Scenes in Adventure Learning (Part II): Reconnaissance

Juan de Fuca Recon w/ DSIt is the second day of spring, earlier the same year, and a colleague and I are shivering in soaking clothes in a damp ring of protective salal and cedar above Chin Beach. We are conducting reconnaissance on the Juan de Fuca Trail, assessing its relative difficulty, subjective and objective risks and hazards, and gauging the potential for the route to serve as a challenging option for the annual TALONS Adventure Trip.

Despite arriving on Vancouver Island in full sunshine yesterday, and beginning our hike under clear skies, the rain moved in on us last night and has yet to let up through the day’s first ten kilometres. We left Bear Beach at just before ten this morning and arrived at the emergency shelter above Chin Beach on the afternoon high tide, cutting us off from where the trail resumes at the western end. With an hour of slack tide to wait out we’ve hung our wet shirts on the lines in the front of the shelter to drip dry in the spring humidity and make warm lunches of hummus, bagels, and multiple cups of tea. We laugh at the accumulated years of graffiti adorning the walls.

Eventually we shudder back into our shirts and make our way down to the beach, where we’re waiting now for the tide to recede enough that we might gain the rocky bluff back up into the woods where the trail continues. Mist hangs in the air between the trees and gusts up the beach as the waves crash and rinse between the rocks. A group of five or six sea lions slithers toward the horizon beyond the breakers, and we wait, jogging on the spot, stepping up and down from a log by a sodden fire circle, and wandering through the prospective campsite.

When the tide falls we head back into the woods, tackling the second 10K section of steep, muddy, and root-laden walking between Chin and Sombrio Beach. The trail climbs, then descends, crosses swollen creeks that soak our boots and gaiters, then climbs again. All throughout the afternoon the rain continues to fall, but we don’t wear our rain gear because with our exertion the insides would be as wet as the outside; besides, we will surely need them come the evening.

The lightheartedness of our adventure yesterday has evapourated, or perhaps more appropriately been washed away, and we hike in relative silence: grunting, breathing heavily, laughing incredulously at the ferocity of the weather and the roughness of the trail. We are out here two months before the hiking season has properly begun, and many of the winter’s deadfall sitka spruces, calamitous landslides, and broken boardwalks have yet to be cleared or repaired. Later in the day we are ankle deep in muddy bogs on the ridgeline above Sombrio Point and the forest canopy blocks out the five o’clock light, making it horror-movie dark as the rain increases above our heads. In the next moment it is hailing angrily down through the cedar boughs and we are resigned to digging through our packs for jackets as the pellets sting our shoulders and frigid forearms.

Juan de Fuca Recon w/ DS

On Sombrio we fight back the first effects of hypothermia while we attempt to set the tarp and pitch our tent. My sleeping bag is soggy and our fingers ache working with the lightweight tarpline. We are on pace to complete the trail in three days – two days faster than our prospective trip with the teens later in the spring – and we are each unbelievably spent.

Tomorrow we will shuffle off the western terminus of the trail in Port Renfrew and ravenously inhale chicken wings and two beers before hitchhiking back to our car at China Beach before dark. I am almost thirty five and no stranger to challenging adventures in the woods, nor is Dave: even with our aching feet and blistering toe-nail beds, soaked gear and thousand-yard stares as we sit over ferry burgers on our way home, we are giddy and proud of our adventure.

But tonight, shivering in my sleeping bag while the rain blasts at the salal and sitka shelter beyond our tent, and throughout our encounters with knee-deep bogs, hundred metre cliffs above the Pacific, and the perilously slick log bridges and creek beds (one of which claims my sunglasses on the second morning of our adventure), I am struck with the magnitude of the trip seen through the eyes of my grade nine students. The thought that the trip may be beyond the capabilities of our group – or for one reason or another one or more of our student group will not complete the trail – becomes a focal point of the preparations to come.

“Let’s think about it,” Dave says sometime the next day while we take water and a break deep in the woods west of Sombrio Beach. “What are the snags, injuries or anxieties – reasons you’d need to stop or evacuate someone – and where are they going to happen out here?”

“If and when they walk off the end of this trail,” he adds. “They are going to be hardened warriors.”

We climb through the soaking rainforest, sweating in our rotten, muddy clothes, brainstorming various emergencies and evacuation procedures, as well as how to minimize our risks.

“Exactly,” I tell him, and set about making plans for the coming months and making that potential a reality.

Scenes in Adventure Learning (Part I): Over, Under, Through

Arch

Aligning our departure from Chin Beach to the 8am low tide, our group of seventeen grade nine and ten students and four adult leaders set out around the rocky bluff at the western edge of the beach, walking in the shadow of towering sandstone cliffs. Groundwater drips down mossy walls and splatters on the slick boulders we navigate to the tune of clattering hiking poles and the gasps of narrowly avoided falls. To the west the bright blue sea is visible through the window of a dramatic granite arch extending from the forest.

One of our volunteer leaders and one of the grade tens ventures under the arch to assess the possibility of avoiding the abrupt headland interrupting our beach route, to no avail. Even with the low tide, the route under the arch runs out into shallow seawater and the threat of being surprised by rogue waves on the exposed point; we will have to go over.

It is the second morning we’ve woken up on the beach, having set out just after lunch from the China Beach parking lot at the eastern end of the Juan de Fuca Trail Saturday afternoon. We have hiked more than twenty kilometres with tents and food and water purification tablets, and as we set out onto the third day of the five-day trek, the most difficult sections of trail are behind us. Having surmounted the endless switchbacks and headlands of the merciless stretch between Bear Beach and Chin, the group is strong and confident, and sets about scaling the rocky archway without a break in collective stride. 

Arch BypassThe first few who make it up onto the bluff deposit their packs and hiking poles on the far side, and return to help others gain the ledge with encouraging words, outstretched hands, and assurances that what looms on the other side is “no worse than we’ve done so far.”

