Adventures in Blended Learning

John A. Skype

As I mentioned in a brief thank you to Alec at our last class meeting, in many ways it feels as though I’ve been taking his course on The Blended Classroom for a few years now.

When I joined Twitter back in… can it really have been 2009? Alec was one of the first people I followed. Along with Will Richardson, Dean Shareski, Sylvia Martinez and a host of others who have spoken with us or been name-dropped throughout our time together this semester, Alec has helped form and inspire many of the ideas that have driven my blended practice in the years since, a journey that has been charted across the near-300 posts on this blog, as well as in other online spaces, physical artifacts, and dialogue with peers, colleagues and students.

Along with Dave Cormier I am interested in the blurring of the boundaries between formal and informal learning, and seek to integrate a more rhizomatic approach to institutional learning that makes use of the sprawling inquiries I have engaged in during my time as an open online educator. While it may be more chaotic, and difficult (if not impossible) to direct, this more organic approach has challenged me to make meaning of diverse experiences and connections in a manner which is far more in line with socio-cultural trends at the heart of the digital age and 21st century.

As a reflective practitioner, this has allowed me to plot a uniquely personal course of study that is relevant to my own interests and passions, classroom communities, and emerging perspective on my place in the world as an educator and member of the human project. But it has also offered the opportunity to engage in the type of emergent meaning-making that has become central to the philosophy of education underpinning my work as a graduate student. Taken together these experiences have influenced the type of learning opportunities I strive to create for my students, as well as the type of learning I hope they are able to engage in for themselves once they venture beyond the school.

This semester my own learning has met the gentle structure provided by Alec’s class and branched in what may be considered three overlapping directions: theory, practice and reflection.

Theory

I began my theoretical work in January with a look at the potential for Collaborative Inquiry to address teacher professional development interests, as well as put educators into the experiential role of learners as members of a community:

With increasing classroom needs, revolutionary changes in technology and information literacies, in an evolving culture dealing with widespread anxiety and mental health concerns, classroom teachers and extended school communities confront diverse language language needs and an increased awareness around gender and sexual identity, among other unique challenges. In British Columbia, public schools face the additional challenge of an ongoing and tempestuous negotiation between different stakeholders over curricular reform, teacher-contracts, and the role of education in society.

The convergence of these myriad adaptive challenges – “for which the necessary knowledge [does] not yet exist.” – seem an appropriate place to engage a process of collaborative inquiry which allows participants to “adopt new values and beliefs.”

In addition to the value that it might add to teacher-development and learning, this type of collaborative inquiry is in line with a conception of citizenship that is coming to ground my academic work around civic education. As the emergent view of knowledge described above may be seen to, the challenges presented by multiculturalism in pluralist democracies highlights the tension between creating and maintaining institutions that can bring about outcomes truly constructed out of their (ever-changing) constituent parts.

An ongoing theme in my work on this blog, the problematic view of emergence is described by Deborah Osberg and Gert Biesta:

“If we hold that meaning is emergent, and we insist on a strict interpretation of emergence (i.e. what emerges is more than the sum of its parts and therefore not predictable from the ‘ground’ it emerges from) then the idea that educators can (or should) control the meanings that emerge in the classroom becomes problematic. In other words the notion of emergent meaning is incompatible with the aims of education, traditionally conceived.”

Sigal Ben-Porath presents a potential resolution to this paradox in the form of Citizenship as Shared Fate, wherein “citizenship education ‘seeks forms of attachments, belonging and commitment that would enable children to become positive members of diverse communities of fate.'”

Such a citizenship, and thus citizenship education:

“aims to recognize differences in values, outlooks, language and preferences while developing institutional and conceptual concepts – particularly civic and political ones – in which different communities can develop ties and shared practices.”

Practice

In building on these theoretical underpinnings (among others), I sought during this semester to engage in my own professional learning, as well as facilitate my various classroom-activities, with an eye toward exploring the digital applications of these ideas in the service of both individual and community development.

Guitar

(One of) My own learning project(s) during the term took on the challenge of musical performance, both in my guitar classroom and the school community beyond, a process I documented and reflected upon in a series of posts both here and on the #IntroGuitar site:Murder at the Witch's Tavern

In addition to this somewhat formal performance (as well as those which will follow throughout the semester), I also took a stake in a fundraising evening of murder-mystery dinner-theatre for our drama department, writing and sharing a series of expository songs during the hastily produced play performed for local parents, colleagues and community guests.

In each of these examples, my aim was not only to develop and reflect on my own growth as a musician, but to engage in a process I regularly ask of my students so as to both cultivate empathy for the discomfort that often accompanies learning as well as share an example – successful or not – of stepping into Vigotsky’s Zone of Proximal Development for students and colleagues alike.

For my guitar students especially, whom I ask to document and reflect on their musical learning regularly, sharing my own journey as a guitar player is an integral part of cultivating an open course community within the structure of a for-credit classroom. Part of the ‘open’ ethos of the blended #introguitar environment creates the course site as a space for our students to cultivate and share their own narratives of learning among members of the class, but also those beyond.

But these individual and collective artifacts of learning also stretch beyond the classroom, leaving a lasting community of practice that is accessible – as the three iterations of the course that have used the course are – to future students of guitar, at Gleneagle and beyond.

TALONS Socials

The same might be said of the praxis of reflection and creation I have attempted to instigate in the TALONS Socials learning this semester, where members of the class have been asked to document various aspects of their learning: in blog posts, Tweets, pages of notes, and recorded class discussions and role plays.

With assignments separated into summative presentations and assignments, reflections and self-assessments, as well as documents of learning in progress (questions, notes on discussions, journal entries, marginalia in various readings, assigned and otherwise), the TALONS Social Studies semester orients itself toward students taking ownership over their own encounters with the course’s Ministry-mandated prescribed learning outcomes. Through a range of class activities and assignments, each is charged with the collection of various artifacts of learning that will be used in the creation of midterm, as well as final syntheses of learning, where these articles will serve as evidence that the curriculum has been encountered, critically interrogated, and integrated into their own emerging understanding.

Daily homework, if not otherwise specified, reflects the values of ongoing personal inquiry and is geared toward the TALONS being successful in what has become known as the Philosophy Pop Quiz:

  1. Did you read material for today’s class meeting carefully? (No – 0, Once – 1, Yes, more than once – 2)
  2. Did you come to class today with questions or with items you’re eager to discuss? (No – 0, Yes, one – 1, Yes, more than one – 2)
  3. Since we last met, did you talk at length to a classmate, or classmates about either the last class meeting or today’s meeting? (No – 0, Yes, one person – 1, Yes, more than one person – 2)
  4. Since our last meeting, did you read any unassigned material related to this course of study? (No – 0, Yes, one item – 1, Yes, more than one item – 2)
  5. Since our last meeting, how much time have you spent reflecting on this course of study and recent class meetings? (None to 29 minutes – 0, 30 minutes to one hour – 1, Over an hour – 2)

Working toward the highest possible class average score on the above quiz, the traits and habits required for daily success can become part of the cycle of personal learning without falling prey to being too prescriptive. The synthesis of a collective voice out of these various inquiries and encounters with the common course of study are able to become the task of the social curricula.

This has been particularly evident in the class’ recent study of Canadian Confederation, where an experiment in social media role-playing has built upon the debates and discussion various historical characters have been waging in the face to face classroom, realizing that multicultural difficulty:

“…to ‘teach’ toward these myriad truths is at once a curricular requirement and Quixotic pursuit, revealing the tensions of education for citizenship in a pluralist democracy, asking How do we create unity and cultivate diverse perspectives?

“In interpreting history, as well as our present moment, students ought be engaged in rehearsing this act, and with the dramatic role play the answer offered to the pedagogic problem lies at the heart of narrative.

“Of sensing an individual’s arc at the centre of a multitude of shared and individual lives.

“Of constructing ‘we’ out of many ‘I’s.

“Whether face to face or in the online sphere, this is the task of schooling in the multicultural society.”

Reflection

Perhaps apart from both the theory and practice summarized above, the learning engaged in on this blog regularly ventures into more personal reflections and syntheses of learning that go beyond the collection of classroom experiences or theoretical readings and attempt to articulate something of a larger polemic on the state of educational or cultural affairs.

In the past few months, these posts have charted a variety of themes encountered in my weekly wanderings, including some thoughts on the nature of Learning on (and of) the Web, My life as the Music Department Digital Archivist, and Teaching in the Patriarchy. On a more personal note, I looked back on more than a decade spent with the work of Ernest Hemingway.

Each of these musings serves to help synthesize and express an emerging interpretation of various themes in my teaching, learning and life, harkening back to an image I used in a post last December on Course Design and Narrative Discovery, where data is transformed to information, to knowledge, to wisdom.

By engaging in this open manner, and publishing this work and these thoughts alongside the TieGrad cohort which has inspired many of them in the past two years, each of these experiences – and their corresponding posts – represents at once the wisdom of today as well as the points of data that will be made into new meanings going forward.

