the ability of an organization to respond to the evolving needs of a community:

“High quality professional learning includes learning communities that apply a cycle of continuous improvement to engage in inquiry, action research data analysis, planning, implementation, reflection and evaluation.”

But merely putting such a model into place is not enough to ensure such a culture will take hold. In fact, such cases are shown to be rare; where they are shown to be successful it is because of meaningful learning activities are undertaken to drive the process forward.

Donohoo presents a four stage process:

  1. Framing the Problem
  2. Collecting Evidence
  3. Analyzing Evidence
  4. Documenting, Sharing, Celebrating

Teams begin by determining a meaningful focus, and developing an inquiry that will allow them to collect evidence in their classroom, personal practice, or collaboration with a colleague. Once evidence has been collected, it is brought back to the team for analysis before being shared and documented for the wider PLC, and used to consider further inquiries. These stages are “the same stages used in action research.” However:

“The difference between the two approaches is that collaborative inquiry is conducted by a group of educators interested in addressing a school, department, or common classroom issue driven by student learning needs.”

In concluding the opening chapter of a lengthier guide for facilitators, Donohoo shares three primary considerations in implementing a collaborative inquiry model: Timing, Forming a Team, and Fostering Academic Discourse.

“The best time to introduce a collaborative inquiry is when the process of school improvement planning takes place,” Donohoo advises, adding that:

“By introducing collaborative inquiry as a strategy for school improvement, it will help team members understand how it relates to the work that is already happening in schools.”

In forming inquiry teams, Donohoo cites Katz et al. (2009) and suggests formal leaders “distribute leadership, identifying those teacher leaders who are in the position to lead in a focus area because of their expertise” (p 75).

However, it is the consideration toward fostering academic discourse which provides the greatest challenge – and in turn the greatest opportunity – for schools engaging in collaborative inquiry, highlighting MacDonald’s observation that

“teachers must be willing to expose their struggles and failures with their colleagues must be willing to tell the truth, or teams will go through the motions of collaborative inquiry but never see results” (2011 p 45).

Developing a rich dialogue that allows participants to reflect on and evaluate their own practices in the context of communal inquiry creates the opportunity for teams “to collaboratively generate knowledge while investigating problems of practice.” In closing, Donohoo refers to both Senge (1990) and Vander Ark (2006):

“Senge (1990) used the term ‘learning organizations’ to describe organizations that transformed themselves to meet adaptive challenges and become knowledge-generating versus merely knowledge-using organizations. Vander Ark (2006) noted that meeting an adapting challenge required ‘creating the knowledge and tools to solve the problem in the act of working on it” (p 10).

Such a model of inquiry is congruent with a constructive view of professional development described a few posts back:

“This act of development is a constructive act, one which suits the principles of democracy that we are all – regardless of subject speciality – charged with teaching in our classrooms, and a process we are obligated to engage in as citizens in a democracy, as well as teachers, and professionals. And if we are to provide this type of learning in our classrooms, we should be engaged – and are compelled to be engaged, in the language of our own members’ guide and professional expectations –  in a similarly constructive development of our own practice and profession.”

Not everyone will buy into the process deeply, maybe even especially at first. And it is a colleague’s prerogative to engage in professional development in this fashion. However, if small groups or pairs of colleagues are supported and given time and opportunity to experiment and explore their practice – and document and build through an ongoing praxis of inquiry – these relationships being fostered across a staff could enact a profound shift in school culture.

Professional Autonomy and Development

Slide11

Following the acrimony of our recent job action in BC schools, I’m inclined to take stock of what may be considered ‘wins’ in an otherwise defeating series of events. Having seen the government come to the terms that it did in the end, it’s hard not to feel that the major motivation Peter Fassbender and Christy Clark brought to the bargaining process was to spitefully take almost ten thousand dollars from me and my colleagues.

Those were mortgage payments.

Student loans deferred.

It’s difficult to not see it as mean-spirited, is all.

Of course, the government’s representatives were asking for much more, and to have struggled to a draw against a government that pays no heed to repeated admonishments in the province’s highest court is a victory of sorts, even while it may not give teachers as much to show for their efforts in the strike as we may have liked.

A raise that keeps pace (or caught us up) with inflation would have been a start.

Meaningful reforms to class sizes and composition ratios would have been another.