On the other side, the route descends sharply to the boulder-strewn beach over a five foot ledge that offers only an awkward bum-shuffle as a way down. Here, too, bags are shuttled briskly through helping hands; a guide line is set to balance reluctant shufflers;  encouragement and spotters collect on the beach to catch us as we resume the trail on the other side. A waist-height waterfall pours out of the sandstone onto the beach where we wet our faces and cool ourselves before continuing into the morning. A hundred other challenges will arise before the day is out, but no matter. The group is operating with a heightened focus on the goal at hand: to safely reach the end of the trail together.

Less than a kilometre down the rocky beach, we meet the buoys hanging in a tree that signal the trail ‘s shift inland, and clamour in a rough single file up and over the twisted roots of a sitka spruce hanging over the edge of a creek. For the next three days we will continue in this manner, immersed in the boundary between forest and sea, with everything we need to survive stowed away in brightly coloured packs and the awestruck glances of our teammates.

A Unit Plan of One’s Own: References

MEd Final Presentation

This post is part of a serialized collection of chapters composing my recently completed Master’s of Education degree at the University of Victoria. You can access the other chapters on this site here, and access a pdf of the completed paper on the University of Victoria library space here

Ball, S. J., Thrupp, M., & Forsey, M. (2010). Hidden markets: the new education privatization. New York: Routledge, Taylor and Francis.

Bateson, G. (1972). Steps to an ecology of mind: Collected essays in anthropology, psychiatry, evolution, and epistemology. Chicago: University of Chicago Press.

Ben‐Porath, S. (2012). Citizenship as shared fate: Education for memebership in a diverse democracy Educational theory, 62(4), 381-395. doi: 10.1111/j.1741-5446.2012.00452.x

Berry, D. (2011). The computational turn: Thinking about the digital humanities. Culture Machine(Spec. Issue).

Biesta, G., Lawy, R., & Kelly, N. (2009). Understanding young people’s citizenship learning in everyday life the role of contexts, relationships and dispositions. Education, Citizenship and Social Justice, 4(1), 5-24.

Calhoun, C. (2013). Occupy wall street in perspective. The British journal of sociology, 64(1), 26-38.

Campbell, G. (2009). A personal cyberinfrastructure. EducausE review, 44(5), 58-59.

Canadian Multiculturalism Act, c 24 (4th Supp). (1985). Retrieved from http://laws-lois.justice.gc.ca/eng/acts/C-18.7/page-1.html.

Della Porta, D. (2015). Social movements in times of austerity: bringing capitalism back into protest analysis.

Foucault, M. (1984). What is Enlightenment? In P. Rabinow (Ed.), The Foucault Reader. NewYork: Pantheon Books.

Freire, P. (1970). Pedagogy of the Oppressed (M. B. Ramos, Trans. 30th Anniversary Edition ed.). New York: The Continuum International Publishing Group Inc.

Gilens, M., & Page, B. I. (2014). Testing theories of American politics: Elites, interest groups, and average citizens. Perspectives on Politics, 12(03), 564-581.

Groom, J., & Lamb, B. (2014). Reclaiming Innovation. EducausE review, Online. http://www.educause.edu/visuals/shared/er/extras/2014/ReclaimingInnovation/default.html

Habermas, J. (1991). The structural transformation of the public sphere: An inquiry into a category of bourgeois society. Cambridge, Massachusetts: MIT press.

Howe, P. (2007). The electoral participation of young Canadians: Elections Canada.

Jobs, S., & Sheff, D. (1985). Playboy interview with Steve Jobs. Playboy, Interviewer Retrieved from http://www.scribd.com/doc/43945579/Playboy-Interview-With-Steve-Jobs.

Johnson, L., & Morris, P. (2010).Towards a framework for critical citizenship education. The Curriculum Journal, 21(1), 77-96.

Kant, I., & Ellington, J. W. (1993). Grounding for the Metaphysics of Morals: On a supposed right to lie because of philanthropic concerns. Indianapolis: Hackett Publishing.

Kellner, D. (2000). Habermas, the public sphere, and democracy: A critical intervention. Perspectives on Habermas, 259-287.

Kiss, J. (2014, March 12, 2014). An online Magna Carta: Berners-Lee calls for bill of rights for web. The Guardian.

Klein, N. (2008). The shock doctrine: the rise of disaster capitalism. Toronto: Vintage.

Lee, T. B. (2013). Here’s everything we know about PRISM to date. Washington Post, 12.

MacKinnon, M. P., Pitre, S., & Watling, J. (2007). Lost in translation:(Mis) Understanding youth engagement. CPRN Democratic Renewal Series: Charting the Course for Youth Democratic and Political Participation.

May, C. (2013). The Global Political Economy of Intellectual Property Rights: The New Enclosures? (Vol. 3). New York: Routledge.

McKibben, B. (2013). The case for fossil-fuel divestment. Rolling Stone, 22.

Nabokov, V. (1980). The metamorphosis. Lectures on Literature, 251-284. San Diego: Harcourt.

Osberg, D., & Biesta, G. (2008). The emergent curriculum: navigating a complex course between unguided learning and planned enculturation. Journal of Curriculum Studies, 40(3), 313-328.

Shirky, C. (2008). Here comes everybody: The power of organizing without organizations. New York: Penguin.

Sidorkin, A. M. (2000). Toward a pedagogy of relation. Faculty Publications. http://digitalcommons.ric.edu/facultypublications/17

Simsek, E., & Simsek, A. (2013). New literacies for digital citizenship. Online Submission, 4(3), 126-137.

Tosey, P. (2006). Bateson’s hierarchy of learning: a Framework for transformative learning. Paper presented at the Universities’ Forum for Human Resource Development, University of Tilburg.