In a way it’s been the lesson I’ve been learning from Alec for years, while at the same time a culmination and synthesis of everything I’ve been learning the whole time.

Just as learning should be.

The HS Music MOOC

IntroGuitarWhile it hasn’t blossomed with a wealth of open online participation (yet…?) this semester, the blended and open structure of #introguitar – as well as the new site design and digs courtesy of Alan Levine‘s WordPress blessings – has created an anthology of learning about guitar for both my own block of Introduction to Guitar, as well as Mr. David Salisbury who has taken up a block of beginners.

To a degree, it can be difficult to involve an outside community of learners with the goings on in a face to face course that is generating credit for students at our school. But whether folks show up from term to term doesn’t take away from the platform the site and assignments allow Gleneagle music students to document and direct their learning from whatever stage they currently find themselves.

Additionally, the opportunity to narrate and share their journeys in video reflections (and for those videos to roll out in a wall of televisions on the front page of the site) allows the individual voices in the class to come together in a stream of stories about learning guitar.

This has been especially helpful in integrating the many international students who find their way into guitar (either with a more formal musical background or in need of a class that won’t demand too high a degree of English language skills they are in Canada to build), and who might not be quick to speak up in the larger in-class discussions or activities. Similarly, as an elective course that draws grades 9, 10, 11 and 12 students, the video documents allow for a levelling of the social hierarchy that allows individual talents to be brought out into the light.

As it would serve to introduce open-online participants in addition to the face-to-face members of the class, the Course Introduction Assignment allows students to meet one another in a relaxed setting that still challenges them to be vulnerable. Mr. Salisbury and I shared a laugh about how self-conscious the process made each of us, even as experienced guitar players who address groups of people for a living.

That said, his intro video is awesome. And as I’ve already posted my own here on the blog, I’ll share his here:

Following the course intros, we spent a few weeks building fundamentals around basic chords, strumming together, and even arranged a simple A / A / A song by Josh Ritter, that we recorded and finalized in only a few days into a coherent number (you can check out the finished product here). From there, we set out to prepare our first performances of the semester, recording goal-setting videos and documenting these early efforts in sharing our work with small groups, a few of which have been shared on the class site.

This has all served to document our early first strides in term one (of two) toward an individualized “Introduction to Guitar.” Each of these first assignments provides a thorough baseline of the class’ playing, both in small and large ensembles, and on their own. And from here we will be able to move onward and outward in individual responses and remixes of various assignments.

Part of the challenge in hosting a MOOC that is also serving the for-credit and face-to-face community at our school is that there needs to be a certain degree of structure and accountability for the for-credit students, especially starting out: thus we each do each of the assignments to a similar degree of expectation and completion. Open learners are invited to participate in these aspects of the class, though I can understand that they might read too much pressure and expectation into the rigor being applied to the for-credit students; I get a lot of emails or messages on Twitter from past or potential open participants apologizing for not having done this or that assignment, which means these folks have forgotten the first tenant of open participation:

There are no expectations, no minimums and no apologies for open participants. 

But that’s all good: when open folks contribute – even by commenting on a video we’ve produced in class, or providing ratings on content on the site – we’re grateful to have them.

Always, no matter how little, infrequently, or sparse their contributions are.

And as the for-credit class moves toward our second term, and more individualized assignment-options, hopefully we can pull a few more folks into our mix.

But to do this I realize that I need to rededicate myself to making the site more of a communicative space than a bin into which students post their work. I need to redouble my efforts to comment, and connect and share the work being posted on the site in our face-to-face classroom, and to motivate our for-credit students to take more risks in sharing their progress in the coming term.

Having established a bassline baseline, our assignments in the coming term will look to challenge students’ and participants creativity, inviting them to:

In addition to our regular performances and daily class playing, these assignments will hopefully provide challenge and inspiration for face-to-face students and open learners alike to document and share their emerging skills.

If you are an aspiring or exemplary guitar player who would like to become an open participant in our course, don’t hesitate to drop your information in the Google Form embedded here, or be in touch with me on Twitter (@bryanjack) or by mail bryan at bryanjack dot ca.

Social Media/Studies

UntitledIn addition to more critical efforts to conduct inquiries into history as it intersects with our present landscape, the TALONS class has come to embrace dramatic efforts to enact and recreate history in their social(s) learning. Whether engaging in a mock trial of King Charles II, or making impassioned speeches as characters in the French Revolution, such theatrical turns have traditionally made for memorable classroom moments.

A few years ago, a group of TALONS grade tens approached me to see if they could ‘pitch’ a unit plan for our upcoming French Revolution study: in blog posts and classroom activities, members of the class would each adopt a character from the revolutionary period, and strive to realize and represent diverse perspectives on events in 18th century France.

In the years since, the unit has evolved to include Twitter, as well as a series of improvised discussions, debates and addresses – all in character.

Thus the class is able to imagine and take in the passionate decrees of a young Maximilien Robespierre:

In the future I believe that it is not enough for the monarchy to only lose a portion of its power. France should be a country run for its people by the people, a democracy! At this moment I do not have enough political power to share my views in such ways, but in time I shall express my desires. One day I assure you, I will find a way to improve the lives of the poor and to strike down those corrupt from power.

And see the story through to his betrayal of Georges Danton, who addresses his friend:

I curse you.

We once had, if not brotherhood, at least mutual understanding. We were creating a France that our children would be proud of. I know not when your idealism became madness but I must have failed to see the signs, because I was not prepared for all the murders, and all the terror that you instilled into this country.

Robespierre, you will follow me into dissolution. I will drag you down screaming, and we will fall together.

In addition to these perspectives developing on individual blogs in monologues and comment threads, classroom time is spent charting the development of significant revolutionary events against characters’ reactions which are presented in improvised debates or speeches. And the dialogue continues on Twitter, as each character adopts an avatar to not only promote and archive their blogged artifacts, engage in dialogue with their allies and nemeses, and exercise their own democratic rights in carrying out the final assessments in the unit:

Screen Shot 2015-03-23 at 9.38.18 PM

Screen Shot 2015-03-23 at 9.39.55 PMSensing that there might be a popular uprising against a tyrant teacher bent on sticking steadfast to an arbitrary deadline, I asked to see a show of support for the idea:

Screen Shot 2015-03-23 at 9.43.23 PMThe idea was taken up quickly.

By philosophers:

Screen Shot 2015-03-23 at 9.42.33 PMThe King of France:

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Feminist leaders:

Screen Shot 2015-03-23 at 9.45.54 PMAnd even the farmers:

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At the culmination of the unit, each of the TALONS delivered a final address that looked back on their contributions to the revolution, and how they might have done things differently with the benefit of hindsight. And while each member of the class was only tasked with creating one unique angle on the historical events being studied, the effect rendered by the series of addresses on the unit’s final day presented a nuanced and multidimensional look into the various subjectivities that (might have) helped shape the revolutionary period.

From each of their perspectives, what the French Revolution might be about would likely sprawl in a dozen different directions: a part of a historical march toward justice; political reform; a spark in the narrative of female activism; the story of scarce resources driving extreme behaviour. And to ‘teach’ toward these myriad truths is at once a curricular requirement and Quixotic pursuit, revealing the tensions of education for citizenship in a pluralist democracy, asking How do we create unity and cultivate diverse perspectives?

In interpreting history, as well as our present moment, students ought be engaged in rehearsing this act, and with the dramatic role play the answer offered to the pedagogic problem lies at the heart of narrative.

Of sensing an individual’s arc at the centre of a multitude of shared and individual lives.

Of constructing ‘we’ out of many ‘I’s.

Whether face to face or in the online sphere, this is the task of schooling in the multicultural society.

Learning Project: Performance Goals

Leading up to our first performances in #IntroGuitar, for credit students were asked to prepare brief introductions to their goals in these first efforts. Here is my introduction to the song I selected to perform, an original entitled “Judy and the Town.”

While the song is a few years old, I have elected to focus more on performing this semester, and have looked to present the tension in the song between the somber second verse and more jubilant ending. This involves establishing the song’s structure in the first two verses, which lead to transitional pre-choruses and full choruses, and then turning the corner into the final chorus / coda, gaining momentum and hopefully voices in a singalong ending.

And then Scott’ll come home / and the dogs’ll come home / and we’ll all be at home / and if Lindsay ever leaves she’ll still come home

In my recorded performance, I am not quite into the physical performance of the song; the guitar I had handy didn’t have a strap to facilitate standing. But I have managed to employ my rhythm playing in such a way that lets the storytelling in the vocals become clearly imagined by the audience.

 

Room for Improvement: If and when we do Eminent again…

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Before the new year, I compiled a host of the TALONS‘ responses to reflective prompts on their work created during the Eminent Person Study, highlighting the means and methods they employed to create stellar examples of public speaking in their Eminent Addresses. Being able to have each of these reflections assembled in one place – thanks to Google Forms, and a bit of code that helps display the various responses – creates a different type of feedback that allows us to glimpse the how of what is inevitably a successful aspect of the project.