That said, in our local agreement Coquitlam teachers did affirm our rights to professional autonomy by gaining further control of our professional development in Article F.22, which guarantees us the affordance of a Pro-D committee that has access to school-based funding, as well as the autonomy to determine and advise administration on matters relating to professional development. This contract language represents a progressive step toward greater teacher autonomy as we assert more control over our own professionalism, which both our union and employer agree is tied to ongoing professional learning.

From its guide to members, the BCTF recognizes the following principles of professional development:

  • Members have an ongoing responsibility to develop professionally
  • Members have autonomy in making choices about their own professional development
  • Professional development planning is guided by members’ needs
  • Professional development informs teaching practice and encourages collegiality
  • Professional development requires time and resources to meet members’ needs
  • Professional development incorporates a wide repertoire of teacher collaboration, mentorship, action research, workshops, professional course work, professional reading, peer coaching, and reflection.

The British Columbia Teachers’ Council similarly maintains the following Standards for Education, Competence and Professional Conduct, with respect to professional development:

Educators engage in career-long learning

Educators engage in professional development and reflective practice, understanding that a hallmark of professionalism is the concept of professional growth over time. Educators develop and refine personal philosophies of education, teaching and learning that are informed by theory and practice. Educators identify their professional needs and work to meet those needs individually and collaboratively.

Educators contribute to the profession

Educators support, mentor and encourage other educators and those preparing to enter the profession. Educators contribute their expertise to activities offered by their schools, districts, professional organizations, post-secondary institutions or contribute in other ways.

Taken together with our new collective agreement around professional development, these principles of professional learning create an opportunity to revisit our school’s culture around pro-d and create an emphasis around lifelong learning, collaboration, and accountability.

If the professional development committee is to take its place alongside the CTA representation and Collaborative Decision Making Committee (CDMC) as another avenue of representing the voice of our teaching staff alongside our local stakeholders, I suggest it establishes a mandate for individuals to create and maintain an individual growth plan, and initiates a process of collaborative inquiries extending from these stated goals. Such a framework could then be used to guide a school’s Pro-D committee in facilitating meaningful, relevant, personalized professional learning throughout the year.

Such a reform would mirror the emerging themes in educational research stressed in the 21st century (inquiry, personalized learning, collaboration), and furthermore reflects a professional expectation for teachers to continually engage in learning about and reflecting on our craft as educators. It is this expectation which differentiates us from what might be considered vocations, or merely more general ’employees,’ and is a distinction that is especially important to make following the protracted battle our profession has waged in the court of public opinion in British Columbia in recent years. Having defended and expanded our rights to autonomous professional development, we owe it to ourselves and the communities we serve to explore the potential of our own learning such that we might be able to better demonstrate – for one another as colleagues as well as the student and parent communities we serve – the value of our recent struggle.

In breaking down the notion of Autonomous Professional Development, we might glimpse the convergence of our rights and responsibilities as practitioners:

Autonomous 

Engaged in by me, and us as a community of individuals. Owned by the individual and the community.

Professional 

Highly skilled. Adhering to standards and expectations.

Each of these first two may be seen to be both rights and responsibilities, and the freedom encapsulated in our rights is proportional to a commitment in our responsibilities to continually develop our understanding of autonomy and professionalism.

In other words, if we expect ourselves to be autonomous and professional, our responsibility is to continually develop:

Develop our skills. Develop our community. And develop our profession.

This act of development is a constructive act, one which suits the principles of democracy that we are all – regardless of subject speciality – charged with teaching in our classrooms, and a process we are obligated to engage in as citizens in a democracy, as well as teachers, and professionals. And if we are to provide this type of learning in our classrooms, we should be engaged – and are compelled to be engaged, in the language of our own members’ guide and professional expectations –  in a similarly constructive development of our own practice and profession.

Throughout this process we are guided by the following questions:

  • What are you working on?
  • What are you trying to do?
  • What do you wonder about?

It is not acceptable to not have an answer to these questions, and for my part I am suggesting that we amend our policies and expectations around professional development at our school to reflect this attitude. To this end, I hope to see our professional development committee move to require teachers to submit a personal growth plan at the outset of each year that will help direct our school based Pro-D toward a collaborative inquiry framework to support teacher-professionalism and community-building.

Learning and Metaphysics

What have we learned? How do we know we have?