A Unit Plan of One’s Own: Recommendations

November

This post is part of a serialized collection of chapters composing my recently completed Master’s of Education degree at the University of Victoria. You can access the other chapters on this site here, and access a pdf of the completed paper on the University of Victoria library space here

This project has allowed me to make the following recommendations to others who might consider conducting a similar course of study or practice. In each, the common thread is an emphasis on striving to better realize our collective democratic potential in our own learning as teachers, and looking to provide the same experiences for our students.

Structure with Space

In striving to create emergent possibilities, it is important to cultivate space wherein the unexpected can occur. Democracy itself is a framework to produce outcomes much more than it is an outcome itself; and once it becomes concerned with replication and the preservation of stasis, the ends it is intended to produce slip out of grasp. In the pursuit of emergence, both in democracy and in our classrooms, it is important to create the opportunity – and in doing so the habits of mind in young people – for grassroots expression and experience in collective meaning-making. In considering the adoption of the unit framework provided here, or work conceived in a similar spirit, look to present students with the opportunity to populate the educational space with their own expressions and explorations.

Everything is a Prototype

To engage in authentic learning of this kind, teachers and students must work toward viewing potential setbacks and failures as opportunities to reflect and move forward in their work as individuals and in groups. Central to the notion of learning as an ongoing process is that nothing is a final iteration, and that “everything is a prototype,” 1

 and as such is an opportunity to learn from and integrate into future growth and success. While educators may be quick to encourage our students toward this realization, we can be less forgiving of our own struggles toward an integration of our theory and practice in pedagogy, and it is important for us to model this willingness to adapt, act, and reflect if we wish for these attributes to be acquired by the young people in our classrooms.

In all things, Be open

Wherever teaching and learning takes you, one recommendation above all else is to compel those who are interested in this and other similar learning to work diligently and vigilantly to share it all. Make your process and learning transparent, both in your own emergent view of pedagogy and curriculum, as well as your life as a citizen and educator. Seek out practices which make the act of opening, and allowing others to view, engage, and participate with your investigations a part of your daily work. Delivering upon the promise of the digital age relies on this ability to share and construct our shared spaces, physically as well as online, and educators are central in this struggle to reclaim innovation, as well as the public sphere.

References

  1. Zack Dowell used this expression in an interview with some of my students in 2011.

A Unit Plan of One’s Own: Overview

Drafts

This post is part of a serialized collection of chapters composing my recently completed Master’s of Education degree at the University of Victoria. You can access the other chapters on this site here, and access a pdf of the completed paper on the University of Victoria library space here

This chapter presents a unit framework to cultivate critical citizenship learning for the digital age. By introducing unit components that are adaptable to diverse subject areas and student ages, these assignments and overall structure allow teachers and learners to adapt this framework to their unique purposes. Throughout the unit praxis, participants are asked to document and create artefacts of their learning for personal and collective reflection, and to serve as new points of future departure. The unit plan can follow the critical praxis of action and reflection indefinitely, allowing further and further growth and development, both on an individual and collective level for as long as one chooses to engage with it.

To facilitate this process, the project encourages educators to enact this unit’s lessons within a digital context; however, the basic framework will apply without technology, and can be adapted to physical, face-to-face space. In adopting digital space, teachers may consider multiple avenues, not limited to those described here:

Personal Blogs

A classroom in which students are provided their own individual blogs can allow them to cultivate a digital footprint of their own, designing layout, themes, title and general tone of writing across categories and disciplines. As well, by using platforms which allow it, individual data can be exported and can continue to be the intellectual property of the students who created it. This provides students with ownership over their own educational data that reaches beyond the institution, while allowing control and agency over their digital identity and footprint. Beyond creating individual students’ sites, teachers can foster classroom community voice by aggregating the RSS feeds from each of the blogs into a single site – i.e., WordPress with FeedWordpress plugin. Comments posted on class blogs can be aggregated as well. With WordPress multi-site, this may take the shape depicted in Figure 2.

Screen Shot 2016-02-08 at 7.54.08 PM

Teachers may incorporate other social media – Youtube, Twitter, Instagram, etc. – into their assignments and projects; however, it will be helpful to link, archive, and curate these learnings on individual blogs such that these disparate postings can be collected and curated in a single space.

Class Blogs

While the individual blog model may serve teachers of linear (year-long) courses, those faced with shorter semesters may seek the expediency of a single class site with multiple student authors. The use of a single class blog will make the reading and discussions arising around posts and readings more centralized and easier to follow than a distributed collection of individual blogs. However, by organizing posts with the use of tags and categories, student work can be sorted by author(s), as well as topics or corresponding units. Additionally, a class site’s pages may be devoted to the cultivation of student portfolios, where links, summaries, and reflections on work throughout the term can be collected.

Other Social Media

Many other media offer tools for curating a variety of digital publications and artefacts, whether micro-blogging platforms such as Twitter, photo-sharing sites like Flickr or Instagram, video networks such as Youtube, Vine, or a host of other networks and platforms. Students and teachers may employ a range of different tools to represent and reflect upon learning across these platforms, and archive (or not) the results for further study. Within many of these social platforms, the use of tagging, or hash-tags, can be used to collect and organize related posts. Similarly, on Twitter, sub-tweeting allows the medium’s 140-character limit to be expanded into longer threads of related posts (by the original author, or others). As well, social aggregator sites such as Storify can be helpful in curating divergent social media stories across platforms and media.

Analogue

While aspects of the digital age allow empowering learning documents to be shared within the learning community, analogue means of collecting artefacts of student learning can work within this unit framework as well. Journal entries, notes collected with pen and paper, collages, dioramas, and other three-dimensional creations can each provide the opportunity to represent and reflect upon learning as a critical praxis is established throughout a course of study.