When we are successful, it appears, it is because we put an exceptional amount of work into the product: we rewrite, and edit, and draft, and rewrite again. This sort of work is generally undertaken with the help of supportive peers and parents, and presented alongside a cohort of individuals similarly striving to achieve something grand. These are important insights to hold onto as we look ahead at creating future memorable learning opportunities for ourselves and future classes.

Perhaps equally as inviting is the opportunity to investigate what happens when things could be better, though. And so now later than intended, but still hopefully of value to the class and readers of this blog, here is the flip side of the Eminent data.

During which assignment do you feel you created work you believe could be improved?When it comes to work the TALONS would have liked to improve, the results are more divisive than when asked about where they believed they had been successful. Where a majority of the class felt that their Eminent Address had been the most successful, different aspects of the project reveal themselves as areas for future growth.

Among the contenders are the Interview and Night of the Notables (either on the night itself, or capturing their work in a follow-up blog post), followed closely by Document of Learning, and Introductory post.

Traditionally, the prospect of obtaining an ‘expert’ interview on a related topic to one’s Eminent Study has proved a sticking point for many TALONS over the years, so it is perhaps unsurprising that it should lead the field for this particular question.

This grade ten response distills much of what generally constitutes this difficulty:

The problem with my interview was that I couldn’t get one. If an assignment like this ever comes up again, I would be sure to contact more people (even if there is only a slight chance they would be able to help with my research), and to contact people earlier on. 

Indeed, whether or not an interview can be obtained is generally the result of having cast one’s net wide enough, if not allowing enough time for meaningful responses to be offered.

A grade nine echoes this sentiment:

I feel like I could have sent out my emails earlier, so I’d have an interview by now. I was procrastinating on my interview and sent my emails rather late. I also could have emailed more people because I think most of the people I emailed didn’t see my message or they just didn’t want to respond. 

However, even with enough time and emails heading in the right direction, one of the grade nines cast more specific advice for themselves forward toward next year’s study:

Next time, I will prepare for my interview as early as possible, and send more convincing emails that will increase the chance of me getting an interview. Having conducted some research on how to form emails, I want to: 

  • Make the title / subject line less vague, and keep it short
  • Write less text, as people are lazy and won’t want to read all of it
  • Avoid lengthy introductions
  • Compliment the reader
  • Use bold / italics to emphasize important points

However, even when successful, this grade ten was able to take away valuable lessons from the experience:

Although I did end up conducting an interview, I later observed that my questions might have garnered more of a helpful response if I had chosen a specific and narrowed topic. For this assignment, the questions that I asked could elicit a very long and extensive response, and because I asked so many of these kinds of questions, it became difficult to delve deeply into one specific area, as the interviewee felt the need to address all of the questions. In the future, I would try to narrow my questions to the most important area of study for the purposes of my research and understanding. 

In the cases of other aspects of the study the TALONS would like to see improved, a common thread that emerges in reflection is the race against time. As in the interview assignment, many members of the class can likely empathize with their classmate who wrote,

I feel that I definitely could have done a better job with my [Document of Learning, Library Field Study, Biblography]. But, unfortunately, Night of the Notables crept up on me and I had to put all of my efforts into [my Speech, Learning Center]. 

Even when it came to Learning Centers, this sentiment is likely familiar:

I believe I did fairly well with my Learning Center. However, I believe it could be improved the most out of all of my assignments because since it is such a big assignment there are many places where it could be improved. I would firstly start my learning center sooner, for I had to work well past midnight many days in a row leading up to NotN to finish it. 

This grade nine agrees:

I was happy with my Learning Center, however I believe that I should have put more time, effort and thought into the creation and presentation of it. 

As does this one:

The one thing I would have liked is for more time. Between juggling math, the environmental project, being project manager, elective homework, and extracurricular activities, starting my learning center was slowly making its way down the list. 

Which is a real-world application of the experiential learning TALONS is proud of providing: we often choose which of our tasks will garner our utmost effort, and occasionally even large projects – or aspects of complex projects – don’t get the amount of time or effort we feel they deserve in a perfect world.

Time is, in the world of work as in life, unfortunately a scarce commodity, and we are each tasked with making decisions about how we allocate it. And I doubt that as an even trade, many of the TALONS would exchange success in their Eminent Speech for a more successful turn in one of these other aspects of the project.

However, the sensation that we have not used our time wisely this time around can often be the best impetus to using it differently in the future, and for those who this year felt that their swap wasn’t an even trade (inasmuch as they didn’t spend time on their speech instead of other eminent assignments), I would hope that this sentiment leads to a more informed use of time in future opportunities.

Rising to meet the Eminent Speech

Eminent Speech Evaluation

Almost without fail, the Eminent Person Speech reigns supreme as the element of the annual project that produces – in the estimation of teachers, peers, and self-assessment – the highest quality work. While there are inevitably remarkable pieces of work contributed to various aspects of the study, whether in Night of the Notables learning centers, interview coups, or blogged representations of learning, and in grade nine or ten, the Eminent Speech rises above.

This year, when polled on the During which assignment do you feel you created your best work?aspect of the study during which they produced their best work, a full 60% of respondents (at the time of this writing, constituting about 85% of the two classes) highlighted their efforts to craft their speech.

Added to this insight, a follow up question asks the TALONS to “describe the process that led to the success highlighted in the previous question,” allowing the process leading to this highly successful aspect of the study to come more clearly into light.

A surprise finding? The best work is the result of tireless effort.

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Prepare, prepare, prepare

A grade ten describes their preparations:

I made sure to write my speech early on so that I had plenty of time to practice it. I practiced it until I knew it inside and out, so that I could recite it no matter what was going on. And having done that, when it was finally my turn to present, I wasn’t nervous at all.

Another thing that really helped was that a lot of the other tens took time to read my speech and help me edit it in the early stages. They guided me to what lines were a little awkward and how to fix my body motions.

Another ten offers the following:

First of all, this year I wrote my speech draft much earlier than the due date compared to last year. Due to this fact, I was able to receive a lot of great feedback from my peers during the writing process, which then allowed me to improve my speech even further. Once my draft was written, I was lucky that I had a lot of time to rehearse my speech. One step that led my speech to success during this stage was that I didn’t just rehearse the words, I also rehearsed body language and movement, and the use of the stage.

A grade nine dissects their drafting process further:

When I was writing, I didn’t limit my thoughts, writing down everything I wanted to include in the speech. By doing this, my speech originally was actually fifteen minutes long. I then took the time, with the help of my mom, to cut down the speech, take out details that weren’t needed, and rephrase events. I think that by writing down every single thought and event that occurred within the period of time the speech was focusing on, I was able to make the speech more thorough and interesting.

As does this one:

I believe it was the drafting process that led me to success on my eminent speech. I did a drafting process where I started writing, then got a better idea of what I wanted to say, and then I would start over. I did this until I didn’t quite start over, but edited previous parts until I was satisfied by the whole thing.

While this grade nine shares the evolution at the heart of his character’s metamorphosis:

During the process of writing the speech, I made a list of points that I wanted to include. After the first draft, I was struck with the idea of the extended metaphor of the caterpillar. I then wrote the second draft, taking the components of the first and smoothing it out. Finally, I edited and revised my speech to create more fluidity.

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Overcoming Fear

For many TALONS, the prospect of delivering an eminent address, whether in the classroom as the grade nines are asked, or on stage with the grade tens on Night of the Notables, is a daunting challenge. As Jerry Seinfeld humourously notes, for many of us public speaking is more popularly feared than death, meaning that “to the average person, if you go to a funeral, you’re better off in the casket than giving the eulogy.”

A grade nine offers this reflection on overcoming a longstanding fear:

I believe my speech was my best work because it was the one I exceeded my own expectations the most in. I used to be quite an abhorrent public speaker, always getting overly nervous, shaking, mumbling, and having a monotone; but in this speech I was able to overcome my nervousness and actually deliver it satisfactorily.

The key to overcoming this anxiety? Revision, feedback, and support:

“I think my speech content was pretty good, considering that it went through six drafts and many, many people gave me feedback.”

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In another question, the same TALONS learner reflects on the contributions of a patient parent:

“My dad, along with giving me feedback on many of speech drafts, put up with me reciting my speech over and over in the days leading up to November 24th. Without his patience with me, giving me feedback and listening intently during the many, many times I recited my speech to him, I wouldn’t have had nearly as good a speech as I did. He gave me important pointers, such as where I started rushing, and he gave me confidence. With that confidence, I was able to deliver my speech well.”

A grade ten reflects on the input of a sibling:

“My brother contributed with helping me write my speech. Before I had written a draft that I was happy with I had written about five different speeches. But I hated them all because I didn’t think I was getting my main message across to the audience, namely that we shouldn’t stop because something is hard to do, that we should keep going until it becomes easy to do.