#philosodoodles

Now making my third pass at the philosophy 12 course, I have approached this year’s unit on Metaphysics as an opportunity to crystalize the course methods as an expression of the values underpinning it. I’ve learned in the past two years that to embrace a constructivist view of epistemology presents the idea of course design as a confrontation with the paradox at the heart of institutional learning: that schools ought provide learning experiences which students ‘own’ and direct with increasing autonomy and agency as they move through school.

But I’ve also learned that this is no straightforward thing.

Emergence presents a rigorous test:

“…if educators wish to encourage the emergence of meaning in the classroom, then the meanings that emerge in classrooms cannot and should not be pre-determined before the ‘event’ of their emergence.”

Osberg and Biesta

On one hand, we must consider the traditional obligations of school: to evaluate and assess its own performance in properly equipping young people with the skills, proficiencies and base knowledges deemed of value to society. But we must also reckon with the contradiction to emergence that is involved in then deciding beforehand what those skills, proficiencies and base knowledges are to be in the first place.

Notably, this contradiction is addressed in part by the critical praxis presented by Paulo Freire, who says that

“…the program content of the problem-posing method – dialogical par excellence – is constituted and organized by the students’ view of the world, where their own generative themes are found. The content thus constantly expands and renews itself. The task of the dialogical teacher in an interdisciplinary team working on the thematic universe revealed by their investigation is to “re-present” that universe to the people from whom she or he received it – and “re-present” is not as a lecture, but as a problem.”

The necessity to pursue an emergent view of knowledge becomes especially important in our present times in multicultural Canada (and in the broader sense, in the course’s online sphere). Osberg and Biesta write that

“In contemporary multicultural societies, the difficulty with education as planned enculturation lies in the question of who decides what or whose culture should be promoted through education. The problem of ‘educational enculturation’ is therefore of considerable concern to theorists grappling with the issues raised by multiculturalism.

“If we hold that meaning is emergent, and we insist on a strict interpretation of emergence (i.e. what emerges is more than the sum of its parts and therefore not predictable from the ‘ground’ it emerges from) then the idea that educators can (or should) control the meanings that emerge in the classroom becomes problematic. In other words the notion of emergent meaning is incompatible with the aims of education, traditionally conceived.”

And so we must conceive of education differently, perhaps no place moreso than in a class like Philosophy 12 during a unit on Metaphysics, which in a certain sense must be approached as a cultivation and aggregation of diverse subjectivities. While it is apparent in the breadth of the course material, such a focus lends itself admirably to the pursuit of metaphysics.

So in one arc of the class’ discourse, Angela begs the question of endless subjectivity in her post, Whoa, Slow Down

“One fixed answer that is true to everything and everyone is way too easy, but some people can’t seem to accept that there is no answer. At the same time, we also tend to deny that every answer is different for everyone. Why is it that we just can’t accept that?”

While Liam retraces Descartes footsteps:

“…perhaps all of ‘reality’ is simply our minds composing things for us to see, smell, taste, hear, and touch, even though they don’t exist. Perhaps nothing exists, but how could that be? We are here, I am typing this, aren’t I? If I am not, and I do not exist, and nothing exists, then what is allowing me to experience things?”

This search for meaning is arising across a few other posts this week as well, with ventures into solipsism, animal consciousness, and the almighty void of nothingness itself. These questions, as with those posed by Avery with respect to the existence of numbers “Five fingers are material objects and so are five sheep, but does five itself exist materially in the same manner?” – are those surrounding the various subjectivities at the heart of metaphysics: “What is…” and “What is it like…”  And so we find ourselves this week asking ourselves whether what we have gained in knowledge and experience during our study thus far “exists materially in the same manner.”

And if it does, how might we understand its existence? What is it, in other words? And what is it like?

Last year, our encounter with metaphysics was guided by Osberg and Biesta’s suggestion of the “learning object,” who contend that:

“for the process of knowledge production to occur it is necessary to assume that the meaning of a particular ‘knowledge object’ exists in a stable form such that the ‘knowledge object’ can be used like a ‘building block’ in the production of new abstract knowledge objects. This idea, however, is precisely what an emergentist epistemology denies. Because the meaning of any new knowledge ‘emerges’ would be highly specific to the complex system from which is emerged, it follows that no ‘knowledge object’ can retain its meaning in a different situation.”