The Role of the Teacher (or Class) Blog

As it offers the full potential for cultivating critical citizenship for the digital age, the framework below works within a personal blog format to allow maximally student-owned content. Within this classroom environment, the teacher may also curate their own blog (or contribute to a class blog collected along with the aggregated student posts). Here, the teacher can model “lead learning” and document an engagement with their own critical praxis, articulating the goals for personal or class learning within the context of the unit, reflecting on elements of pedagogy or lesson design, as well as linking to and highlighting student blogging to synthesize emergent details in the unit’s “generative themes” (presented on pages 20/21 in chapter two).

References

Citizenship Curriculum as a Response to Digital Shock

shirky_quote

Image courtesy of Tom Woodward.

This post is part of a serialized collection of chapters composing my recently completed Master’s of Education degree at the University of Victoria. You can access the other chapters on this site here, and access a pdf of the completed paper on the University of Victoria library space here

As Clay Shirky noted now almost ten years ago, “We are living in the middle of the largest increase in expressive capacity in the history of the human race” (2008, p. 106), prompting many educational stakeholders to encounter a digital age in which “forms of information have changed drastically” (Simsek & Simsek, 2013, p. 127), inducing what may be viewed as a state of shock. They explain:

Information is an integral part of daily life in today’s society in order for individuals to survive against information-related requirements. Production of knowledge requires different skills than those necessary for producing goods. Thus, the concept of shock could be interpreted partly as the feelings of the confusions of people, being aware of not having necessary skills for the new literacies. (p. 127)

While pervasive across the affected culture, this type of societal confusion represents an opportunity to reform collective enterprises including, but certainly not limited to, monetary policy and public schooling. Naomi Klein notes in The Shock Doctrine (2008) that such ‘shocks’ are opportunities for radical interventions in policy reform, citing the champion of neoliberal capitalism Milton Friedman’s admission that “Only a crisis – actual or perceived – produces real change. When that crisis occurs, the actions that are taken depend on the ideas that are lying around” (p. 166). This holds true as schools look to encounter the shock of producing a curriculum for the digital age, as David Berry highlights “the plasticity of digital forms and the way in which they point toward a new way of working with representation and mediation […] whereby one is able to approach culture in a radically new way” (2011, p. 1).

Educationists and those who would ensure that the educational “ideas that are lying around” in the midst of such a shock ought consider critically the role that curriculum plays in adequately equipping young people to inherit and recreate a society that reflects Canadian pluralist ideals: a skillset and disposition we might broadly encapsulate as “citizenship.” This project outlines a particular conception of citizenship curriculum for the digital age that it might be an “idea lying around” as stakeholders look to reform education in the 21st century. The citizenship proposed here intends to address inequalities inherent in democratic systems by helping bring about the “full and active participation of each member of society” promised by the Multicultural Act of Canada (Canadian Multiculturalism Act, c 24 (4th Supp), 1985), as well as the representation of all members of Canadian society in the ongoing construction of the national identity.

Integral to this conception of citizenship learning is the notion that

“Young people learn at least as much about democracy and citizenship – including their own citizenship – through their participation in a range of different practices that make up their lives, as they learn from that which is officially prescribed and formally taught” (Biesta, Lawy, & Kelly, 2009, p. 3).

In looking to design educational opportunities in which young people can experience authentic citizenship learning, curriculum cannot be bound to a static perception of content, skills, or outcomes, but rather must emerge from an exploration of the lives of young people (see: Freire, Osberg, Biesta). As a result, the project considers forces impacting the democratic realities of youth, and looks to allow for the creation of a new narrative of citizenship learning to emerge in the process of the unit framework outlined here.

References

A Unit Plan of One’s Own: TIEGRAD Final Presentation

MEd Final Presentation

Notes and slides which served as a summary of learning at our cohort’s presentations in Vancouver on December 5th, 2015.  The title comes from an essay by Virginia Woolf and has been used as the basis for a project started by Jim Groom and others at the University of Mary Washington called Domain of One’s Own (which they’ve since taken on the road as Reclaim Hosting) and which allows faculty and students to own and manage their own domain and web publishing spaces. The idea from Woolf is that all one needs to write, and thus be free, is a place to write: and while for Woolf that place may have been a room, for people today everywhere is place to write, and reflect, and synthesize. This is as true for us in how we are able to approach our various areas of education, as it is for our students who are growing up on the web as participants in a truly globalized culture. Teaching young people to own and manage their own data, from the 1s and 0s on up to the content they share on Facebook is central to the task of educating digital citizens. In an article published on Medium last year, Audrey Watters cited the TALONS class as an example of “the growing number of schools [who] believe that students need a proprietary online space in order to be intellectually productive.” This project focuses on the creation of that space as having a central role in citizenship learning in the 21st century. MEd Final Presentation

Something great about networked learning – and learning in public – is that it sprawls. It goes all over. In relationships and projects, initiatives and endeavours: it is always ephemeral. Sometimes it crystalizes into moments of understanding and knowledge, but inevitably it careens back into confusion and new mysteries.

But in blog posts and pictures and videos and presentations, collaborations and conversations, rhizomatic wanderings can come together and be recorded as syntheses of new meanings and understandings that sprawl further and further in every direction.

This was a journey I had been on for more than five years before I joined TIEGRAD, and the challenge to bring together this swarm of ideas and authentically represent the last two year’s learning has been tougher than I might have thought, coming in.

MEd Final Presentation

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p style=”text-align: justify;”>Something that has remained consistent, however, has been a focus on teaching and learning for citizenship, and the view that schools are places that can increase a community’s ability to realize democratic possibilities. This was true in many of my past experiences as a teacher prior to enrolling at Uvic:

  • Whether working in an experiential gifted students program;
  • as a music teacher;
  • as someone working in a global social network;
  • or in my personal and professional development on my blog.

 All along I was sketching out the elements of what might constitute a conception of citizenship in the 21st century.

MEd Final Presentation

Through my grad studies, that conception of citizenship has grown to include the longer traditions of educational philosophy, and support what I had previously approached as exclusively “digital” concerns.