“One day I went to talk with my brother about my speech and how I wanted the audience to feel, and he suggested that I go for something powerful and try to address what [my eminent person] goes through as daily obstacles. This advice really helped me take a second look at how I was writing my speech and which side of [them] I wanted to show. Without my brother I wouldn’t have been able to re-think my speech and really focus on what was imported.”

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Another deals with overcoming a primal fear:

“Probably everyone out there knows that I do not like speeches, so even the fact that I did mine made me extremely happy.

“The writing process was extremely difficult. After changing perspectives three times and either going way over or way under the time limit, I was close to admitting defeat. Finally, I was happy with a fifth draft of my third perspective change. I was very happy with my written speech, but then came the delivery.

“Presenting my speech was probably the most nerve wracking five minutes of my life, but with the help of my friends, I managed to get through it. Before my speech started, I gave myself some goals and guidelines to follow. I reminded myself that, having not done many speeches in my life, this was not going to turn out perfect, so instead of worrying about that, I would focus on eye contact and pacing.

“My biggest goal was to come off as confident and though I’m sure more people knew how nervous I was, I believe that I was able to reach this goal (well, at least to some extent). While I’m still not ready to perform speeches without any hesitation, I’m glad I got this opportunity to face my fears.”

In responding to another question, a grade ten offers a similar account of working through the fear of performing at Night of the Notables:

What will you (or do you want to) remember about this project? 

“I want to, and will remember the fact that I was able to manage my anxiety regarding the presentation of my speech on the Night of the Notables. I have never liked drama and performing arts, which is somewhat contradictory when you take my commitment and love of [competitive] piping into account. I can will myself to march calmly towards thousands of spectators, flashing cameras and judges at the world championships. Yet, when I have to deliver a two-minute speech to a hundred supportive and encouraging people I’m a wreck. When I perform with my band, I have a safety net; I have never needed it but I know it’s there. When I speak or play by myself, even if it’s exponentially easier than what I do with my band I doubt myself.

“I don’t give speeches in front of large audiences often, but I compete in solo piping competitions often and I have come to recognize the progression and stages of my anxiety. I have been working on becoming more comfortable in these situations for over a year and I think the Eminent Address was an important milestone for me. I was extremely nervous a few days before the night, but I was able to tell myself, ‘You always feel this way before something like this,’ and ‘Imagine how you will feel on December 4th’ and I was able to control my anxiety and give a speech I was happy with.”

Together, we are strong

Perhaps the theme running beneath all of this wild success though is the support and community that is taking shape in the TALONS room by late November, where each member of the class is learning that they are here to test themselves, and hold one another up above their prior expectations. Parents who get to see what the program is ‘all about’ for the first time at Night of the Notables often remark at how exceptional the grade ten addresses are – “I feel totally inadequate now,” the parent of an alumni told me this year – and wonder how it is their children and their peers have been so transformed.

Untitled

What they don’t know, or what cannot be seen, is what is often taking place behind the curtain, in those moments before the show, when greatness waits out on the stage under the lights to be seized.

Reflecting on this moment, a grade ten shares a glimpse of what community looks like:

“There was one moment when we were behind the stage, floating around and whispering encouragement to our peers. The atmosphere had become quiet and focused, as it was a couple of minutes until showtime. I was learning against a wall, breathing deeply.

“Our first speaker looked a bit nervous and was sitting against the wall next to the curtains. Someone, I can’t remember who, whispered something about the Superman pose, and how it was supposed to increase confidence and make you less stressed. So the majority of our class assumed this pose, and stood there in silence for about a minute. I remember looking at us and thinking that we were superheroes. Not just our first speaker, who looked relieved to have something to take his mind off the upcoming stress, but everyone standing there.

“We shared that moment behind the stage, trusting one another to make the night wonderful, and feeling that trust back in the tight, long-held hugs and the same emotions on everyone’s face. It was a really special experience.”

Reflection, Self-Explanation & Citizenship

MA Doodles

Analogue Notetaking

Reflection vs. Self-Explanation

One of the questions asked by a #TieGrad classmate during my presentation on the Self-Explanation principle was whether there was all-too-much difference between the practice of self-explaining and a more general reflective process. And while I might be more inclined to leave the definitive boundary-setting to those more versed in the theory, something that drew me to investigating the principle in the first place was the apparent overlap with many of my own practices revolving around critical reflection and pedagogy.

There does indeed appear to much overlap between the practice of guided reflection, the creation of objects of learning, and an ongoing critical praxis.

The benefits of guided self-explanation touted by the chapter in Mayer’s Principles of Multimedia Learning involve the following:

  • Repair mental models,
  • Identify previously held misconceptions,
  • and Make inferences between learning materials.

Further, studies have shown that

“When students are explicitly asked to make connections between sources of information while self-explaining, they are better able to integrate the information to form a more complete mental model.”

Self-Explanation & Citizenship

Slide20As I’ve described in other posts this semester, such a framework for learning suits the ongoing themes in my own theory and practice as related to critical pedagogy and citizenship learning, as it serves to provide a personalized outlet for meaning-making in a complex learning environment. Such a process seems poised to deliver the lessons requisite for students to continue lifelong learning beyond the school or institution and become contributing members of a just society.

Such a conception of democratic society is the same one introduced by John Dewey, nearly 100 years ago. Among a great many contributions to progressive education, Dewey prescribed schools (and curriculum) as the means by which the younger generation could become enculturated to the traditions, concepts and proficiencies society deems necessary for its continued survival and progress, as well as laboratories where young people could rehearse the formation of their own communities and societies, based on their own emergent values and principles.

This notion, that each individual has a role to play in society and that schools’ function is to aid in the full participation of each citizen, relies to a certain degree on the ability of students to become lifelong learners capable of enacting an ongoing critical praxis. The education of the self as a unique agent in society is a process that does not end upon graduation, and in fact demands an even greater ability to synthesize complex learning uniquely presenting itself to each member of the broader community upon entering the so-called ‘real world.’

That guided self-explanation might help enrich learning in a complex environment, and is most effective when used to support challenging, engaging, cognitively complex learning, presents such a principle as uniquely positioned to help K12 students develop a necessary skillset in the realm of citizenship education.

The Process behind the Product

The idea of narrating one’s work has more and more become central to my focus in crafting assignments and units that reflect a focus on process over product, even when a project or opportunity presents itself with a resolute product as finale. While each member of the community or classroom may pursue a unique pathway in their own learning, a few common, simple goals can help align collective efforts toward diverse, individual learning outcomes.

An example of this type of learning design is the TALONS Eminent Person Study, a traditional gifted students’ program “Hero Project” wherein each of the TALONS adopts a notable individual who has attained ’eminence’ in their chosen field, and prepares a research study on their life and achievements. There are several general expectations for each during the course of the project:

  • Introductory Blog PostSlide14
  • Library Field Study
  • Expert Interview
  • Document of Learning
  • Learning Center
  • Night of the Notables Reflection
  • Bibloggrapy

And yet within these individual assignments, there is the latitude for each to pursue an aspect of personal learning, whether related to Individualized Education Plan (IEP) goals, areas of passion or curiosity beyond the scope of Ministry curricula, or themes emerging within the unique community of learners. So while each of the above assignments is a marked component of the study, the unit’s assessment is weighted toward the insight and autonomy expressed in the blogged reflections and documents of learning created and shared throughout the process.

Eminent Evaluation 2014

Further, these open-ended reflections are supplemented by guided self-explanation prompts in the form of a summative evaluation via Google Form. Here, the TALONS are asked to reflect upon their own process of learning throughout the project – how they measured up to their initial goals, what led them to success, or how they would improve various aspects of their work – as well as summarize and state what they felt constituted the grand takeaways from the monthlong odyssey.

Here, the process of guided self-explanation is enacted to (ideally) synthesize diverse threads of individual learning, which will in time radiate into the collective themes of the community.

In reflecting on what made her speech this year her best work in the project, Alison noted,

First of all, this year I wrote my speech draft much earlier than the due date compared to last year. Due to this fact, I was able to receive a lot of great feedback from my peers during the writing process, which then allowed me to improve my speech even further. Once my draft was written, I was lucky that I had a lot of time to rehearse my speech. One step that led my speech to success during this stage was that I didn’t just rehearse the words, I also rehearsed body language and movement, and the use of the stage. Although I can’t accurately judge what I did on stage due to my nerves, through the feedback I received from peers, guests, and alumni I can think that I was one of my better works.

But beyond these questions of process, which are of great value from the standpoint of identifying and correcting previously held misconceptions or mental models (prized by the self-explanative educator, we are told), it is the parts of the survey which prompt students’ thinking about the synthesis of personal or collective themes which shine light on the particular nuances between the product-oriented outcomes.

What will you (or do you want to) remember about this project?

One thing that I would like to take away from the project, in addition to all that I learned about [my Eminent Person], is how closely the class supported each other in their own studies, specifically in the grade 10 speeches. Although Eminent is a very personal project, I enjoyed the process in which we came together to somehow connect our eminent people into one, collective sequence of performances. It allowed us to be aware not only of our own learning, but of the learning happening around us, and how it related to the common goals of the group. Seeing all of our speeches come to life on stage was also very validating for the work that we put in together.