The creation of such ‘objects of learning’ provides a worthwhile otherwise in the pursuit of an education which lives up to our multicultural ideals, as their construction demands that learners confront the dual questions which drive societal reinvention and human progress, where we ask ourselves, Who am I? and Who are we? Building on the ideas of Michel Foucault, who defined Enlightenment as “a philosophical life in which the critique of what we are is at one and the same time the historical analysis of the limits that are imposed on us and an experiment with the possibility of going beyond them,” school should aspire to such a notion of learning.

(Recorded) Live at #CUEBC!

CUEBC Radio Session

Unfortunately, I didn’t manage to hook up with the CUEBC conference organizers in time to access the bypass on the wifi/landline connection that was preventing our session broadcast from going out live on the air. But the hardy souls who joined me to discuss distributed web radio took the challenge in stride and still managed to create what amounted to some golden radio moments in their first foray on air.

After introducing some of the history and heritage of both DS106 Radio and 105 the Hive, our group set about brainstorming some of the themes and ideas circulating at the conference. We talked about how the prospect of digital web radio confronted aspects of the “disruptive” narrative that is often sold (literally in many cases) to educators and schools and how it might provide a meaningful platform to amplify the voices of learning in our lives and classrooms.

And then we set about recording a broadcast.

Blair Miller, who showed up with a digital recorder or his own, hit the hallway during the break between sessions to interview vendor reps, students, and conference participants on what they thought about the prospect of ‘making’ in schools, and the rest of us plotted brief introductions to our show and how the broadcast might unfold. With Blair back a few minutes later and GarageBand set up on my Mac to record, we had a brief discussion that leads to his hallway interviews and captures our thoughts on the session.

Thanks to Noble, Brent, Errin, Carl, Francis, Blair and Chris for making the session what it was, and jumping in with both feet! I hope you enjoy how the show turned out, and we hear from you on the radio soon.

EDCI 335: Final Design Project

EDCI335 Final Design from Bryan Jackson on Vimeo.

You can read the full PDF of the paper here

Background Drawing identified-gifted learners from the Coquitlam School District, Gleneagle Secondary School’s TALONS (The Academy of Learning for Gifted Notable Students) Program offers Ministry-identified gifted learners interdisciplinary core curriculum (Social Studies, English, Math, and Science for grades 9 and 10, all at an honours level), as well as experiential opportunities to complete Planning 10, Leadership 11 and PE 11. TALONS learning is largely organized around inquiry-based projects that make use of outdoor education and community service elements to imbue learning objectives with a greater tangible relevance to students and their local, as well as global, communities. In addition to covering provincial Ministry of Education curricula in the above courses, the program is grounded in George Betts’ Autonomous Learner Model (Betts & Neihart, 1986), with an emphasis on metacognition and acquainting each member of the cohort with skills and habits uniquely tailored to their own social and emotional roles in cultivating interdependence and community.

This design project was conceived to align both the explicit and implicit foci of British Columbia’s Social Studies 9 curriculum (Social Studies 8 to 10 Integrated Resource Package 1997) with a larger narrative expressed in the personal and collective learning in the TALONS classroom. By bringing the “Hidden Curriculum” into the open in this manner, the learning design intends to conceive of means of engaging the course material which are congruent with its ends. 

Digital Environments, Emergent Knowledge & Citizenship Learning

Untitled

Mock trial of King Charles I

EDCI 335 Challenge 10: What are the strengths/affordances of the technology or learning environment you have chosen for your learning design that will promote or facilitate learning?

In preparing the TALONS socials units this semester, I have sought to align aspects of technology, assessment and unit planning within larger values of emergent epistemology and citizenship learning. By bringing these different elements of my teaching into congruence, it is my hope that the class’ individual and collective learning is enriched by uniting these various aspects of their experience into a coherent and transformative narrative that will build throughout the semester and beyond.

To reflect these principles, technology has contributed a means of collecting and sharing class knowledge: aggregating and vetting various resources for study in our prescribed unit, presenting and synthesizing different aspects of the learning at hand, and providing a venue for assessment and reflecting on the course of study thus far. As we proceed (after spring break) the process will then recur to provide the goals, direction and implementation of future units of study as prior knowledge is re-organized, reconstituted and re-contextualized within new course content and experience.