Introductions to Paulo Freire, John Dewey, and Gregory Bateson brought me to a view of citizenship learning that blended critical pedagogy and transformative learning, and placed the digital contexts of modern learning square in the tradition of the Enlightenment.

MEd Final Presentation

In his description of Enlightenment, which he called ‘critical ontology,’ Foucault referred to:   “a philosophical life in which the critique of what we are is at one and the same time the historical analysis of the limits that are imposed on us and an experiment with the possibility of going beyond them.”   It’s a description befitting the outcomes much of our educational reforms are concerned with these days, especially when we think of an emphasis of constructivist pedagogies and student-led inquiries. But for schools to truly embrace an emergent view of knowledge – where what emerges from the process of learning cannot, and should not, be predetermined – schools confront a direct challenge to the notion of traditional curriculum and assessment. MEd Final Presentation

Over time, my research question formed around the possibility of creating such a framework for learning based on emergence, and what this could look like within the constraints of traditional – or even the newly Government-mandated – curriculum, and given the possibility of digital technology.

In attempting to set up digital spaces for learning, I try to use a similar structure for knowledge-building and dialogue that I would in physical space: we learn by trying to articulate ourselves to others, and by recognizing new possibilities in one another’s expressions of our shared experiences.

So as would apply in the classroom, it is important that digital space is organized to foster audience and sharing around collaborative inquiries, with a record of individual growth accumulating in an environment that is owned by the individuals in that community.

MEd Final Presentation

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p style=”text-align: justify;”>In the unit plan of one’s own, the process can be organized around any grade level or subject area; it also doesn’t necessarily need to take place within a digital environment. What the class or individual blogs present is the opportunity for a critical praxis of learning to be documented in-progress by individuals or groups: if a similar record of learning artefacts were to be kept in a binder or shoebox or corkboard through the course of a semester, much of the essence of the pedagogy would remain. For those looking to instil a sense of digital citizenship extending beyond the local classroom, however, public sites can take the process onto the global web.   At the outset of a unit, students document or represent their “First Position.” The intent here is to “capture” the state and intentions of their learning with only introductory information at hand:

  • What are my first impressions of the topic?
  • What do I already know?
  • What do I want to know?
  • What are my questions?
  • How will I go about finding answers to them?
  • And why is it important for me to have them answered?

From there we have a document of learning in progress, a planning document of what might become of the ‘summative’ event, a ‘capture’ or record of that summative piece, and a reflection or self-assessment to articulate the learnings of the particular unit – whether to the individual learner, teacher, or group as a collective. The process itself is structured to bring about an authentic emergence of subjective perspectives around a common topic or inquiry.

MEd Final Presentation

For each of the unit assignments, criteria are generated by the class to determine mutual expectations for the learning that should be done, and how it will be shared. Rubrics are created and distributed, and used to gather peer-feedback, provoke authentic self-assessment, and to provide for teacher intervention where necessary.

It is not even always important that grades be attributed to each of these unit assignments, as they can distract the focus from seeking out relevant feedback to better meet individual and collective goals.

To coincide with reporting periods, it can be useful to require a mid-term and final synthesis of learning relative to mandated curricular outcomes. Here, students are asked to look back over their amassed documents of learning, and to assemble a record of their work toward identified learning standards. These points in a semester can offer a chance for students and teacher to arrive at a grade reflective of the totality of their work – rather than an aggregate ‘score,’ for the term or semester.

MEd Final Presentation

In brief, the process has left me with a few takeaways:

  • One is that I need not be a revolutionary: the system we have inherited is itself built on the premise of an ongoing revolution. Democracy is the worst form of government there is, except for all the others. But it is especially bad if we don’t know how to use it to build community-driven consensus.
  • How we pursue this community driven consensus is by preparing young people to express themselves as members of their various communities to achieve authentic collective ends.
  • And finally we must pursue this for ourselves as educators and citizens, working through our own praxis of intention, action, and reflection, because this is what it means to be enlightened.

Adventures in Blended Learning

John A. Skype

As I mentioned in a brief thank you to Alec at our last class meeting, in many ways it feels as though I’ve been taking his course on The Blended Classroom for a few years now.

When I joined Twitter back in… can it really have been 2009? Alec was one of the first people I followed. Along with Will Richardson, Dean Shareski, Sylvia Martinez and a host of others who have spoken with us or been name-dropped throughout our time together this semester, Alec has helped form and inspire many of the ideas that have driven my blended practice in the years since, a journey that has been charted across the near-300 posts on this blog, as well as in other online spaces, physical artifacts, and dialogue with peers, colleagues and students.

Along with Dave Cormier I am interested in the blurring of the boundaries between formal and informal learning, and seek to integrate a more rhizomatic approach to institutional learning that makes use of the sprawling inquiries I have engaged in during my time as an open online educator. While it may be more chaotic, and difficult (if not impossible) to direct, this more organic approach has challenged me to make meaning of diverse experiences and connections in a manner which is far more in line with socio-cultural trends at the heart of the digital age and 21st century.

As a reflective practitioner, this has allowed me to plot a uniquely personal course of study that is relevant to my own interests and passions, classroom communities, and emerging perspective on my place in the world as an educator and member of the human project. But it has also offered the opportunity to engage in the type of emergent meaning-making that has become central to the philosophy of education underpinning my work as a graduate student. Taken together these experiences have influenced the type of learning opportunities I strive to create for my students, as well as the type of learning I hope they are able to engage in for themselves once they venture beyond the school.

This semester my own learning has met the gentle structure provided by Alec’s class and branched in what may be considered three overlapping directions: theory, practice and reflection.

Theory

I began my theoretical work in January with a look at the potential for Collaborative Inquiry to address teacher professional development interests, as well as put educators into the experiential role of learners as members of a community:

With increasing classroom needs, revolutionary changes in technology and information literacies, in an evolving culture dealing with widespread anxiety and mental health concerns, classroom teachers and extended school communities confront diverse language language needs and an increased awareness around gender and sexual identity, among other unique challenges. In British Columbia, public schools face the additional challenge of an ongoing and tempestuous negotiation between different stakeholders over curricular reform, teacher-contracts, and the role of education in society.