I think I’ll remember a lot of the little moments. I think I’ll remember the moments of support backstage and in our huddle as well as moments of joy like when I was on stage and after when we were all running down the halls.

I will remember the experiences that I had to express my learning of my eminent person. For me personally, it was the first time I had gone to a university library to find serious sources. It was very interesting to see the endless amount of books. It was also fascinating to see the university lifestyle, and to think that I may be there in a few years. Another part that I will remember about this project is the learning centers. I thought that it was  fairly similar to a science fair, I was, for the most part, wrong. It was similar to a science fair in that there were stations, but different because of how we were encouraged to have an interactive element. Usually, people might have pictures or models, but we got to speak to the people, and have them experience our project more in-depth. I enjoyed these parts of the project.

I will always remember the freedom with this project. The outline for this project can easily be altered, and I feel that this leads to a more passionate project with students who are willing to learn about something they enjoy or care about. I had the choice of being whoever I found eminent and that is something I will always remember about Eminent Person Study.

Is Constructivism Possible?

A question I have been exploring in the past year has been whether or not constructivism is possible within institutional learning. We are torn, in schools, between the dual purpose of Dewey’s initial calls for democratic instruction, and teaching what society deems ‘required’ skills, facts, or habits, and creating a space for unique individual subjectivities to emerge within educative spaces. The contradiction which arises within institutional learning settings surrounds the notion that for truly unique subjectivities to be brought about, the perceived ‘objectivity’ of the instructor/facilitator/learning outcomes often unnecessarily limits these possibilities.

This relates to an oft-quoted edict of Deborah Osberg and Gert Biesta on this blog, that

“if educators wish to encourage the emergence of meaning in the classroom, then the meanings that emerge in classrooms cannot and should not be pre-determined before the ‘event’ of their emergence.”

It is a difficult thought to wrap one’s head around, but one which is central to the aim of multicultural societies, where to foster broad diversity within a pluralist democracy citizens of countries such as Canada are tasked with

“[promoting] the full and equitable participation of individuals and communities of all origins in the continuing evolution and shaping of all aspects of Canadian society and assist them in the elimination of any barrier to that participation.”

Indeed, Osberg and Biesta write that

“In contemporary multicultural societies, the difficulty with education as planned enculturation lies in the question of who decides what or whose culture should be promoted through education. The problem of ‘educational enculturation’ is therefore of considerable concern to theorists grappling with the issues raised by multiculturalism.

“If we hold that meaning is emergent, and we insist on a strict interpretation of emergence (i.e. what emerges is more than the sum of its parts and therefore not predictable from the ‘ground’ it emerges from) then the idea that educators can (or should) control the meanings that emerge in the classroom becomes problematic. In other words the notion of emergent meaning is incompatible with the aims of education, traditionally conceived.”

Thus while still nevertheless prompted to respond to the pre-defined outcomes of a project such as the Eminent Person Study, the TALONS are hopefully still yet encouraged to construct their own subjective perceptions of themselves within the learning experience. And so in answer to the following question, we find a multiplicity of responses:

If you had to describe your learning during the Eminent Person Study in one word, what would it be? 

If you had to describe your learning during the Eminent Person Study in one word, what would it be?

#Eminent2014 in Motion

Slide13

The passage of autumn into winter in the TALONS classroom is marked by the arrival of the Eminent Person Study and culminating Night of the Notables. And while there is a great deal of tradition and meaning transmitted down through years to the current group of students undertaking the project, the chain of cultural transmission is captured in the chorus of individual goals, reflections in progress, and documents of learning blogged as the project unfolds.

While everyone fulfills the same few tenants of the study, the learning that takes place – collectively and individually – is largely a personal affair, one that is handed down from year to year in links and digital portfolios. And as the individual lessons of the study accumulate, so does the culture at the heart of the TALONS classroom congregate in RSS and digital artifacts.

Thus we can look back in the Notable class of 2009 astride our own, with Saskia’s learning center, one which still resonates today:

I left out postcards for people to write to Zahra Kazemi’s son: Stephan Kazemi. These I made from her photographs as a reference to the postcards she herself created (mentioned above). I wanted them addressed to her son for several reasons. By having people write about what they thought of Zahra Kazemi, I was honouring his mother and his own struggle to find justice for her. At the same time, it also showed him just how much his help made a difference to my project. Eleven people ended up writing postcards and I hope that when Stephan Kazemi receives them, they will make him very happy.

The sentiments of Raiya, a year later, looking back on her turn under the lights, echoes in this the fall of 2014:

Night of the Notables left me awestruck, amazed, and inspired. I realized that all my pre-N.O.T.N. stress was well worth the great moments that came with it. For me, some of the more memorable moments of the night were the ten minutes we were all getting a pep talk from Mr. J, the five minutes we were all singing the same familiar notes of “Don’t Stop Believing”, and those three seconds of dead silence after your speech, followed by the thunderous cheers from your classmates. The energy from that night will stick with us our entire life.

The TALONS newly departed, too, leave their thoughts to frame this year’s experience:

Slide11I always get the most peculiar tickling sensation in my tummy after late nights with TALONS. I don’t know if it’s those shooting stars or the fact that these late nights are way past my bedtime, but it’s always a rather homey feeling that curls around my chest when we join hands, all tired and warm from the long day.

But each of these predecessors merely sets the stage for the voices that are lent to this chorus across the TALONS blogs this fall. Newly migrated to a new domain – talons43.ca – each of the blogs is collected and syndicates in a steady feed of interviews, and speech drafts, and learning center floorplans. The results represent a new generation’s perspective on a timeless aspect of the program, which by changing stays the same.

And so this year we’ve been able to travel with Julia to SFU, and glimpse the individual learning on a field trip to a local university:

Before events happen, I usually have this weird distorted vision of20141030_101631 (1)what will happen. On this trip, I had some educational expectations and such. Something I really wanted to get as much as I could of was experience. Experiences are as valuable as any research, and going to an environment I hope to return to as a university student, I hoped to absorb as much as possible. Some aspects of the buildings themselves were how they were all made of cement. It made for a quite gloomy yet professional feel, and looked quite impressive from a distance. It would feel great to walk across the serene pond, down the massive steps, and graduate. There was also a pyramid in a clearing that could only be the pyramid of life, and I questioned it no further. Experiences demand to be felt, and I was entranced.

We’re introduced to fellow grade nine Emma M’s look back on her speech, and see the evolution of the draft(s) that brought her there:

Oh eminent speeches.

I have written many speeches, however I always stress about them and slightly go crazy yet end up finishing with flying colours. People say I’m a good public speaker, and I think that I’m good at it, just when I get up to speak I don’t know if it’s nerves or adrenaline running through my veins. As well, once I finish the speech I don’t speak for a while because all I’m thinking is “Wow, I just did that.”

Sensing the permanence of the blogged reflection, by taking stock of her grade nine speech Nazlie offers some advice to her future self:

I presented my speech on monday, which I am really proud of myself for. I’m usually not the best with public speaking, but I feel like I did pretty well and I am less nervous to present in front of groups of people, especially the classroom. I think I have a pretty good technique for staying calm whilst presenting now, which is something extremely useful that I have gotten out of this project so far. However, I have miserably failed to follow through with my goal of time management, I left my speech to be written on the last weekend before I presented. Personally this wasn’t a big problem for the outcome of my speech, but I still believe it would’ve been more efficient for me to have written at least some of it the weekend before. I literally spent 2 weeks brainstorming and then ended up doing something completely different from what I brainstormed. So, Future me, who will probably look back at this post a year from now and feel terribly embarrassed, PLEASE brain storm and do some speech writing on the same day, preferably 3 weeks before NOTN, so then you won’t have to spend all day on Sunday and Saturday before the big day writing your speech based off of brainstorm-notes and then end up realizing, on the 3rd speech you’ve rewritten, that there is a way better POV to use. Please.

While attending to her own project, grade ten Jessica takes the opportunity to shine some light on Nazlie’s speech, as well:

SFU trip with TALONS

I also want to comment on Nazlie’s project. I recently heard her speech on the woman who runs Rookie. It blew me away. During her speech, she didn’t ever really move, using no body language to aid her, however it worked in her favour. I believe this is because her speech was formed as a letter to her eminent person and letters are not often associated with body movement. She caught my eye because she spoke with such passion in a way that was relatable, and because she was talking about body images and the affects society have on us.

But as the project marches on, Alison takes a moment to forecast her goals for Night of the Notables:

Compared to last year, my learning center is not so complex and it occupies more space. Also, visitors will have to directly converse with me for information about my person rather than reading off a board or by looking at pictures. Although the idea may be more simple, I think I will be equally or even more busy than last year, but I look forward to it! I hope that this learning center idea will be successful and entertaining on the night of while showing the true eminence of Niccolo Paganini to the guests!