As I’ve written about the class’ collaborative unit planning, I want to use this challenge post to collect and point toward a few specific examples of technology at work in TALONS Socials this semester.

At the outset, the class began by taking the prescribed learning outcomes specific to the English Civil War Unit in Social Studies 9, and employed an embedded Google Form in the class’ Wikispaces site for participant/learners to submit potential study materials. The selected materials were then rated according to our interpretation of the CRAAP Test, and the form was edited to highlight different resources that were either “Good to Go” (green), “Acceptable” (yellow), or “Extra” (red).

This exercise was an important place to begin for me as it placed the onus of research and curation on the class – rather than a teacher or the textbook. The debate about which sources were best suited to our purposes put the relevance and context of the unit in the class’ hands to be then planned and executed within our timeframe (before spring break). It was also my hope that such a discussion would lead organically into an inquiry of what meaning we are (each) to make of the English Civil War and its historical importance, and provide a context within which our individual understanding would emerge as the process unfolded.

Building on the questions and themes arising from the assembled resources and materials, the class then set about employing media and technology in synthesizing and sharing their learning on a variety of topics associated with the unit. There were adaptations of popular songs written to narrate the lives of Oliver Cromwell and his son, Prezi’s made to illustrate the historical timelines of James and Charles I’s reigns, and documentary films made about the trial of the King, to name a few. And in addition to being shared in class – in mini lessons, presentations, mock-trials and other demonstrations meant to share discovered knowledge with the immediate community – digital artifacts of the projects were/are being collected on the class site (alongside past years’ collected work and resources on the same unit).

The class Wikispaces site has long-been a valuable addition to the class’ study of socials, collecting a variety of different resources and media both created by past TALONS as well as useful materials existing on the wider web. It is an online accompaniment and ongoing assemblage of knowledge pathways which navigate the Socials 9/10 curriculum in British Columbia; but beyond serving to complement the TALONS’ own studies, the wiki’s existence as a repository of class work goes on to have a life as an open educational resource that serves a global community of learners. For example, the site’s statistics show that only 1/5 (22%) of the wiki’s traffic is even Canadian, and that the United States is responsible for more than half of more of the site’s 100 unique visitors per day

Whatever value it has beyond our own purposes, however, the course wiki represents an ever-unfinished and imperfect project, constantly in need of a structure which organizes knowledge in an accessible manner reflecting such an exponentially complex process of discovery.  And while the class has yet to meaningfully undertake a significant renovation or reorganization of the site, I am inspired at the prospect such a project might represent as an opportunity for the class’ unique perspectives to shape and engage in the creation of course knowledge itself.

Where each of these first two opportunities have presented means by which technology has influenced and (hopefully) supported the TALONS collective learning, the unit’s individual assessment has incorporated technology as a means of creating and sharing personal reflections and synthesis of learning across the class cohorts. The morning group opted to submit more anonymous reflections (corresponding to their student number for my reference) by way of a Google Form that, upon completion, shares the assembled responses with respondents, while the afternoon class decided to answer similar questions in the form of a post on their individual blogs.

The individual assessment asks TALONS to reflect on their process, habits and contributions to their individual study of the unit, their group’s project, as well as the larger classroom learning. Each is asked to highlight examples of their own or others lessons, or discussions which informed their thinking on the topics covered, as well as to expand on themes and questions raised during the course of the unit. Additionally, there are questions about the organization and implementation of the unit itself, and opportunities to influence future studies that will begin to shape our very next topic, completing the cycle of critical praxis for a first time.

Next week we will be taking up Socials 9’s next revolution in Europe and making use of each of these threads of learning, as we continue to:

  • shape the lessons of the class’ emerging understanding of the course content in individual voices and meanings, and
  • reevaluate and reconstitute the means by which that understanding is created to best serve our unique community of learners.

Continually seeking ways by which the class might be more consistently and actively engaged with these processes is central to both my epistemological and social-political beliefs about teaching social studies. And in these and other experiments yet to be undertaken this semester, technology plays a vital role in creating the opportunity to realize these lessons’ practical application.

Assessment for Critical Literacy

This semester’s Socials 9 curriculum was conceived with an intention to cultivate critical literacy, which I have come to define more and more as an ability to develop a praxis of reflection and action to continually discover and define meaning in an increasingly complex system. In learning from curricula, relationships or experience, individuals and societies alike are tasked with reinventing and transforming their reality as necessity and changing circumstances may dictate.