The convergence of these myriad adaptive challenges – “for which the necessary knowledge [does] not yet exist.” – seem an appropriate place to engage a process of collaborative inquiry which allows participants to “adopt new values and beliefs.”

In addition to the value that it might add to teacher-development and learning, this type of collaborative inquiry is in line with a conception of citizenship that is coming to ground my academic work around civic education. As the emergent view of knowledge described above may be seen to, the challenges presented by multiculturalism in pluralist democracies highlights the tension between creating and maintaining institutions that can bring about outcomes truly constructed out of their (ever-changing) constituent parts.

An ongoing theme in my work on this blog, the problematic view of emergence is described by Deborah Osberg and Gert Biesta:

“If we hold that meaning is emergent, and we insist on a strict interpretation of emergence (i.e. what emerges is more than the sum of its parts and therefore not predictable from the ‘ground’ it emerges from) then the idea that educators can (or should) control the meanings that emerge in the classroom becomes problematic. In other words the notion of emergent meaning is incompatible with the aims of education, traditionally conceived.”

Sigal Ben-Porath presents a potential resolution to this paradox in the form of Citizenship as Shared Fate, wherein “citizenship education ‘seeks forms of attachments, belonging and commitment that would enable children to become positive members of diverse communities of fate.'”

Such a citizenship, and thus citizenship education:

“aims to recognize differences in values, outlooks, language and preferences while developing institutional and conceptual concepts – particularly civic and political ones – in which different communities can develop ties and shared practices.”

Practice

In building on these theoretical underpinnings (among others), I sought during this semester to engage in my own professional learning, as well as facilitate my various classroom-activities, with an eye toward exploring the digital applications of these ideas in the service of both individual and community development.

Guitar

(One of) My own learning project(s) during the term took on the challenge of musical performance, both in my guitar classroom and the school community beyond, a process I documented and reflected upon in a series of posts both here and on the #IntroGuitar site:Murder at the Witch's Tavern

In addition to this somewhat formal performance (as well as those which will follow throughout the semester), I also took a stake in a fundraising evening of murder-mystery dinner-theatre for our drama department, writing and sharing a series of expository songs during the hastily produced play performed for local parents, colleagues and community guests.

In each of these examples, my aim was not only to develop and reflect on my own growth as a musician, but to engage in a process I regularly ask of my students so as to both cultivate empathy for the discomfort that often accompanies learning as well as share an example – successful or not – of stepping into Vigotsky’s Zone of Proximal Development for students and colleagues alike.

For my guitar students especially, whom I ask to document and reflect on their musical learning regularly, sharing my own journey as a guitar player is an integral part of cultivating an open course community within the structure of a for-credit classroom. Part of the ‘open’ ethos of the blended #introguitar environment creates the course site as a space for our students to cultivate and share their own narratives of learning among members of the class, but also those beyond.

But these individual and collective artifacts of learning also stretch beyond the classroom, leaving a lasting community of practice that is accessible – as the three iterations of the course that have used the course are – to future students of guitar, at Gleneagle and beyond.

TALONS Socials

The same might be said of the praxis of reflection and creation I have attempted to instigate in the TALONS Socials learning this semester, where members of the class have been asked to document various aspects of their learning: in blog posts, Tweets, pages of notes, and recorded class discussions and role plays.

With assignments separated into summative presentations and assignments, reflections and self-assessments, as well as documents of learning in progress (questions, notes on discussions, journal entries, marginalia in various readings, assigned and otherwise), the TALONS Social Studies semester orients itself toward students taking ownership over their own encounters with the course’s Ministry-mandated prescribed learning outcomes. Through a range of class activities and assignments, each is charged with the collection of various artifacts of learning that will be used in the creation of midterm, as well as final syntheses of learning, where these articles will serve as evidence that the curriculum has been encountered, critically interrogated, and integrated into their own emerging understanding.

Daily homework, if not otherwise specified, reflects the values of ongoing personal inquiry and is geared toward the TALONS being successful in what has become known as the Philosophy Pop Quiz:

  1. Did you read material for today’s class meeting carefully? (No – 0, Once – 1, Yes, more than once – 2)
  2. Did you come to class today with questions or with items you’re eager to discuss? (No – 0, Yes, one – 1, Yes, more than one – 2)
  3. Since we last met, did you talk at length to a classmate, or classmates about either the last class meeting or today’s meeting? (No – 0, Yes, one person – 1, Yes, more than one person – 2)
  4. Since our last meeting, did you read any unassigned material related to this course of study? (No – 0, Yes, one item – 1, Yes, more than one item – 2)
  5. Since our last meeting, how much time have you spent reflecting on this course of study and recent class meetings? (None to 29 minutes – 0, 30 minutes to one hour – 1, Over an hour – 2)

Working toward the highest possible class average score on the above quiz, the traits and habits required for daily success can become part of the cycle of personal learning without falling prey to being too prescriptive. The synthesis of a collective voice out of these various inquiries and encounters with the common course of study are able to become the task of the social curricula.

This has been particularly evident in the class’ recent study of Canadian Confederation, where an experiment in social media role-playing has built upon the debates and discussion various historical characters have been waging in the face to face classroom, realizing that multicultural difficulty:

“…to ‘teach’ toward these myriad truths is at once a curricular requirement and Quixotic pursuit, revealing the tensions of education for citizenship in a pluralist democracy, asking How do we create unity and cultivate diverse perspectives?

“In interpreting history, as well as our present moment, students ought be engaged in rehearsing this act, and with the dramatic role play the answer offered to the pedagogic problem lies at the heart of narrative.