While Lyle shares his interview progress with the Reddit community:

If you recall from last year, my interview requests crashed, burned, asked me to tell their wives they loved her, and then convulsed wildly until their vital signs were zero. I believe this was because I was overly optimistic about securing an interview with my person himself and so did a pretty half-hearted job of seeking interviews from anyone else. In short, I was fishing with a line instead of a net.

This year however, my interview request was fired out to a potential audience of almost 60, 000 people, all who are knowledgeable or at least interested in graffiti. Where did I find such an audience?

Reddit!

Joanna shares her successful interview attempt, as well as her results:

So this year, I was extremely lucky to get an interview on my first try, with none other than Margaret Sanger’s grandson, Alexander Sanger, who also happens to be the Chair of the International Planned Parenthood Council.

Talking with Mr. Sanger has really made me feel like I know Margaret Sanger a bit better- questions such as the one I asked about her personality are really going to help me be in character on Night of the Notables, and being able to see this woman from a family members point of view gave me quite a bit of insight on her private life. I also got the chance to learn about some of her lesser known beliefs, and this knowledge prompted me to look into her accomplishments outside of the legalization of contraceptives.

While her sister shares another draft of her speech speech draft, along with the following caveat

The first thing I did for my speech was pretty much a free-write. The free-write is below. I will be posting my speech draft #2, which will actually have a semblance of organization, in a different blog post. The transitions are in bold because I had already decided where I wanted to start and end, so those are parts that won’t change much. You’ll be able to tell that they don’t fit with the free-write, because they were created separately.

Emma F in turn sketches out the broad strokes of her turn as Frida Kahlo:

Although I have chosen not to illustrate a specific ‘snapshot’ moment or event in my speech, I have instead decided to address the concept Frida’s balance of surrealism and reality within her paintings. Although many have labelled her as a surrealist painter, she has incorporated so intimately the realities of her suffering in her work, which makes it difficult to dismiss her paintings as purely imaginative of dream-like. Of course it is necessary to acknowledge that there is a spectrum of realism within her paintings, from her most literal reprentations of people and still life to her most extravagant otherworldy images, but both polar opposites hold meaning and relevance in her life. Thus the ‘surreal’ paintings that she created still were rooted in the very real aspects of her experience.

And Jenny anticipates the Big Night:

Today the grade ten afternoons did a run through of our speeches. The result made me ecstatic! Our. Speeches. Will. Be. Awesome. Glorious. Magnificent. Superb. Spectacular. Terrific… etc. etc.

By Wednesday night, another cohort of grade tens will have passed across the stage which marks their true arrival as the program’s seniors. One of the TALONS pillars will have passed into recent history to be filed among the notables that have gone before, all to act as prelude for the grade nines who will inherit the honour next year.

Self-Explanation & Reflections on Metaphysics

What questions did you set out to answer during the unit?

Last year I started asking my classes to reflect on and assess their learning for projects and different units by responding to prompts through Google Forms. The ability to collect and synthesize individual and collective reflection on work and experiences just passed turned out to be particularly valuable, especially when looking back on areas of personal inquiry and narratives beyond the course content itself.

As a point of critical reflection between Philosophy 12‘s metaphysics and epistemology units, the responses to a variety of questions about learning offer an example by which to explore the Self Explanation Principle in Multimedia Learning in action. Chi and Wylie present prompted Self-Explanation Principle as

a constructive or generative learning activity that facilitates deep and robust learning by encouraging students to make inferences using the learning materials, identify previously held misconceptions, and repair mental models.

In supporting collaborative inquiry such self-explanation offers the opportunity for learners to define the terms of their learning, and examine the process of discovering what Freire called the “generative theme”:

The more active an attitude men and women take in regard to the exploration of their thematics, the more they deepen their critical awareness of reality and, in spelling out those thematics, take possession of that reality.

The nature of the metaphysics unit in particular lends itself to this discussion, and as respondents synthesize various aspects of their learning by defining their particular inquiries, they are fulfilling the first aspect of self-explicative learning: to make inferences using a variety of learning materials.

Where the form’s questions could do a better job, I feel, is in seeking to identify previously held misconceptions and repair mental models. While the questions do ask students to reflect upon the processes which led them to success in aspects of the unit, this before-and-after conception of understanding on the topic is not addressed.

Below you will find these personal reflections, as well as further feedback on the Metaphysics unit in Philosophy 12.

What were the main questions you set out to answer during the course of the unit?

What is actual being? How does consciousness work in terms of “self”?

Does “normal” exist? How can you measure normal? Who decides what is normal? Why do we prefer to have a standard of normal? Do we choose to be a certain way (free will) or are we normal as a result of hard determinism?

My main question that I set out to answer during this unit was: what is, what are, and what is nothing?

I didn’t have any specific questions I wanted answered, rather I set out in search of greater knowledge hoping that would uncover the right questions.

What are ideas? (As an extension, what Mapping dialogueis a number?) Where do ideas exist? Are ideas dependent on human thought? What is human knowledge? Is it objective or subjective?

I continued to be curious about why people strive to the furthest extent to obtain happiness.

What is the purpose of our existence? What is the true self?

How others perceive things and how it’s different for everyone.

Do animals share the same consciousness as humans? How do you define consciousness? Is consciousness linked to intelligence?

What is happiness? How do we achieve happiness? Is happiness our purpose?

Do animals have intelligence equal to humans? Should intelligent animals be viewed as equivalent beings to humans? Do animals (orcas, dolphins, etc) have a high level of consciousness and self-awareness?

Can we ever factually prove another beings existence? What is consciousness?

During which assignment do you feel you produced your best work?

What are you proud of in the work highlighted above? 

During the discussions I felt I participated well, especially during the thought experiment and the final metaphysics discussion (making connections). I felt I listened well to what others had to say and added my input when I felt the need to do so.

I think that during class I am able to contribute useful information to help further discussions, and help others and myself understand concepts better. If I cannot contribute in that way i sometimes like to play devils advocate and suggest something that I know will spark conversation or argument among classmates. this works especially well during ethical debates.

I feel that I did contribute to the class discussions by stepping up and moderating, as well as drawing lines to connect our topics together. That was the first time I have pseudo-moderated a discussion. There’s a first for everything.

The work that I wrote on the post for me was my better writing. I was able to put my thoughts into understandable words, unlike the class discussion where it was confusing for me to put words together due to so many other questions that have been asked. Metaphysicians

I think that my blog post gave a good amount of background and information, and then logically followed an argument to a reasonable conclusion.

I am proud of my participation in class discussions as I feel like I can often bring out a different view contrary to the beliefs in the class that are helpful in bringing about a better understanding of the material. I do so in a non-confrontational manner to invoke further questions, and to better the understanding of the topic at hand. As well, I feel like I can vocalize thoughts that other people may have trouble conveying.

Just bringing a new angle to class discussions. Trying to make sense of what we were talking about and maybe bring it down to an easier level of understanding. Also to simplify things we were talking about so they weren’t so daunting.

The reason I’m so proud of this blog post is because a spent a large amount of time researching my topic. I watched countless videos that allowed me to expand the knowledge I had. This helped me understand different viewpoints and created a more clear path to help me reach a satisfying answer to my question.

I am really proud of myself for fully summing up what I’ve learned in the past few weeks from this class while simultaneously expressing how I perceive life.

I am proud of this work because it comes from the thoughts within me that do not get to see the light of day very often.

I am proud that I was able to expand my ideas in my second blog post and make as much progress in my thoughts and ideas as I did. Though I did not come to a definite answer, I feel that some of the new questions I created are more beneficial than any answer I could have come to.

During which assignment do you feel you created work you would like to improve?

How would you go about improving your work highlighted in the previous question?

Next time, I would pick a broader topic to research and narrowing in as I go along with the second blogpost. As well, I would better formulate my question so it’s actually answerable.

Putting time and effort in the forms of blog posts, reviewing classmates posts, commenting, and research and posting of my own blog posts.

I think it’s important to share some insights to those who have related topics for a greater class discussion outcome. Therefore I should spend more time on others’ blog posts and comment based on my thoughts.

While most of my comments on Metaphysiciansclassmates’ posts were of good quality, I would have liked to gone more in-depth on some of them.

For others, I failed to respond to replies to my comments, something else that could have furthered my learning. I can improve on this in the future my taking more time when writing and responding to comments, treating them more like mini blog posts in their own right.

I wish that I had explained my ideas more. I felt that I gave a broad overview of my experiences in metaphysics, but did not give enough specific examples.

I could probably contribute to class discussions a bit more. I should also read more of the assigned readings and other unassigned readings so that I have a better grasp on the concepts, that way I can provide more insight throughout the discussion and more in the beginning of the discussions because it usually takes a while into the conversation for me to say anything.

I just wish I had taken more time to dive deeper into my topic.

I think I definitely needed to comment more, not less, and to have more effective comments. E.g. I needed to address the post more directly rather than modifying it in my mind as to create some sort of push back. I also need to read the posts more frequently, rather than relying too much on class discussions.