As I have attempted to re-imagine social studies as a venue for citizenship education, each of the TALONS classes have begun the semester with experiments in collaborative assignment and unit planning from the start. In considering our study of the English Civil War, there has been discussion of several questions:

What do we need to know? 

The class began by considering course outcomes and evaluating text and online materials to help guide the discovery of the unit’s main ideas, events and historical personages. Then set about generating criteria, a schedule and daily means by which the agreed-upon content could be learned.

In collecting, distributing and summarizing a range of primary and secondary sources on early 1600s England, What do we need to know was joined by What is there to be known about the topic? And as the readings’ various themes and ideas were identified and organized, the discussion shifted to consider What is important to know about these topics? As well as What do I think about all of this? 

But this was only one aspect of identification and collaboration to engage an agreed-upon problem. This is merely the deconstruction – the breaking into a million little pieces that could then be assembled into coherence anew through each learner/investigator’s reflection and action.

And it introduced a new question (and it’s a mouthful):

How do we know that we know what we’re now supposed to know (now)? 

In terms of reconstructing that knowledge, effective learning should also address the question How do we assess the learning that has taken place? But in considering critical literacy and consciousness, it becomes important that this question in particular is asked in such a way that it continues to be driven by the collaborative acumen and expertise of the group itself, just as the unit has been planned and carried out thus far.

This aspect of assessment is traditionally a means of learning owned and operated by the teacher. But the crux of this type of collaboratively-designed learning, and of the development of a continual praxis of behaviour, teacher and student are each challenged to engage their critical literacy, which may also be described as a kind of empathetic design research.

In their paper, Rethinking Design Thinking: Empathy Supporting InnovationMcDonagh and Thomas describe a process during which,

“as designers use empathy to support their research, ‘design moments’ emerge which provide them with more design-relevant data and supports product innovation.”

Here we see the designer’s role shift to that of a co-investigator, where

“the designer and user engage as collaborators, and together develop knowledge and understanding in order to generate appropriate solutions for real needs.

“Empathetic design research relies on the user being an active and participating partner within the information creation and designing process.”

Design’s quest for innovation begins to find itself within an emerging confluence of educational philosophy. Isn’t this innovation what Gregory Bateson might have described as transformative learning, or what Paulo Freire deemed a ‘limit situation‘?  This “simplicity of cause” comes as an affirmation of the ongoing praxis of co-investigation and co-creation that we might conceive of as critical literacy.

In looking toward assessing the English Civil War unit learning, the critical element arising out of the classes’ progress is the need for learners to acquire habits of mind and relation that make this continual praxis possible. For the TALONS (including myself), we may have found ourselves stalled and struggling to define and enact the required action for the moment. But while it may appear so on the surface, this moment of negative momentum is hardly an insurmountable obstacle. Indeed, it is the moment of tension in which true critical intelligences are asserted.

Critical Literacy in Assessment Methods

So we are confronted with the question, How do we know that we know what we’re supposed to know? It is a question of assessment, and one which is traditionally held at the end of units and courses of study as the sole dominion of the teacher. But such are the assumptions which bind both teachers and students to outdated pedagogies that may have fallen out of step with our stated intentions for learning: the apparent impossibility of imagining another way stops us from even considering it.

For my own part, even in projects and courses during which I have taken pains to co-investigate and instruct alongside my students as much as possible, the means of the learning still arrive at a point where my own voice is heard alone.

I arrive at a mark, and distribute feedback based on rubrics, course standards and report card criteria. And this isn’t to say that there isn’t still a place for this within institutionalized learning; indeed our competency and necessity as learning professionals is in many ways bound to our ability to evaluate and assess student learning.

But without obliterating the role of the teacher altogether, it is still possible to re-imagine the role of teachers in helping students direct not only the initial aspects of a project or course of study, but the means of assessment as well. To adopt the praxis of Freire’s critical consciousness is to confront the inherent difficulty of creating learning institutions where

“knowledge emerges only through invention and re-invention, through the restless, impatient, continuing, hopeful inquiry human beings pursue in the world, with the world, and with each other.”