“Of sensing an individual’s arc at the centre of a multitude of shared and individual lives.

“Of constructing ‘we’ out of many ‘I’s.

“Whether face to face or in the online sphere, this is the task of schooling in the multicultural society.”

Reflection

Perhaps apart from both the theory and practice summarized above, the learning engaged in on this blog regularly ventures into more personal reflections and syntheses of learning that go beyond the collection of classroom experiences or theoretical readings and attempt to articulate something of a larger polemic on the state of educational or cultural affairs.

In the past few months, these posts have charted a variety of themes encountered in my weekly wanderings, including some thoughts on the nature of Learning on (and of) the Web, My life as the Music Department Digital Archivist, and Teaching in the Patriarchy. On a more personal note, I looked back on more than a decade spent with the work of Ernest Hemingway.

Each of these musings serves to help synthesize and express an emerging interpretation of various themes in my teaching, learning and life, harkening back to an image I used in a post last December on Course Design and Narrative Discovery, where data is transformed to information, to knowledge, to wisdom.

By engaging in this open manner, and publishing this work and these thoughts alongside the TieGrad cohort which has inspired many of them in the past two years, each of these experiences – and their corresponding posts – represents at once the wisdom of today as well as the points of data that will be made into new meanings going forward.

In a way it’s been the lesson I’ve been learning from Alec for years, while at the same time a culmination and synthesis of everything I’ve been learning the whole time.

Just as learning should be.

Lit Review Twitter Essay

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This is the sort of thing that might otherwise be relegated to an aggregated Storify or series of screenshots. But as this afternoon’s series of Tweets was intended to partially sketch out the main ideas in what will be a much larger – Master’s thesis-sized – work, expanding on some of these points seems well-suited to a longer look here on the blog.

While not generally considered the forum to share and discuss more substantial themes or ideas, I’ve noticed more and more of the people I follow using part of the natural functioning of Twitter to follow through with some of their longer-form thinking.

One of the pioneer’s of the form, Jeet Heer published a spin on one of his essays in the Globe and Mail last fall, noting this popular conception:

6. With strict 140-character limit & cacophony of competing voices, Twitter seems like worst place to write an essay.

7. To critics, a Twitter essay is like life-size replica of the Eiffel Tower made from chopsticks: perverse enterprise.

But he went on to enumerate the ways in which Twitter might be the perfect venue for such thinking:

14. With a properly focused topic, a set of tweets allows you to ruminate on a subject, to circle around it: to make an essay.

15. An essay in original French meaning of term is a trial, an attempt, an endeavour: a provisional thought about something.

16. At the very root of the essay form is its experimental and makeshift nature. An essay isn’t a definitive judgment but a first survey.

17. The ephemeral nature of Twitter gives it a natural affinity with the interim and ad hoc nature of the essay form.

18. A Twitter essay isn’t really an argument; it’s the skeleton of an argument.

19. Tweets are snowflake sentences: They crystallize, have some fleeting beauty and disappear.

20. To write snowflake sentences is liberating: They don’t have to have the finality of the printed word.

21. Fugitive thoughts quickly captured.

This last point may perfectly characterize the difficulty of attempting to synthesize what has been more than a year of wide reading on a variety of loosely interrelated topics, bound together in many ways only by my own ability to connect them (if this is truly the purpose of academic study): to begin to write about these readings and plot our next steps forward as a grad cohort, we are engaged in the pursuit of such fugitive thoughts. 

As an exercise in collecting my thinking on a year’s work, I set out to form the basis of my thesis in a few posts:

Screen Shot 2015-03-29 at 3.47.05 PMWhile the ‘elevator pitch’ for the thesis begins in a few different places – critical pedagogy, Enlightenment thinking, or youth voter apathy – these ideas became today’s point of origin, and together might constitute something of an introduction to what I hope will serve as a research project.

It might begin something like this:

Citizenship in a pluralist democracy requires the cultivation of skills and dispositions that allow for an ongoing constructivism of more and more diverse perspectives within a collective identity. Multiculturalism is the natural extension of emergent epistemologies which draw on both critical and transformative pedagogies. 

There are a number of scholars’ work who have led me to the drafting of such a sentiment, chief among them Deborah Osberg and Gert Biesta, Paulo Friere, and Gregory Bateson.

Osberg and Biesta’s inquiry into whether a truly emergent epistemology could be possible in schools has concerned a great deal of linked text published to this blog in recent years:

Paulo Freire also figured largely – as he tends to – in my ongoing research into a pedagogy that might help bring about such an emergent constructivism:

And each of these threads culminates in the transcendent quality which Michel Foucault places in Enlightenment itself, which he called a “critique of what we are” and an “experiment” with going beyond the limits “imposed on us,” bringing about the paradigm shift which resets Freire’s critical praxis. Gregory Bateson (and Daniel Schugurensky) exnten this thinking and discuss the political and cultural necessity of working toward transformation as an ongoing process.

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Here we might continue in an academic voice:

However, the public institutions charged with producing and maintaining a citizenry that values emergence, and practices critical transformation are caught in something of a paradox as they intend to produce something which necessarily must be composed out of a fluid and ever-changing constituency. 

Not only are schools tasked with cultivating a curriculum which orients itself toward the production of that citizenry, but the broader socio/political/economic culture must be constantly reevaluating and defining just what that citizenship itself is seen to represent.

As institutions, they are faced with the reality of developing targets; yet a certain amount of recognizing aims within an emergent system means drawing the target around the shot that has been taken. 

Within a Canadian context, a multicultural constitution creates the (apparently) unresolvable tension between inviting and encouraging greater and greater diversity along with the generation of unifying symbols and experiences. A multicultural nation is one that is perpetually becoming, making the notion of citizenship (not to mention the form and function of the institutions charged with imbuing the younger generation with a sense of that citizenship) elusive.