I will participate more in class discussions, put in my own thoughts to have them questioned or supported and built upon or build on or question someone else’s ideas or things they bring to discussions.

I can improve my participation in class discussions by coming to class with meaningful ideas and questions to share with the class. In addition, I can also try to think more quickly so that I can share a point before the conversation moves past the topic that I want to contribute to.

I had a lot of very good ideas and intentions behind my second blog post, but I was only able to capture snippets of them. If I had taken the time to structure, support, and find the right words to explain my post I believe I could have made it much more effective and meaningful.

Really taking the time to comment and reflect on others ideas and concepts so I can not only help them get a different perspective, but help myself understand more. Take more time out of a day to look at what people are posting.

I would have a more definite topic which I could talk about in more depth. I felt that I had little valuable evidence in my first post that helps me to prove my point. I also ended up disagreeing with this post in my second metaphysics blog post, so constancy would have been better.

I would like to be able to participate more during class discussions and really let my ideas be known to my peers. I will definitely be trying to speak up more during our next unit on Epistemology.

At the time I wasn’t very sure of the topic I wanted to pursue in Metaphysics. As a result, my first blog post did not really have as strong of a purpose as I would have liked. Instead, it touched vaguely on small aspects of free will. I definitely should have spent more time thinking about what I wanted to do.

I think I need to work on being more confident in my responses and comments to others. I often feel that if I leave a comment on someone’s blog post that they might be offended by what I have to say. I can work on this by typing what I have to say and posting it without thinking twice about it because I know that I would appreciate the constructive criticism.

Engagement with the unit

If you could keep one or more aspects of the Metaphysics Unit, what would it / they be?

I loved the group discussions we had on the topic. It was very a very effective way to help us understand the topic. It would also help us view different points of view about the topic and helped me personally expand my knowledge of metaphysics. It was easy, quick and effective. I could connect with each one of my classmates as they would share their thoughts on something, then we as a class would easily be able to interpret the topic and understand it much easier than if we were to look up the topic on our own.

I would keep the group discussions. They were very affective and I had achieved a greater understanding of others’ point of view.

I love thinking about how we could better our own understanding of ourselves. The thinking of existence, like solipsism and thinking about existence and how nothing can exist without something else.

I would keep the large class discussion that allows clarity and a path into the minds of people who created the blog posts.

I like the small group discussions, some large group discussions, and when we did the simulation. The small group discussions are good for people to share their ideas and really get into detail whereas the large group discussions are good for everyone to get their ideas out there.

I really enjoyed the discussions we had in this unit. They were very smooth and the amount of engagement the class exemplified was quite high compared to previous experiences. I feel as though this aspect of the unit worked very well, and is essential in making metaphysics more clear.

I really enjoy class discussions as opposed to independent study, I feel that concepts are much easier to understand when they can be portrayed by different people, or explained by different minds. Kelsey’s activity was fantastic.

The connecting of our topics. Although each class will have different ways of connecting them, I think that the act of doing so was very helpful in getting everyone as engaged as possible.

The freedom in choosing what you want to study is great.

I always like class discussions. Collaborating with others and working things out as a class seem to produce the best results. It helps to get different ideas and others helping you to better understand a topic.

I enjoyed our last classroom activity where we connected everyone’s different topics together. It was nice to be able to hear about peoples topics in person and to be able to have small debates with the class on different topics.

One aspect that I would keep regarding the unit is the way that me mapped our individual ideas together into one big picture. To me, it seemed a good method of connecting all of our individual points of study and giving each of us a greater view of the unit as a whole.

I would change it so we had more structured group discussions, as I remember when we were consolidating our ideas we spent half the class just deciding on /how/ to talk rather than actually talking about things. Although the experience itself was learning in managing people, I feel like the actual learning of philosophy was not effective.

I enjoyed the fact that the ideas we researched were so diverse, because I felt like people were more engaged when they could choose what they wanted to research. Personally, despite the fact that my topic was somewhat different to others’, I still enjoyed looking into it, possibly because it was so obscure. As well, the diagram of how all of metaphysics tied together in so many ways helped, because we got to see connections between things that we wouldn’t have expected, like perception and animal consciousness. I also enjoyed the chance to discuss my topics in larger groups before we discussed with the entire class, because small conversations with groups of three or four tend to run out of steam quickly, while talking with seven or eight people can go on for much longer and provoke more interesting opinions.

I would keep the large group discussions because I think that listening and contributing to what others have to say helped challenge my ideas and make it easier to create a path for my thoughts and new ideas. I like working with others because it helps me stay on track when some of my metaphysical questions become overwhelming.

At the beginning of the course, I was very skeptical about the blog. I had never used one before, and am not very technologically savvy. However, especially for this unit, I have found the blog a great way to share my ideas effectively and in an organized fashion. I would like to keep the class discussions where we connect all of our ideas. I think that its really engaging and helpful.

If you could change one or more aspects of the Metaphysics unit, what would it / they be?

More examples/videos involving metaphysical discussions. More ideas could have been fed for the students to ponder rather than us coming up with the limited ideas we had on our own.

Not to focus as much on the blogging aspect.

One aspect that I would change regarding the unit is having more engagements on the blog posts of others. While I did see many good comments on other people’s posts, due to the fact that some people posted late along with other factors reduced the amount of comments.

No class led discussions as I think they go off on tangents and are unproductive.

I’d love to have heard more of what other philosophers have said about metaphysics in class (then possibly discussed that). Just so we could expand beyond the specifics we’re researching and hear from the pros.

The only thing about the class discussions that I would like to improve on would be that during some of our class topics, we wouldn’t let some people finish what they were talking about and then someone else would talk about something interesting to them, and the past speaker would pay less attention because they wanted to focus on what they were still speaking about. That would lead to other problems such as getting off topic and getting somewhat frustrated with each other.

If I could change some aspects of the unit, I would prefer to have a teacher moderator for the discussions, because its easier to have a discussion when everyone doesn’t go off topic.

I would definitely change the amount of support around commenting on blog posts, as it seems that was more of a scattered activity. (It happened sometimes, but did not happen all the time) often conversation, unless mandatory was limited or ineffective online. Perhaps more structure is required in this area.

The only thing I would change is when we figure out who’s work related to others, that we would all split off into smaller groups so that the relatable topics would get even more clarity and the expansion of ideas would be even greater.

A better final showing of what was learned.

Narrow down a couple of topics and post a group blog based on the outcome that the specific group produce.

Probably the mini-group discussions. Those were not very well organized and some instructions were left pretty vague as well.

The only thing I would change about the this metaphysics unit is that I would have liked to have the teacher guide us through it more. Metaphysics is an extremely confusing topic, and I felt as though we needed that extra push from someone with more expertise to give us that head start.

It was almost so vast and mind blowing that I feel maybe we should’ve taken it in in smaller chunks, rather than just diving in and hoping for the best, it’s a very complex unit.

I would change the collaborative note-generation because sometimes it was difficult to see the connections between my topics and the topics of others. I thought that sometimes we went off topic when we were trying to find connections between each others topics. I thought it was most beneficial to choose one of the topics and discuss deeply about it.

However, this could have just be in my case and may have been very beneficial for others.

I would love if there were more student lead activities. I enjoyed leading the class in a thought experiment, and learned a lot from it. I feel my classmates would enjoy organizing and leading their own activity.

During some student mediated large group discussions, it would get a little messy and was sometimes counter productive. For example, during the first day that we tried to connect our metaphysics subtopics during a large class discussion it got a little counter productive when the mediators were trying to figure out the best way to group our topics. I think once our class finds the best way of mediation that could work, student mediation will be very useful but as of right now, we are still a little bit shaky. Maybe during our next class discussion, we can have people vote for our mediator and have the entire class discuss what we want out of our discussion that day. Sort of like setting a goal so we know where to go back to if we went off on an irrelevant subject.

Method of delivery: maybe more discussions that are based on distinctly different topics to start off with so we have a better idea of the concepts we’re supposed to talk about. If I were to change the metaphysics unit, I may have some specific branches of metaphysics to study and a list of philosophers we could use as resources. Additionally, I think that group presentations of concepts was very effective and I would use more of those!

What I would want to change about this unit was to make it less broad. I felt I could have gained more from this unit if I had more specifics to focus on and less information to wade through. There was too much happening in too little time. I felt that everyone was focused on their specific topics and that only in the last discussion were we really able to see the connections between everything.

Emergent Citizenship: Curriculum in the Digital Age

Junedays

“Souls cross ages like clouds cross skies, an’ tho’ a cloud’s shape nor hue nor size don’t stay the same, it’s still a cloud an’ so is a soul. Who can say where the cloud’s blowed from or who the soul’ll be ‘morrow? Only Sonmi the east an’ the west an’ the compass an’ the atlas, yay, only the atlas o’ clouds.” (Mitchell, 2008)

What is curriculum?

