This is the sort of thing that might otherwise be relegated to an aggregated Storify or series of screenshots. But as this afternoon’s series of Tweets was intended to partially sketch out the main ideas in what will be a much larger – Master’s thesis-sized – work, expanding on some of these points seems well-suited […]Read more "Lit Review Twitter Essay"
The performing arts are made of fleeting moments of genius. Whether on nights under the lights on the school stage, or transcendent travels among musicians from different places and cultures, I’ve been fortunate to spend time basking in the magic created by our school’s musicians for a few years now. As a newly minted […]Read more "My Life as the Music Department Digital Archivist"
While it hasn’t blossomed with a wealth of open online participation (yet…?) this semester, the blended and open structure of #introguitar – as well as the new site design and digs courtesy of Alan Levine‘s WordPress blessings – has created an anthology of learning about guitar for both my own block of Introduction to Guitar, […]Read more "The HS Music MOOC"
In addition to more critical efforts to conduct inquiries into history as it intersects with our present landscape, the TALONS class has come to embrace dramatic efforts to enact and recreate history in their social(s) learning. Whether engaging in a mock trial of King Charles II, or making impassioned speeches as characters in the French […]Read more "Social Media/Studies"
Leading up to our first performances in #IntroGuitar, for credit students were asked to prepare brief introductions to their goals in these first efforts. Here is my introduction to the song I selected to perform, an original entitled “Judy and the Town.” While the song is a few years old, I have elected to focus […]Read more "Learning Project: Performance Goals"
Hey (#IntroGuitar) folks! Here’s a brief example of how you might contribute a course introduction during our first few weeks of class this semester. You can see many others here. While open online participants are free to jump in and begin on any particular assignment they like, even a short video introduction to yourself and […]Read more "#IntroGuitar Course Welcome & Introduction"
“…ds106 is not just ‘on’ the web—it is ‘of’ the web.” Alan Levine The advent of the web enables a type of individual inquiry and collective synthesis that makes new experiments in constructivism possible. But creating the conditions for such epistemological emergence can be a challenging possibility to consider. As Osberg and Biesta note, “…if […]Read more "Learning on (and of) the Web"
In an essay collected in Rethinking Freire: Globalization and the Environmental Crisis, Derek Rasmussen introduces Paulo Freire and those who would introduce his critical praxis to victims of oppression in foreign countries as “rescuers” attempting “to ameliorate the conditions of the oppressed.” This is, Rasmussen admits, “certainly a worthy aim.” However, the blind spot in this well-intentioned […]Read more "Pedagogy for the Oppressor: Cease to do Evil, then Learn to do Good"
I have to thank TALONS (and #introguitar) alum Clayton for recommending the MelodyLab app that allows you to make multi-part video-harmonies with your phone. It might be a ways from replicating Matt Mulholland’s epic multi-part Ghostbusters theme song, but the free app introduces aspects of the loop pedal to video editing, offering this semester’s #introguitar crowd an exciting way […]Read more "Split-Screen Storytelling"
Before the new year, I compiled a host of the TALONS‘ responses to reflective prompts on their work created during the Eminent Person Study, highlighting the means and methods they employed to create stellar examples of public speaking in their Eminent Addresses. Being able to have each of these reflections assembled in one place – […]Read more "Room for Improvement: If and when we do Eminent again…"