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To confront this inherent tension Sigal Ben-Porath presents a notion of citizenship as “shared fate,” which “seeks to weave the historical, political and social ties among members of the nation into a form of affiliation that would sustain their shared political project.”

Again:

Ben-Porath describes “citizenship as shared fate” as a form of critical citizenship within which “the vision of the nation as a stable, bound and tangible group” might be overcome. For Ben-Porath, civic learning for citizenship as shared fate includes acquiring:

  • Knowledge of fellow citizens,
  • Skills to interact with them, and
  • Attitudes that can facilitate shared civic action.

Such a conception of civic learning echoes the emancipatory praxis of Paulo Freire, for whom the ability to “transform one’s reality” was paramount in realizing freedom from oppression. 

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In terms of researching answers to these questions, I am fortunate to work with three different groups of young people that cover a broad spectrum of our school’s high school experience. Between our grade nine/ten gifted cohorts learning in a district-funded program and with access to a unique curriculum and ample classroom technology, a senior-level Philosophy 12 course that has functioned as an open online course now for more than three years, and the grades 9-12 elective #IntroGuitar course, public digital spaces and social media support various processes related to civics learning and students’ honing of their own conception of their individual and collective citizenship.

I am curious to see how these questions might be explored within and around these communities of practice – among students, teachers, and potentially parents or open online participants who are brought into the fray. As well, I am excited at the possibility such a collective inquiry might offer the creation of a lasting forum of autonomous voices coming together in the shared space of the public web.

My Life as the Music Department Digital Archivist

Snowball

The performing arts are made of fleeting moments of genius.

Whether on nights under the lights on the school stage, or transcendent travels among musicians from different places and cultures, I’ve been fortunate to spend time basking in the magic created by our school’s musicians for a few years now. As a newly minted member of the fine arts department when I started teaching guitar five years ago, I often found myself in awe dropping in on choir rehearsals and jazz workshops, and forging connections with student-performers who in many cases served as musical inspiration, if not outright mentors.

Percussion

Having begun blogging with the TALONS a few years earlier, the prospect of documenting and sharing the performing arts struck me as a unique application of social media and digital storytelling that continues to be a joyful part of my educational life online. In 2010 I started a Music Department Blog, Twitter account, and Flickr page (later adding a SoundCloud account), which I have maintained in the years since with photos, recordings and videos collected from organized concerts, tours, and classroom learning, as well as local concerts and more informal performances beyond the curriculum.

In the course of five years, these artifacts have collected to serve as the musical traditions of our school community, which incoming students are greeted with and will continue to contribute to with their voices and instruments. Our experiences Practice Room Cwith broadcasting concerts live on distributed web radio have also grown from an experiment on the fringes of learning with technology to a commonplace occurrence several students volunteer to DJ/host and can handle with minimal teacher support.

Which has all come a long way from the spring of 2011, when we were only learning how to wield the software, and Twitter was still the new kid on the block. The day when parents, local schools, and students would each be conducting a good part of their public lives on social media hadn’t quite come to pass, and I’m proud of the work our Gleneagle community has been willing to share with the world beyond our hallway.

Throughout, I’ve considered it part of my job to anticipate and be nearby when interesting music is being made at or around the school.

Untitled

Like when the choir sneaks into the Cathedral of Havana to sing a Spanish hymn. Or when a group of guitar students hang around for the first few minutes of lunchtime to cover Bob Marley, or the Beatles, or Broken Social Scene, or Dan Mangan.

Or our flight to California is delayed, and there’s time to kill at the gate.

Or a few grade twelves pile into a horsedrawn carriage in Cuba with a guitar and clave, and sing what they see on their way to the market.

As with anything that leaves a digital tail, these recordings, videos and pictures tell the story of people who have passed through our musical community. They document our choir’s verse along with Chris Hadfield’s “Is Someone Singing?” on a nationwide Music Monday. And when our new principal dropped by guitar class.

And that time the Bears played the last day of school.

Throughout, my process in documenting these momentary feats has moved away from the more ambitious, to favour the quick and dirty. When I started doing this, I collected reams of Garageband files, GBs of HD videos and pictures, always with the intention of editing down sleek documents of radio or podcast perfection: suites of songs interspersed with interviews with kids. Mini-documentaries of our travels, or the behind-the-curtain mania of concert night.

But this generally creates a backlog of material to log and edit, and my best intentions while shooting and collecting material haven’t often seen the light of day in an ideal form.

So I’ve taken to grabbing what I can in bite-sized records and documents that I can upload, tag and add to playlists quickly, then move on.Rhythm Man

When we travel, and there’s ready access to wifi, I’ll interview kids briefly about what they’ve been enjoying, how they think the tour is going, and post it on a service like Audioboom, or Soundcloud. I’ll post pictures on Twitter, or Instagram.

And collect an array of performance videos.

I also try to collect photos of the more ‘official’ aspects of the tour or concert, as the personal narratives of the students are handily shared and selfie’d across different media when we travel. Sometimes I try to keep track of some of these postings, and collect them in Storify, Flickr or other places; but in truth there are a lot of music students, and I don’t follow many of them unless they’ve made a point of interacting and engaging with the school or my own account. If I notice that they’ve shared a particularly good photo of a memorable moment, I’ll ask for them to email it to me or if I might Retweet their post.

But the key remains organization, and to maintain a vigilance toward tagging, sorting, and archiving the ephemera of these magical moments. While they are each preserved momentarily within a picture or a Twitter update, after a few weeks – let alone five years – the artifacts themselves are lost with the melodies long-since sung or performed on stages wherever we go. Because these videos and pictures and posts all serve the immediate need to relive a trip just passed – our weeks old trip to Cuba this year, for instance – but also now reside among the playlists and albums of trips, concerts, and rehearsals going back to 2010.

In its entirety, it is a grand monument to the talent and community at Gleneagle, a song composed one note at a time and fixed into its proper place among its ancestors.