Kieran Egan begins his essay, “What is curriculum?” (Egan, 1978) by presenting the idea that schools and curriculum constitute a process by which “children are initiated into particular modes of making sense of their experience and the world about them, and also into a set of norms, knowledge and skills which the society requires for its continuance.” John Dewey presents a similar vision of schools that are “responsible not to transmit and conserve the whole of its existing achievements, but only such as make for a better future of society” (Dewey, 1916):

“It is the office of the school environment to balance the various elements in the social environment, and to see to it that each individual gets an opportunity to escape from the limitations of the social group in which he was born, and to come into living contact with a broader environment.” (p. 20)

Dewey’s description can be seen in congruence with the critical ontology of the self that Michel Foucault described in his essay “What is Enlightenment?” (Foucault, 1984), which should: “be considered not, certainly, as a theory, a doctrine, nor even as a permanent body of knowledge that is accumulating”:

“It has to be conceived as an attitude, an ethos, a philosophical life in which the critique of what we are is at one and the same time the historical analysis of the limits that are imposed on us and an experiment with the possibility of going beyond them.”

It is toward this ideal of enlightenment that we might apprehend the spirit of the Canadian Charter of Rights and Freedoms (Canada, 1982), or the Multiculturalism Act (Canada, 1988), which seeks “to promote the full and equitable participation of individuals and communities of all origins in the continuing evolution and shaping of all aspects of Canadian society.” While Egan notes that “one symptom – or perhaps condition – of pluralism is the conflict and argument about what [the] curriculum of initiation should contain,” it should not be controversial to state that the mandate of education includes an introduction to (and the rehearsal of) the requisite skills which promote this “full and equitable participation” in the creation of our collective societal narrative(s) and identity.

This paper attempts to describe the nature of knowledge-creation in the Digital Age, and outline an approach to curriculum and citizenship that embraces an emergent sense of identity and culture.

Emergence in the Digital Age

The modernist conception of citizenship expressed in the Multiculturalism Act aligns neatly with possibilities brought about through the revolution in communication technologies that can be thought of as our Digital Age. Simsek and Simsek characterize the early stages of the Digital Age as a time when “the forms of information have changed drastically” (Simsek & Simsek, 2013):

“Information processing has been transformed from being passive receivers to active information processors, who must engage, construct, respond and act with information.” (p. 127)

“Our emergent digital times,” Nahachewsky and Slomp argue, “challenge the authority of any one author or teacher” (Nahachewsky & Slomp, 2009). However, envisioning a curriculum that might challenge the central authorial role of the teacher presents a number of difficulties, as Osberg and Biesta argue that such an emergent information landscape assumes that “Knowledge is neither a representation of something more ‘real’ than itself, nor an ‘object that can be transferred from one place to the next[i]” (Osberg & Biesta, 2008). The emergent classroom is a place where

“Knowledge is understood, rather, ‘to ‘emerge’ as we as, as human beings, participate in the world.” (p. 313)

This view of knowledge is congruent with Simsek and Simsek’s description of the literacies required to actualize democracy in the digital era, which “differ from the previous ones, mainly due to their operational, interactive and user-based technological characteristics” (p. 129). Here we see that the emergent view of knowledge-construction, which presents a difficulty to institutional learning, may be supported by the advent of digital communications technologies.

Teaching and learning in polyphony

“If we hold that meaning is emergent,” Osberg and Biesta state. “Then the idea that educators can (or should) control the meanings that emerge in the classroom becomes problematic” (p. 316). Sidorkin admits that “the tragic side of such a situation is that regardless of teachers’ intentions the relationship cannot become equal and truly dialogical” (Sidorkin, 2000). Despite one’s best efforts, the context of organized learning assumes orientation toward certain aforementioned goals and/or outcomes.

Paulo Freire confronted the student-teacher contradiction by prescribing what he called the “problem posing method” of education, whereby curricular content “constantly expands and renews itself” (Freire, 1970):

“The task of the dialogical teacher in an interdisciplinary team working on the thematic universe revealed by their investigation is to “re-present” that universe to the people from whom she or he received it – and “re-present” is not as a lecture, but as a problem” (p. 122).

However this framework maintains the authority of the teacher to “re-present” the reality of students toward their emancipation and as such is deserving of Bruner’s critique (highlighted by Nahachewsky and Slomp) in that the student becomes a “performing spectator” who “does not invent the world, [but] uses it” (Bruner & Bruner, 2009).

Sidorkin looks beyond this dialogical model toward Bakhtin’s idea of polyphony (Bakhtin & Emerson, 1993), and proposes that “the problem of imbalanced relation is not to be countered with power sharing based on considerations of equality.” Rather, he says, it should be “addressed with polyphony, the principle of engaged co-existence of multiple yet unmerged voices” (Sidorkin, 2000). The literacies attending such curricular intentions can be seen to revolve around the realization of a critical awareness of one’s community, and an ability to articulate a unique perspective within it. And it is here we see the notion of emergence begin to exist in a dual sense, as it arises in a collective narrative of community, but also in the individual’s sense of themselves within that community.

Sidorkin argues that curricular authority in the classroom should aim toward the realization of mutuality in meaning-making, stating “The polyphonic authority creates mutuality, and only this kind of authority should be used in education.”

It is this invitation to mutuality that Nahachewsky and Slomp describe by noting that:

“If students are allowed, through openness in the curriculum and their teachers’ language, to become part of a negotiation, facts then are created and become interpreted understandings shared by teacher and students, rather than transmitted by teachers as predisposed ‘truths’” (Nahachewsky & Slomp, 2009).

The skills and competencies attending such collective meaning-making may well have long been essential to the democratic project, as Simsek and Simsek note that “democratic values needed for citizenship are not different for new literacies.” However, they present the Digital Age as an opportunity to realize further promise of the democratic project:

“Many democratic values could be acquired by new literacies. New literacies are prerequisites for digital citizenship. New literacies increase the availability of relevant and credible information and broaden the capacity of individuals to get, share, compare, and contextualize information by developing new skills” (p. 133).

While they are careful to not describe the revolution in communicative technology as a panacea in an era of anemic political engagement and accountability, the authors do note that such a summary of digital citizenship embraces the value of broad contribution to an emergent, collaborative constructed community. Optimistically, they note, “Digital citizenship could create a more transparent, connected and participatory democratic environment” (p. 132).

Curriculum as Identity

The advent of the Digital Age has led to an increase in the opportunities for individuals to contribute their voice to the type of polyphonic democracy suggested by Freire and Sidorkin. Simsek and Simsek characterize the Digital Age by highlighting the increasing ability and access individuals have to spaces in which they might cultivate a networked, public “identity.”

“Identity in the digital territory is seen as a higher construct of literacies, which enables the citizen to act as a person with culture and independence as well as with critical abilities and democratic values” (Simsek & Simsek, 2013).

When conceived of in this fashion, the society education serves intends to admit all voices in its chorus, and asks that schools provide learning in the conception and expression of individual and pluralist identities. This is a process that unfolds endlessly, as the One and the Many are constantly making each other (Follett, 1919), and it is toward this critical praxis that education must orient the student experience if it is to achieve Freire’s “critical and dynamic view of the world” by which we might realize what he considered the central human objective: “permanent transformation of reality in favor of the liberation of people.” The progress toward this pluralist aim is the stated purpose of the Canadian Constitution, and should guide the continued exploration of curriculum in the Digital Age.

Bakhtin, M. M. M., & Emerson, C. (1993). Problems of Dostoevsky’s poetics: U of Minnesota Press.

Bruner, J. S., & Bruner, J. S. (2009). Actual minds, possible worlds: Harvard University Press.

The Constitution Act, 1982 (1982).

Canadian Multiculturalism Act (1988).

Dewey, J. (1916). Democracy and education: An Introduction to the Philosophy of Education. New York: Macmillan.

Egan, K. (1978). What is curriculum? Curriculum Inquiry, 65-72.

Follett, M. P. (1919). Community is a process. The Philosophical Review, 576-588.

Foucault, M. (1984). What is Enlightenment? . In P. Rabinow (Ed.), The Foucault Reader. New York: Pantheon Books.

Freire, P. (1970). Pedagogy of the Oppressed (M. B. Ramos, Trans. 30th Anniversary Edition ed.): The Continuum International Publishing Group Inc.

Mitchell, D. (2008). Cloud Atlas: A Novel: Random House LLC.

Nahachewsky, J., & Slomp, D. (2009). Sound and fury: Studied response (s) of curriculum and classroom in digital times. Beyond ‘presentism”: Re-imaginging the historical, personal and social places of curriculum, 139-151.

Osberg, D., & Biesta, G. (2008). The Emergent Curriculum: Navigating a Complex Course between unguided Learning and Planned Enculturation. Journal of Curriculum Studies, 40(3), 313-328).

Sidorkin, A. M. (2000). Toward a pedagogy of relation.

Simsek, E., & Simsek, A. (2013). New Literacies for Digital Citizenship. Online Submission, 4(3), 126-137.

[i] See Biesta and Burbules (2003), Biesta and Osberg (2007), Cilliers (1998) and Osberg et al. (in press).