While the teacher’s profession still involves the adjudication of academic or institutional success, the creation of a critical consciousness in schools still faces us with what Freire called “the teacher-student contradiction.” However, with the introduction of Russian philosopher Mikhail Bathkin‘s idea of polyphony, Alexander M. Sidorkin cultivates a third path between the ‘either or’:

“Bakhtin’s principle of polyphony offers a radically new way of conciliation of power imbalance within mutuality of relation. According to Bakhtin, an author of the polyphonic novel creates heroes that are fully independent of their creator. The problem of authority imbalance may be misstated; it is the specific kind of monological authority that eliminates mutuality, not authority itself. The polyphonic authority creates mutuality, and only this kind of authority should be used in education.”

“…not a class that teaches guitar, but one where you can learn guitar.”

#IntroGuitar Performance Day

I’m forever indebted to Alan Levine’s description of #IntroGuitar sometime last spring, where he included Gleneagle‘s Introduction to Guitar 11 in a list of experiments in Open Courses You Won’t Find in the New York Times, A Cheesy Edudemic Infographic, or Among Davos Champagne Sippers:  

In a basic hosted WordPress web site, he has a place for his high school students and anyone else interested to post their recordings, videos, and writings about elearning to play guitar. There is a loose curriculum, but open participants can jump in and out easily.

And a semantic distinction, it is not a class that teaches guitar but one where you can learn guitar.

Already people are sharing stories of their guitars, taking tracks recorded by one participant and layering their accompaniment on top.

How much easier could it be to open up a course? A free hosted platform, invite people in? Who needs $6,000,000?

Not that I would turn down the six million, but I am humbled to have played a part in creating something that so naturally and easily manifests so many of the things we talk about as 21st Century Educators: choice, flexibility and relevance, the blending of digital and physical collaborative spaces, and the building of communities of practice for our students and the wider world.Screen shot 2014-02-02 at 11.51.56 AM

As Alan introduced, the course itself consists of the 25 for-credit students that have enrolled in the class at Gleneagle, and a website I set up using the free WordPress.com site.  From there, I have tried to set the for-credit tasks in line with creating a blended learning community for folks beyond the class to engage with and benefit from: categorizing assignments and allowing anyone who fills out a Google Form to become a site author, offering feedback, creating their own assignments, or tackling existing tasks on the site.

For those enrolling as Open Online Participants, there are few rules, expectations, or guidelines to speak of:

There are no minimums, and no apologies for open-online learners in Introduction to Guitar: do as much or as little as you like.

With this lackadaisical invitation, some of the most profound and creative learning in last year’s cohort was contributed by folks – from around the world – joining in for fun. 

In a particular piece of open-serendipity documented in more length here, I took a poem written by one of Jabiz Raisdana’s students in Singapore and lent it some musical accompaniment that I shared as a Google Document.

From there, Nathan John Moes, in northern BC, recorded a gem of a cover – that has since disappeared from Soundcloud – which survives courtesy of an asynchronous jam provided by Keri-Lee Beasley (back in Singapore), who sings over Nathan’s version here:

Sylvano Bussotti, Rhizome, 1959 (Via MaryAnn Reilly)

But that’s not even all of it: Jabiz took his own swing at what had become of his student’s poem, and so did Colin Jagoe (in Ontario) , and Leslie Lindballe (while she was down in Peru).

In an example of truly rhizomatic learning, momentum gathered around a personally relevant course of study for those who found the assignment compelling; others were free to join in or pursue their own plans:

With the start of another semester of Introduction to Guitar at Gleneagle, I’m excited to build on our open experiences of last year, and have already begun the process of serving as tour guide to our prospective Open Online Participants (something I hope will help throughout this semester), and enculturing our new For-Credit Students into the blended online learning environment.

Over the next few weeks, we’ll hopefully be seeing the fruits of this initial infrastructure setup in the type of spontaneous creativity and learning many of our participants will benefit from in the coming months.

Want to join us? 

Visit TalonsRockBand.Wordpress.com and our invitation to Open Online Participants, drop your details in our registration form, and familiarize yourself with the course site.

You’ll find a variety of assignment possibilities categorized on the dropdown menu at the top of the page, and a host of student\participant examples to guide you in your first efforts. If you don’t find an assignment worth pursuing, make one up!

It is, after all, your course as much as it is anyone else’s.